Fortunately, the flames have been doused, and the smoke that just an hour ago issued in thick billows from the roof has been reduced to spectre-thin coils. Attention is turning to the recovery plan. I’ve added my name to the list of hundreds of volunteers who over the next couple of days will be forming chains to pass a portion of the library’s millions of books – now under threat from the huge volumes of water moving unpredictably around the building – out of harm’s way. First trial by fire, now by water.
“Romantic Origins”: Dr Madeleine Callaghan, ‘Milton and the Freedom of the Romantic Poet’ (5 April 2013)
Please find the Trinity Termcard attached
Barry Hough, Bournemouth University
(Week 1) 25 April: ‘Coleridge’s Government Communications: Ethics or Calculation?’
Tom Clucas, Christ Church, Oxford
(Week 2) 2 May: ‘“Thou only bliss / Of Paradise that has survived the fall”: Domesticity from Cowper to Wordsworth’
Prof. Heather Glen, Murray Edwards College, Cambridge
(Week 3) 9 May: ‘Imagining Place: Wordsworth’s Poetry and James Clarke’s A Survey of the Lakes’
Ann-Clair Michoux, Lincoln College, Oxford
(Week 4) 16 May: ‘”Wild to buy all”: Jane Austen’s Wild English Girls and Regency Society’
Dino Felluga, Purdue University
(Week 5) 23 May: ‘Byron’s Don Juan and the Novel’
All Welcome to join us for drinks & dinner after the seminar!
Oxford Romanticism Conference, Somerville College
(Week 6) 30 May: registration to open soon!
Convenors: Judyta Frodyma (judyta.frodyma[at]ell.ox.ac.uk) and Olivia Reilly
Romantic Circles is delighted to announce the publication of Romantic Numbers, edited by Maureen N. McLane, a new volume in our Praxis series.
With essays by Matthew F. Wickman, Marjorie Levinson, James Brooke-Smith, John Savarese, Bo Earle, Ron Broglio, and two afterwords by Maureen N. McLane, this volume explores older and newer logics of “matching” and “counting” and “measuring” (whether statistical, geometric, or otherwise un/calculable), and it registers an upsurge of interest in formal-language, neurocognitive, and medial-historical approaches.
The six essays of Romantic Numbers invite us to think “bodies,” “multitudes,” and “subjectivity” along different axes. They ask us to think about the (romantic) one, the (romantic) proper name, quantity, and quality; they invite us to reflect on the status of poetry and measure, about the work of the novel as totalization, about models of mind, about calculuses of populations and food. Ranging through Wordsworth, Scott, Malthus, Babbage, and Galt (among others), this volume points to new directions in romanticist thinking while reconstructing the complexity of romantic-period thought.
The group with one of the strongest claims to the title of world’s first brass band is the Stalybridge Old Band, formed in Manchester in 1809. Soon renamed the New Band, they rehearsed under the baton of Thomas Avison in a cellar behind the Golden Fleece inn. In 1819, its members became involved in one of the defining political actions of the Romantic period, engaged to play at the event that became known as the “Peterloo Massacre”.
“fierce intoxicating tones/ Of trumpets …” (John Keats)
The Romantic Heirs Research Network is pleased to announce its second conference and networking event, to be held at Durham University on 18th July 2013 on the theme of ‘Romantic Victorians’. The conference is free to attend and will include: plenary talks by Mark Sandy (senior lecturer at Durham University, co-editor Romantic Echoes in the Victorian Era (2008) and author of Romanticism, Memory, and Mourning (forthcoming, 2013)) and Anna Barton (lecturer at the University of Sheffield and author of Tennyson’s Name: Identity and Responsibility in the Poetry of Alfred Lord Tennyson (2008)), roundtable discussions centred on the conference theme, lunchtime refreshments, and a post-conference dinner.
The conference organisers encourage postgraduate students and early-career researchers to submit proposals of 200-250 words for short position papers (1500 words) to be discussed at roundtable sessions. