The executive committee of the British Association for Romantic Studies (BARS) and the trustees of Chawton House are delighted to announce the winner of the inaugural BARS Chawton House Travel Bursary: Francesca Kavanagh, who is a PhD candidate at the University of Melbourne. Her research project examines the production of spaces of intimacy in practices of letter-writing, annotation, and commonplacing.
All scholars working on Romantic-Period women’s writing are eligible to apply for this scheme. The BARS Executive Committee has established this award in order to help fund expenses incurred through travel to, and accommodation near, Chawton House Library in Hampshire, up to a maximum of £500.
Recipients are asked to submit a short report to the BARS Executive Committee, for publication on its website, and to acknowledge BARS and Chawton House in their doctoral thesis and/or any publication arising from the research trip. Please join us in congratulating Francesca on her award.
The BARS Executive Committee has established these bursaries in order to support postgraduate and early-career research within the UK. They are intended to help fund expenses incurred through travel to libraries and archives necessary to the student’s research. As anticipated, this year we received a large number of applications, many of which were of a very high quality indeed. Please do join us in congratulating the very worthy winners. Romanticism is alive and kicking, we’re pleased to say!
Eleanor Bryan (University of Lincoln)
Mary Chadwick (University of Huddersfield)
Lauren Christie (University of Dundee)
Octavia Cox (University of Oxford)
Valerie Derbyshire (University of Sheffield)
Eva-Charlotta Mebius (University College London)
Hannah Moss (University of Sheffield)
Harrie Neal (University of York)
Emma Probett (University of Leicester)
Lieke van Deinsen (Radboud University Nijmegen)
Once they have completed their research trips each winner will write a brief report on their projects. These will be published on the website and circulated through our social media. For more information about the bursaries, including reports from past winners, please visit our website.
– Daniel Cook
Bursaries Officer, BARS
University of Dundee
The Executive Committee of the British Association for Romantic Studies is recruiting a new Secretary.
The Secretary is responsible for the organisation and minuting of face to face and on-line Executive meetings, and serving as the first contact point for the Association. They circulate funding applications to the Executive Committee and liaise with applicants. Members of the Executive Committee are expected to attend three meetings (one at the biennial conference) and contribute to one ‘virtual’ meeting in a two-year cycle.
The post does not carry remuneration but it is an excellent opportunity for an early-career Romanticist to gain valuable experience and skills.
Informal enquiries about the role should be directed to the outgoing Secretary, Helen Stark (firstname.lastname@example.org). Applications should be made to the President, Ian Haywood (I.Haywood@roehampton.ac.uk) and comprise a CV and a statement (up to 300 words) detailing the applicant’s qualification for the role. The start date is negotiable but no later than June 2018. Deadline for applications: 19 Feb 2018.
British Association for Romantic Studies Early Career and Postgraduate Conference
University of Glasgow, 15–16 June 2018
Keynote Speakers: Professor Gerard Carruthers (University of Glasgow) and Dr Susan Manly (University of St Andrews)
The BARS Early Career and Postgraduate Conference will explore the concept of exchange in Romantic-period literature and thought. It will bring together postgraduate and early-career researchers whose work addresses this idea from a wide range of perspectives: from the economic exchange of objects and commodities, to the transnational circulation of books and ideas, to neglected connections between writers, texts and contexts.
We invite proposals for themed panels, as well as proposals for the traditional individual twenty-minute paper. Applicants might choose to address some of the following, though we also encourage you to interpret the theme more widely:
Commercial exchange: trade, commodities, the literary marketplace, economic value.
Epistolary exchange: letters, correspondence, bills of exchange, legal documents.
Financial exchange: money, gifts, credit, indebtedness, political economy.
Historical exchange: transmission and reception of writers and works across generations.
Intellectual exchange: literary networks and coteries, periodicals and print culture, public opinion.
International exchange: travel, intercultural encounters, translation, transnational circulation.
