The University of Bristol’s Centre for Romantic and Victorian Studies will be holding a one-day conference on Romanticism and Self-Destruction on May 9th next year, with plenary talks by Andrew Bennett and Caroline Franklin. The Call for Papers can be found on the conference website; 250-word proposals should be emailed to the conference organisers, Stephanie Codsi and Jimmy Packham, at email@example.com by December 1st.
The recently-formed John Thelwall Society will be holding its inaugural conference, John Thelwall at 250: Medicine, Literature, and Reform in London, ca. 1764-1834, in London between July 25th and 27th in 2014. Full details are available on their website, including information about how to submit paper proposals.
Romantic Locations, BARS’ Early Career and Postgraduate Conference for 2014, will take place between the 19th and the 21st of March at the Wordsworth Trust in Grasmere, a stone’s throw from Dove Cottage. The full Call for Papers can be found in a dedicated section on the main BARS site; this will be updated with further information on accommodation, food and travel arrangements as these are confirmed. We hope you’ll consider submitting an abstract; the conference email address is firstname.lastname@example.org and the deadline for abstracts is November 15th.
Is Wordsworth, as George Monbiot argues, responsible for promoting a falsely benign view of agriculture, and therefore indirectly responsible for the damage it’s done to the Lakes? Interesting at least that Wordsworth’s influence is seen as being so great.
A great number of interesting resources up on the Interacting with Print site, including video interviews with a whole host of interesting people, as well as podcasts, exhibitions, galleries and some fascinating new projects.
The sole true Something—This! In Limbo’s Den
It frightens Ghosts, as here Ghosts frighten men.
Thence crossed unseized—and shall some fated hour
Be pulverised by Demogorgon’s power
And given as poison to annihilate souls—
Even now it shrinks them—they shrink in as Moles
(Nature’s mute monks, live mandrakes of the ground)
Creep back from Light—then listen for its sound;—
See but to dread, and dread they know not why—
The natural alien of their negative eye.
’Tis a strange place, this Limbo!—not a Place,
Yet name it so;—where Time and weary Space
Fettered from flight, with night-mare sense of fleeing,
Strive for their last crepuscular half-being;—
Lank Space, and scytheless Time with branny hands
Barren and soundless as the measuring sands,
Not marked by flit of Shades,—unmeaning they
As moonlight on the dial of the day!
But that is lovely—looks like Human Time,—
An Old Man with a steady look sublime,
That stops his earthly task to watch the skies;
But he is blind—a Statue hath such eyes;—
Yet having moonward turned his face by chance,
Gazes the orb with moon-like countenance,
With scant white hairs, with foretop bald and high,
He gazes still,—his eyeless face all eye;—
As ’twere an organ full of silent sight,
His whole face seemeth to rejoice in light!
Lip touching lip, all moveless, bust and limb—
He seems to gaze at that which seems to gaze on him!
No such sweet sights doth Limbo den immure,
Walled round, and made a spirit-jail secure,
By the mere horror of blank Naught-at-all,
Whose circumambience doth these ghosts enthral.
A lurid thought is growthless, dull Privation,
Yet that is but a Purgatory curse;
Hell knows a fear far worse,
A fear—a future state;—’tis positive Negation!