The London Victorian Studies Colloquium is an annual residential colloquium for postgraduates and postdocs working in Victorian Studies, to be held at Royal Holloway Centre for Victorian Studies, from 26-27th April, 2019.
This is a relatively informal weekend of postgraduate papers, plenary talks, and training and professionalisation workshops, allowing generous space also for participants to socialise and study in the beautiful surroundings of the college. We hope to include a viewing of the Victorian art collection in the Royal Holloway picture gallery.
This year’s event will include:
Plenary talks from Dr Carol Jacobi (Curator of British Art, 1850-1915, Tate Britain) and Dr Helen Goodman (Bath Spa University)
Research Beyond the Article with Professor Redell Olsen (Royal Holloway, University of London) and Dr Joanna Taylor (University of Manchester)
Panel Discussion on Academic Careers and the Place of ECRs in the University
Training in Nineteenth-Century Collections and Designing Innovative Teaching
Participants do not have to present a paper but we will be looking for a small number of speakers to give short papers (20 minutes) on any topic. For details of the CFP, please see below.
The Centre for Victorian Studies is grateful to the techne consortium and Department of English at Royal Holloway, University of London for supporting this event.
The colloquium is open to Masters, doctoral students and postdocs from the UK or abroad, working on any nineteenth-century topic.
This year’s event is free to techne students. Please use the dedicated ticketing link.
The deadline for applicants is 5.00pm on Friday 29th March, or as soon as places are full.
CFP: Keats’s Odes at 200: A One-Day Bicentenary Conference (1819-2019)
1 February 2019, University of Caen (France)
Plenary speaker : Stanley Plumly (University of Maryland). Acclaimed poet and author of Posthumous Keats: A Personal Biography (Norton, 2008), The Immortal Evening: A Legendary Dinner with Keats, Wordsworth, and Lamb (Norton, 2014), winner of the Truman Capote Award for Literary Criticism, and Elegy Landscapes: Constable and Turner and the Intimate Sublime (Norton, 2018).
In the spring of 1819, living in the recently built Wentworth Place on the edge of Hampstead Heath, John Keats wrote five of the six poems now commonly referred to as the ‘Great Odes’, a group of texts whose hyper-canonicity can sometimes make it difficult to appreciate the precarious, unlikely circumstances under which they came into being – let alone to say anything new about them today. Over the course of the last two centuries, countless readers have found themselves enthralled by, and moved to comment on, Keats’s Ode to Psyche, Ode to a Nightingale, Ode on a Grecian Urn, Ode on Melancholy, Ode on Indolence, and ode To Autumn (composed in September 1819), generating a vast body of scholarly criticism, as well as a number of reuses or reimaginings of the odes in popular culture. Yet, not unlike the Hellenic urn which permanently remains, in its cold silence, ‘a friend to man’, the magic of the odes remains undiminished after all these years – and the depth and originality of Keats’s texts remain, miraculously, to be accounted for, still ‘teas[ing] us out of thought’. It is the aim of this one-day bicentenary conference not only to celebrate but also to continue to probe, question, and rethink the nature of Keats’s achievement in writing, at the height of his young artistic powers, these six ‘Great Odes’; to reexamine their past uses, and speculate on their lives to come, while teasing out (and, no less fruitfully, being teased by) their ostensible timelessness.
Speakers are invited to approach the odes from any number of angles, including (but not limited to) questions concerning: the composition and editing of the texts (their manuscript drafts, their multiple versions in print and digitization…); the critical reception of the odes in the 19th, 20th, and 21st centuries (in Britain, America, France, and elsewhere); Keats’s sources of inspiration, and of rupture; the odes and other forms of art (sculpture, music, painting); reuses and reimaginings of the odes in popular culture; their modern adaptations (cinema, fiction), etc.
We look forward to welcoming you to the East Midlands, where the historic city of Nottingham is located among the heartlands of British Romanticism. Newstead Abbey was Byron’s ancestral home; Sherwood Forest was re-imagined as the meeting place of Richard I and Robin Hood in Scott’s Ivanhoe; and the Cromford Mills are a living monument to Richard Arkwright, whose inventive development of spinning mills and power looms was an integral strand of the Industrial Revolution. This conference will explore the potency of ‘fact’ and fantasy’ both in the Romantic period and during the afterlife of Romanticism. The aim is to develop a collective understanding of how Romantic ‘fact’ and ‘fantasy’ work together and against one another, and in so doing embody the spirit of an age whose inventions and innovations laid the foundations for modernity while simultaneously exulting the power of the imagination and its creations.
Keynote speakers for Romantic Facts and Fantasies are Laura Mandell (Texas A&M), Robert Poole (UCLAN), Sharon Ruston (Lancaster), Diego Saglia (Parma), and Jane Stabler (St Andrews).
We encourage proposals for open-call sessions and themed panels as well as individual proposals for 20-minute papers. Subjects covered might include (but are not limited to):
Bicentenaries 1819-2019: The Peterloo Massacre; the ‘Six Acts’, the Carlsbad Decrees; the birth of Queen Victoria; Stamford Raffles and the foundation of Singapore; Simon Bolivar’s victory at Boyacá; the Panic of 1819; the opening of the Burlington Arcade, London; the Cotton Mills Act; the death of James Watt; Keats’s odes; Scott’s Ivanhoe, Bride of Lammermoor, and A Legend of Montrose; the final volume of Southey’s History of Brazil; Blake’s ‘Ghost of a Flea’ (1819/20).
Factual and fantastical encounters and dialogues: travel narratives; poetry of encounter; translations; colonial discourses; geologies, geographies and aesthetics of landscape; rivers, canals, bridges and roads in material, commercial and imaginative landscapes.
Facts and fantasies of collective and individual identity: Romantic provincialism (the Lunar Society, the Lake School); national identity and ideas of the state; religion; ethnography; Romantic life writing and autobiography; Romantic-period economics, consumerism, industry and agriculture; Romantic facts and fantasies of childhood; Romantic experiments in education; Rousseauism.
The scientific imaginary: Mary and Percy Shelley; Humphry Davy, poet and scientist; the development and legacies of Romantic science fiction; Erasmus Darwin, the Lunar Society and Joseph Wright of Derby; Malthus and Malthusianism.
Imagining the Romantic world: Keats’s ‘living year’; plagiarism and originality; the professional imagination in Keats, Davy, Blake, Caroline Herschel and William Herschel; pedagogic and didactic poetry, prose and drama; histories and history-writing, including the emergence of national histories; paintings, sculptures and music commemorating the events and ‘heroes’ of the Napoleonic wars, politics, industry and culture; architecture and Romantic fantasy (eg. Walter Scott’s Abbotsford, William Beckford’s Fonthill Abbey, and Joseph Gandy’s visualisations of the Bank of England and other buildings by John Soane); Romantic book illustration and developments in the technology of print.
We welcome proposals for the following:
Individual 20 minute papers. Abstracts of no more than 250 words (excluding the title). Please include your name and institutional affiliation (if applicable).
Panels of either three 20 minute papers or four 15 minute papers. Please include an abstract of the panel theme, together with 250-word (excluding the title) proposals from each of the speakers, in a single document.
Open-call sessions. Proposals should include a 350-word (excluding the title) description of the potential session, outlining its importance and relevance to the conference theme. Accepted open-call sessions will be advertised on the BARS 2019 website from mid-November 2018.
The deadline for proposals for open-call sessions is 1 November 2018.
The deadline for submissions of panels and individual papers is 17 December 2018.
Plenary Speakers: Ian Duncan (Berkeley) and Angela Esterhammer (Toronto)
The reign of George IV was a decade of profound transformations, during which technological, generic and ideological innovations opened up culture to unprecedentedly vast audiences, mandating the creation of new modes of communication and production, but also triggering fears about the loss of social cohesion and nostalgia for perceived lost identities. By 1830, Samuel Taylor Coleridge felt empowered to contend that ‘Roads, canals, machinery, the press, the periodical and daily press [and] the might of public opinion’ had fundamentally reconfigured political and social discourse.
This international conference aims to produce a new understanding of the underappreciated innovations and diffusions that occurred during the 1820s. Topics to be considered include, but are not limited to:
The Spirit of the Age
Media, mediality and technology
The proliferation of institutions
Reform and reaction
Public(s) and audiences
Abstracts of around 300 words for 20-minute papers should be sent to email@example.com along with the proposer’s name, institutional affiliation (if any) and a short biographical note (50-100 words).
We also invite proposals for keywords for framing the 1820s suitable for a special session of 5-minute presentations employing a single slide. Examples might include ‘Power’, ‘Speculation’, ‘Generation’, ‘Environment’, ‘Regulation’, ‘Genius’ and ‘Flash’. Proposals should be submitted in the same manner as paper abstracts, but should be no more than 150 words and should include ‘Keyword Proposal’ in the subject line of the email. Keyword proposals may be submitted either alone or with an abstract for a paper.
The submission deadline for both kinds of contribution is Friday November 30th 2018.
A key function of the conference is to catalyse a new edited collection. In the year following the conference, there will be a pair of workshops in York and Glasgow at which invited authors will develop papers into chapters in conversation with other contributors. Funding kindly provided by the Royal Society of Edinburgh will be available to support attendance at these workshops.
For a fuller version of this Call for Papers, along with further information on the conference and related events, please see our website: http://www.1820s.net.
The Wordsworth Conference Foundation announces The 47th Wordsworth Summer Conference
Monday 6 August to Thursday 16 August
Rydal Hall, Cumbria
Call for Papers and Bursary Applications
Keynote Lectures, 2018
Gillian Beer Madeleine Callaghan Philip Connell Jeff Cowton
David Duff Jessica Fay Mina Gorji
Theresa M. Kelley Stacey McDowell Julian North
Kimiyo Ogawa Seamus Perry Adam Potkay
Charles Rzepka Michael Rossington
The 2018 Wordsworth Summer Conference at elegant Rydal Hall will be the 47th since Richard Wordsworth’s inaugural conference gathering in 1970. This year we continue the format pioneered by Richard, mingling lectures, papers and lively academic debate with energetic fell walking, picturesque rambles, and excursions to places of Wordsworthian and Romantic interest. Upper and Lower Rydal Falls are within the grounds of the Hall, and Rydal Mount – Wordsworth’s home from 1813 until 1850 – is a two-minute walk away. In the evenings participants relax with poetry and music in the bar at Rydal Hall, wander through the terraced gardens, or stroll down to Rydal water for a moonlight swim …
By courtesy of the Wordsworth Trust, our opening night will include a reception at the Wordsworth Museum followed by a candle light visit to Dove Cottage. There will be a separate opportunity to explore the treasures of the Wordsworth Trust’s collections with the curator Jeff Cowton, and an evening visit to Wordsworth’s Rydal Mount and garden.
In 2018 our excursions are likely to include the picturesque coastal village St Bees, Ravenglass, and Muncaster Castle. High points for energetic fell walkers are likely to include Crinkle Crags, Sheffield Pike, Great End, and Glaramara by the spectacular waterfall at Taylor Ghyll Force.
Format and Costs: The 2018 Summer Conference is in two parts of 5 days each, with a changeover day on Saturday 11 August. The registration fee, which includes excursions, is the same as last year despite some increases in costs. This offers exceptional value at £250 for ten days and £175 for five days. For postgraduates, we offer a generous range of bursary funds (see below) to reduce rates for attendance. All participants will take all meals at Rydal Hall. Full Board at Rydal Hall Diocesan Conference Centre is available, and at Rydal Hall Youth Centre on the same site. Non-resident rates and a day rate are also available. For estimates of 2018 accommodation and related costs please click here.
For additional information about the Wordsworth Summer Conference, including the call for papers, and terms and conditions, please visit their website.
A conference taking place in May organised by Prof Nicholas Roe:
John Keats in Scotland
To celebrate the bicentenary of John Keats’s epic walking tour of Scotland in summer 1818, the School of English at the University of St Andrews will hold a two-day symposium on Friday 11 and Saturday 12 May.