Interpersonal exchange: influence, collaboration and conversation between writers.
Please send abstracts of up to 250 words for individual papers or 750 words for themed three-person panels (including name and institutional affiliation of all proposed speakers) to email@example.com by 9 March 2018.
The following report details research by Lauren Nixon, who visited the University of Yale supported by a BARS Stephen Copley Bursary.
Stephen Copley Research Award Report
Lauren Nixon: Researching Henry Seymour Conway at the Lewis Walpole Library
The Stephen Copley Research Award funded my visit to the Lewis Walpole Library, part of the University of Yale, which houses a large collection of materials relating to Horace Walpole (1717-1797) as well as an extensive array of rare books, prints and paintings. Thanks to the award I was able to spend a week in November 2017 studying the correspondence of Henry Seymour Conway (1721-1795), a cousin and friend of Horace Walpole and a British Army Officer who served during the Seven Years War (1756-1763). This research will form a part of my PhD thesis, ‘Conflicting Masculinities: The figure of the soldier in Gothic literature, 1764-1826’, and I hope to have the opportunity to present a snapshot of my findings at a conference this year.
Though significant critical work on exploring gender constructs within the early Gothic novel has been undertaken, very little has focused upon the military and the figure of the soldier. Yet the soldier, be it in the guise of an ancient knight, clansman or chevalier, appears frequently throughout the Gothic fiction of the period. My thesis analyses the ways in which Gothic writers employed the soldier and the military to redefine and reconsider masculinity, and charts shifting perceptions and presentations of the military in the eighteenth century. As part of this research I am interested in the state of the military and social perception of the soldier during and in the aftermath of the Seven Years War, a conflict which Britain emerged victorious but which would have drastic lasting financial strains. Despite being heralded as heroes during the Seven Years War, the years after saw the private soldier turned loose without pay. Left to poverty and vagrancy, the British soldier of the 1770’s and 1780’s was far from a champion of national vigour and virtue – that is, until the renewed threat of conflict with France after the French Revolution.
In addition to the Gothic novels of authors such as Walpole, Ann Radcliffe, Regina Maria Roche and Mary Shelley, my research also incorporates a number of primary materials such as songs, pamphlets and speeches. During my week in the Lewis Walpole Library, I was able to further this study by analysing Henry Seymour Conway’s correspondence with his brother Francis Seymour Conway, 1st Marquess of Hertford (1718-1794) and three books of his military correspondence charting his service in Europe during the Seven Years War. This not only provided enlightening and intriguing insights into the military profession and the notion of the soldier’s duty during the eighteenth century from unpublished, understudied texts, but also indicated a crucial connection to the Gothic. Walpole and Conway were not just cousins, but close friends and frequent correspondents. In 1764, when Conway was abruptly dismissed from both parliament and his military command after speaking out against the Government on the John Wilkes controversy, Walpole supported Conway both financially and publically. As the Castle of Otranto was published later that same year, I believe there is an argument to be made for Conway’s identity as a soldier and his belief in the soldier’s chivalric masculinity influenced the novel. This is an avenue I had not previously considered, but now aim to pursue in the future.
I am extremely grateful to BARS for granting me the Stephen Copley Research Award, as without it I would not have been able to make the trip. The research I undertook at the Lewis Walpole Library was of great value to my thesis, but also to my development as a researcher. The library itself, located in the town of Farmington, Connecticut (about forty minutes drive from Yale University), has a varied and fascinating collection, including their current exhibition Global Encounters and the Archives: Great Britain’s Empire in the Age of Horace Walpole.
The Editors, led from this number forward by Mark Sandy, are pleased to announce the publication of the 50th number of The BARS Review, the eighth available in full online through the new website. The list of contents below includes links to the html versions of the fifteen articles, but all the reviews are also available as pdfs. If you want to browse through the whole number at your leisure, a pdf compilation is available.
If you have any comments on the new number, or on the Review in general, we’d be very grateful for any feedback that would allow us to improve the site or the content.
Editor: Mark Sandy (Durham University) General Editors: Ian Haywood (University of Roehampton), Susan Oliver (University of Essex) & Nicola J. Watson (Open University) Technical Editor: Matthew Sangster (University of Glasgow)
All scholars working on Romantic-Period women’s writing are invited to apply for the 2018 BARS Chawton House Travel Bursary. The BARS Executive Committee has established this award in order to help fund expenses incurred through travel to, and accommodation near, Chawton House Library in Hampshire, up to a maximum of £500.
The names of recipients will be announced on the BARS and Chawton House Library websites and social media. Successful applicants will be asked to submit a short report to the BARS Executive Committee and Chawton House Library Trustees within four weeks of the completion of the research trip and to acknowledge BARS and Chawton House Library in resulting publications. Successful applicants must be members of BARS before taking up the award: see How to Join.
Please send the following information in support of your application (up to two pages of A4 maximum in word.doc format):
Your full name and institutional affiliation (if any).
The working title and a short abstract or summary of your current project.
Brief description of the research to be undertaken at Chawton House Library.
Estimated costing of proposed research trip.
Estimated travel dates.
Name of one referee (with email address) to whom application can be made for a supporting reference on your behalf.
Name and contact details (including email address and Twitter handle) of whomever updates your departmental website or social media, if known. And your Twitter handle, if applicable.
Applications should be directed to the BARS bursaries officer, Dr Daniel Cook (firstname.lastname@example.org) at the University of Dundee. The deadline for applications is February 1st in any given year. Informal enquires about the Chawton House Library collection and this scheme can be directed to Dr Gillian Dow (G.Dow@soton.ac.uk).
For more information about Chawton House Library, including access to the online catalogue, see https://chawtonhouse.org.
This round, we had 19 nominations from publishers and BARS members, 12 from UK presses, the remainder from USA and Canada. As judges, we were really impressed by the high quality of the work submitted, which says a lot about the flourishing state of Romantic Studies. There was a lot of animated discussion and argument before the panel made its final decisions. Although it was hard work, we got a lot of pleasure from reading these books. Congratulations to all concerned, especially to the winner and runners up!
– Nigel Leask (Chair) (Glasgow); Nicola J. Watson (Open University); Anthony Mandal (Cardiff); Helen Stark (QMUL)
Julia S. Carlson, Romantic Marks and Measures: Wordsworth’s Poetry in Fields of Print (Philadelphia: University of Pennsylvania Press, 2016).
Romantic Marks and Measures is a rich and evocative work of scholarship, building on a variety of historical materials – maps, travel guides, elocutionary and prosodic studies, and literary works – to argue the case for a cartopoetic reading of Wordsworth’s poetry and his adoption of blank verse as a turning point (in particular, in the Lyrical Ballads, The Excursion and The Prelude). As well offering a fresh reading of Wordsworth’s punctuation, metrics and poetic revisions, both in print and manuscript, the book is also distinguished by its learned account of transformations in Romantic period cartography. Its two main sections are cleverly bridged by an interchapter that makes the case for a new perceptual turn grounded in marks and measures, which in turn is shown to be an informing presence in Wordsworth’s poetics. A final chapter on Thelwall’s elocutionary work casts new light on his ‘therapoetics’ and his critique of the ‘measure’ of Wordsworth’s Excursion. This is an impressive debut and a strong contribution to interdisciplinary studies, displaying prosodic and interpretative rigour in reading Wordsworth’s ‘lines and points’. As well as a major intervention in Wordsworth studies, Romantic Marks and Measures really has the potential to redefine our sense of ‘natural’ representation, both in the field of topography, and in Romantic prosody and print culture.
Siobhan Carroll, An Empire of Air and Water: Uncolonized Space in the British Imagination, 1750-1850 (Philadelphia: University of Pennsylvania Press, 2015).
