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‘Some curious disquiet’: Polidori, the Byronic vampire, and its progeny, 6-7 April

Open Graves, Open Minds presents:

Some curious disquiet’: Polidori, the Byronic vampire, and its progeny

A symposium for the bicentenary of The Vampyre

6-7 April 2019, Keats House, Hampstead

(part-sponsored by BARS)

Image via British Library

John Polidori published his tale The Vampyre in 1819. It is well known that his vampire emerged out of the same storytelling contest at the Villa Diodati in 1816 that gave birth to that other archetype of the Gothic heritage, Frankenstein’s monster. Present at this gathering were Polidori (who was Byron’s physician), Mary Godwin, Frankenstein’s author; Claire Clairmont, Percy Shelley, and (crucially) Lord Byron.

Byron’s contribution to the contest was an inconclusive fragment about a mysterious man characterised by ‘a curious disquiet’. Polidori took this fragment and turned it into the tale of the vampire Lord Ruthven, preying on the vulnerable women of society. The Vampyrewas something of a sensation and spawned stage versions and imitations that were hugely popular.

Sir Christopher Frayling declares The Vampyreto be ‘the first story successfully to fuse the disparate elements of vampirism into a coherent literary genre’. Polidori gave the creature the form that largely persists through subsequent vampire narratives, transforming it from the animalistic monster of the Slavic peasantry to something that can haunt the drawing rooms of Western society, undetected. Polidori’s Lord Ruthven, modelled on Lord Byron via Lady Caroline Lamb’s scandalous Glenarvon(1818), is aristocratic and sexualised and, though something of a blank canvas, even potentially sympathetic, providing a template for the ‘Byronic hero’ that features in Gothic romance down to the paranormal romances of the present day.

This symposium will trace Polidori’s bloodsucking progeny and his heritage of ‘curious disquiet’ in literature and other media. Guest speakers have been invited to share their research into the many variations on monstrosity and deadly allure spawned by Polidori’s seminal textual reincarnation of Byronic glamour. The delegates have been selected for their expertise in the Byronic, the Gothic, and the vampiric. The speakers are: Sir Christopher Frayling, Prof. Catherine Spooner, Prof. William Hughes, Dr Stacey Abbott, Dr Sue Chaplin, Dr Xavier Aldana Reyes, Prof. Nick Groom, Prof. Gina Wisker, Dr Sam George, Dr Bill Hughes, Dr Sorcha Ní Fhlainn, writer Marcus Sedgwick, and OGOM ECRs and doctoral students Dr Kaja Franck, Daisy Butcher, and Dr Jillian Wingfield.

The Symposium is being held at beautiful Keats House, Hampstead, home of the poet. The event will include a tour of Keats House (who hold a first edition of The Vampyre) and a trip to Highgate Cemetery, home of the Highgate Vampire (a sensation of the 1970s), and where Karl Marx (who made good use of the vampire metaphor) and others lie.

More details here.

Fees:

£70/day waged; £40/day postgraduate and unwaged

Fee includes all the talks, bespoke catering, including lunch and vampyre cup cakes, tour of Keats House and excursion to Highgate Cemetery.

You can book here.

We are very grateful for the cooperation of Keats House and for generous grants towards the Symposium from the British Association for Romantic Studies, the International Gothic Association, and the University of Hertfordshire.

Find out more about BARS Conference Support here.