Confirmed speakers: John Barnard, Jeffrey Cox, Katie Garner, Hrileena Ghosh, Nigel Leask, Meiko O’Halloran, Nicholas Roe, Richard Marggraf Turley, Carol Kyros Walker, Sarah Wootton.
Non-speaking participants are welcome to attend: to reserve a place, please e-mail to Dr. Katie Garner at firstname.lastname@example.org.
The full programme will be circulated in April.
John Keats by William Hilton, after Joseph Severn. Oil on canvas, based on a work of circa 1822. National Portrait Gallery.
British Association for Romantic Studies Early Career and Postgraduate Conference
University of Glasgow, 15–16 June 2018
Keynote Speakers: Professor Gerard Carruthers (University of Glasgow) and Dr Susan Manly (University of St Andrews)
The BARS Early Career and Postgraduate Conference will explore the concept of exchange in Romantic-period literature and thought. It will bring together postgraduate and early-career researchers whose work addresses this idea from a wide range of perspectives: from the economic exchange of objects and commodities, to the transnational circulation of books and ideas, to neglected connections between writers, texts and contexts.
We invite proposals for themed panels, as well as proposals for the traditional individual twenty-minute paper. Applicants might choose to address some of the following, though we also encourage you to interpret the theme more widely:
Commercial exchange: trade, commodities, the literary marketplace, economic value.
Epistolary exchange: letters, correspondence, bills of exchange, legal documents.
Financial exchange: money, gifts, credit, indebtedness, political economy.
Historical exchange: transmission and reception of writers and works across generations.
Intellectual exchange: literary networks and coteries, periodicals and print culture, public opinion.
International exchange: travel, intercultural encounters, translation, transnational circulation.
Interpersonal exchange: influence, collaboration and conversation between writers.
Please send abstracts of up to 250 words for individual papers or 750 words for themed three-person panels (including name and institutional affiliation of all proposed speakers) to email@example.com by 9 March 2018.
Please see below for a Call for Papers from the Inklings Society for Literature and Aesthetics for a September 2018 conference on Frankenstein in Ingolstadt, close to the very building in which Frankenstein – if he had existed – would have attended his medical studies and worked on his creation.
CALL FOR PAPERS
Deadline February 15 2018
Please submit proposals of up to 500 words, along with a short CV to: firstname.lastname@example.org
FRANKENSTEIN — PARABLE OF THE MODERN AGE
1818 · 2018
International Symposium of the Inklings-Society
Ingolstadt, 28th – 29th September 2018
The year 2018 marks the 200th anniversary of a novel that has had a lasting impact on literary fantasy, but also on thinking about ethics and science. The fact that Mary Shelley thought of more than a mere scary story when she anonymously published her novel Frankenstein in 1818 is illustrated by the alternative title: The Modern Prometheus. By referring to the ancient myth of Prometheus, it implies the relationship between creator and creature. One of Shelley’s fundamental literary innovations is to tell the story from the creature’s own point of view over substantial parts of the book. Coming into existence, Frankenstein’s creature at first desires nothing more than to be accepted as a human being in the community of humans. He becomes a danger, because even his own creator refuses to acknowledge him. Shelley deals with an existential question that can be extended from Frankenstein’s fictional laboratory in Ingolstadt to the phantasms and the real sceneries of contemporary history. If This Is a Man one might ask with the title of Primo Levi’s autobiographical report. Is fictional Frankenstein a myth standing for imagination creating monsters and then being afraid of them?
For our conference we are looking for contributions that deal with Shelley’s novel Frankenstein, its adaptations to the present day, and their potential as a model of interpretation for the modern age. The organizers encourage comparative studies that may – among others – reflect upon following topics:
– Battlegrounds: Shelley and Frankenstein between revolution and restoration
– Gods: literary perspectives on and of creators and creatures
– Enlightenment at its limits: abysses between sensibility, rationality and horror
– Poles and laboratories: Topographies of progress between the slaughterhouse and the permafrost
– Vivisections: Interpretations of the Frankenstein parable in later adaptations
– The Last Man: Images of the future between zombie and superhuman
The symposium will take place on September 28 and 29 2018 at the very place where Frankenstein – if he had existed – would have attended his anatomical and medical studies in Ingolstadt around 1800. The building complex now houses the German Medical History Museum.
A limited number of travel allowances might be available for successful applicants.
Lectures should not exceed 25 minutes. Conference languages are English or German.
Contributions will be published in the next issue of the Inklings Yearbook for Literature and Aesthetics.
Please send your abstract of up to 500 words and a short CV until Thursday 15 February 2018.
Entries should be submitted to:
Inklings Society for Literature and Aesthetics
c/o Prof. Dr. Karl R. Kegler email@example.com
The Italian Byron Society is pleased to announce the 44th International Byron Conference to be held in Ravenna from 2 to 7 July 2018. Website here.
Byron’s most famous use of the word “mobility” is in Don Juan, Canto 16, stanza XCVII, where he uses it to describe Lady Adeline Amundeville, adding a footnote in which he defines it as “excessive susceptibility of nimmediate impressions”. Since then the word has been taken up by critics and biographers from Thomas Moore and Lady Blessington onwards, to refer to what seems an essential quality of Byron’s personality and poetry (and, particularly in more recent years, politics). The word has sometimes been linked with the notion of improvisation, especially when considering the spontaneity (or apparent spontaneity) of his verse: “I rattle on exactly as I’d talk / With any body in a ride or walk.” (Don Juan, 15, XIX). The conference will welcome 20-minute papers on topics including, but not necessarily limited to:
– formal experimentalism and improvisation
– multiplicity of voices
– hyphenated identities
– genre hybridity
– experience and imagination, fact and fiction
– geographical mobility
– cosmopolitan visions and identities
– political mobility and improvisation
– reinterpretations of Byron’s mobility in later periods
The organisers also welcome prospective delegates to suggest ready-formed panels (of three 20-minute papers) on the following topics: Byron and Ravenna; Byron and Italian politics; Byron and Italian art.
Please send 250-word abstracts for individual papers or ready-formed panels to firstname.lastname@example.org by 1 March 2018.
Information on conference registration and accommodation as well as on the cultural programme of the conference will be posted later on the Conference website.
Thanks to Freya Gowrley for sending in this exciting new Call for Papers.
CfP: Collage, Montage, Assemblage: Collected and Composite Forms, 1700-Present (University of Edinburgh, 18-19 April 2018)
Deadline for abstracts: 1 December 2017
This two-day multidisciplinary conference will explore the medium of collage across an unprecedentedly broad chronological range, considering its production and consumption over a period of more than three hundred years. While research on paper collage plays a key role in histories of modern art, particularly of the 1920s and 1930s, its longer history and diverse range of manifestations are often overlooked within art historical scholarship. Though important work is being done on collage at both the level of the individual work and the medium more broadly, this has often overlooked collage’s multitudinous forms and assorted temporal variants. This conference accordingly aims to tackle this oversight by thinking about collage across history, medium, and discipline. Employing an inclusive definition of the term, the conference invites papers discussing a variety of material, literary, and musical forms of collage, including traditional papier collé alongside practices such as writing, making music and commonplacing, and the production of composite objects such as grangerized texts, decoupage, quilts, shellwork, scrapbooks, assemblage, and photomontage.
In so doing, the conference will situate histories of modernist collage in relation to a much broader range of cultural practices, allowing for productive parallels to be drawn between the cultural productions of periods that are often subject to rigid chronological divisions. Reciprocally, the conference will encourage a consideration of collage made in the eighteenth and nineteenth centuries against key concepts and methodologies from the study of modernism and postmodernism, such as the objet trouvé or assemblage. From papier collé to the digital age, the conference will highlight collage’s rich history and crucial role in cultural production over the last three hundred years.
We invite contributions from scholars working in the fields of art history, history, music, material culture studies, and literature. We also welcome and encourage papers from practitioners working in any medium whose practice is influenced by collage, assemblage, and/or montage. Potential topics could include, but are not limited to:
Collage as medium
Collage, assemblage, montage: terminologies and categories
Collage and identity
Collage and intention: chance, agency, intentionality
Collage and the modern/pre-modern/postmodern
Collage in art historical writing/literary criticism