An Empire of Air and Water is a tour de force of interdisciplinary excavation and remapping, which stakes new ground for the Romantic imaginary by drawing together a range of eclectic literary sources and putting them into dialogue with wider cultural projects during the Romantic Century. Carroll’s book examines the presence of ‘atopias’ – spaces which resist categorisation, habitation and conceptualisation: these are polar regions, the oceans, the atmosphere and subterranean spaces. Each of the core chapters offers a nuanced and intriguing piece of a wider puzzle that collects around the British imperial project and its various technologies (as well as those of its competitors). These atopias function variously in extending the Romantic imagination upwards and outwards, while also resisting human endeavour through its evocation of a gothic past that always lurks beneath the surface. Carroll includes readings of numerous literary works, by Mary Shelley, Byron, Thomas De Quincey, Charles Dickens, Elizabeth Inchbald, Sophia Lee, and a number of lesser-known writers.
Devin Griffiths, The Age of Analogy: Science and Literature Between the Darwins (Baltimore: Johns Hopkins University Press, 2016).
Via a highly theorized discussion of analogy, Devin Griffiths seeks to place a new ‘comparative historicism’ at the heart of literary and scientific studies in the century between Erasmus Darwin and his grandson Charles. Although only about half of the book actually focuses on Romantic period writings, it makes renews our sense of the importance of Romantic narrative and methodological influences on Victorian literature and science. A theoretical introduction reviews the current state of literature and science studies, including a persuasive discussion of analogy in the work of Bruno Latour, Pierre Bourdieu and Alain Badiou. The main argument is set up via an illuminating study of the poetry of Erasmus Darwin, unduly neglected in Romantic Studies. A chapter on Walter Scott contains original research on ‘popular antiquarianism’ and ballad collecting, as well as reviewing the role of Scott’s novels in developing ideas of historical analogy in nineteenth-century literature. Two chapters are devoted to Tennyson and George Eliot, and a closing chapter on Charles Darwin (with a highly original focus on his Orchid book) identifies selective adaptation as a form of ‘harmonious’ analogy. Clearly written and full of critical flair, Griffiths’ ambitious book harvests a decade’s worth of reading and scholarship, and will have a major impact on both Romantic and Victorian studies. It also reinvigorates our sense of the relationship between the ‘two cultures’ of literature and science in the long nineteenth century.
The British Association for Romantic Studies is pleased to announce that it is funding a new fellowship, the BARS European Engagement Fellow. The Fellow will be expected to work part-time on Project RÊVE, the core activity of the newly formed ERA (European Romanticisms in Association). ERA brings together scholarly associations, archives and heritage organizations across Europe with common interests in long Romanticism to work together on the European dimensions of Romanticism. RÊVE (Romantic Europe: The Virtual Exhibition) is designed in the first instance as a series of monthly blogposts devoted to iconic Romantic objects and places which exemplify some transnational aspect of Romanticism in Europe. Its ambition is to feature 100 objects, eventually housing them in a searchable database set up as a virtual museum. Launched in July 2017, the first six blogposts for RÊVE can be accessed here: http://www.euromanticism.org
The Fellowship is suitable for a doctoral or post-doctoral candidate. It will be held over six months in the first instance, starting from 1 January 2018 and running until 1 July 2018. It will be paid monthly at an hourly rate of £15.00 and will entail on average 10 hours of work per month. Any travel expenses will also be covered. Tasks will include:
Correspondence with identified contributors across Europe to commission and collect RÊVE blog-posts
Editing and uploading blog-posts
Publicising RÊVE by increasing its profile online, through social media, and through conferences
Managing and developing the ERA website, in particular adding links to other organizations and events, and information on ERA conferences
Helping with and attending ERA/RÊVE events as and when they arise.
There is also the opportunity to become a contributor to RÊVE. The Fellow will be co-opted, initially for 6 months from 1 January 2018, onto the BARS Executive with a brief to help expand the current BARS initiative to develop new European links. S/he will be expected to work with the project director, Professor Nicola Watson of the Open University (email@example.com).
We are looking for someone with energy and enthusiasm, proven research interests in any aspect of Romantic culture, the ability to manage and use social media (Facebook, Twitter, Instagram, WordPress), some familiarity with or willingness to learn about managing and developing websites, and excellent communication and organizational skills. It would be an advantage to bring at least one other European language beyond English. In return we are offering an unusual opportunity to work within a Europe-wide network of universities and museums on a new idea, the virtual, transnational museum.
Please send a letter expressing your interest and describing your research, skills and experience, supported by a one-page curriculum vitae to Professor Nicola Watson at firstname.lastname@example.org by 11 December 2017.
BARS is very pleased to announce that it is expanding its Fellowship scheme in partnership with the Wordsworth Trust so that two early career scholars will have the chance to develop their skills while in residence for a month in Grasmere during the coming academic year. Please see below for details of how to apply.
BARS/Wordsworth Trust Early Career Fellowship 2017
We would like to invite Early Career Researchers who are not in permanent employment to apply for a one-month residential Fellowship with the Wordsworth Trust at Grasmere. The Trust is centred around Dove Cottage, the Wordsworths’ home between 1799 and 1808, where Wordsworth wrote most of his greatest poetry and Dorothy wrote her Grasmere journals. Dove Cottage opened to visitors in 1891, and the Trust celebrated the 125th anniversary of the first day of opening on 27th July 2016. The first museum opened in 1935, coinciding with the bequest of the Wordsworth family archive to the Trust from Gordon Graham Wordsworth. The Trust collection has grown to 65,000 books, manuscripts and works of art, but at its heart remains the manuscript poetry, prose and letters of William and Dorothy Wordsworth. The Trust is embarking on an exciting new HLF-funded project leading up to the commemoration of Wordsworth’s 250th birthday on 7 April 2020. It is an audience driven project, seeking to raise awareness and change public perceptions of Wordsworth’s life and work. It will seek to re-imagine his life, his works and his relevance for today. The project will see onsite developments, such as the redesigning and extension of the present museum, alongside an extensive programme of engagement and activities within Cumbria and beyond. The Trust will be seeking to diversify existing audiences, and extend current work promoting the wellbeing agenda. In other words, actively making Wordsworth’s work accessible and continuing his own wish to see it help people ‘to see, to think and feel’.
We welcome submissions from applicants whose research interests will help the Trust to re-imagine Wordsworth. This is an opportunity to become familiar with existing audience engagement work (both onsite and offsite, gaining experience of duties that are audience related) and then creating a plan for an activity that will engage new audiences. This can be for an audience of your choice and will use the collections to stimulate an interest and develop understanding of the poet’s work. You will receive advice and training from the Curatorial and Learning team, led by Jeff Cowton (Curator and Head of Learning). The activity can be based in the gallery, to be delivered within a workshop setting, or online – or whatever you think works best for the audience in question. There will also be opportunities to develop your own research.
The Fellowship provides on-site self-catering accommodation for one month; we would prefer the internship to take place between November and February but this is negotiable. The Fellowship also provides £100 towards travel expenses. All applicants must be members of BARS.
Application procedure: on one side of A4, provide your name, email contact details, institutional affiliation (if relevant), current employment status, a brief biographical note, a description of your PhD thesis, details of the proposed research and audience based activity, and preferred period of residence (from November 2017). The successful applicant will demonstrate an enthusiasm for audience engagement and learning as well as research, combined in initial ideas for their proposed project. Send the application as an attached Word file to Jeff Cowton and Daniel Cook (J.Cowton@wordsworth.org.uk and email@example.com) no later than 30 September 2017. The successful candidate will be informed within two weeks.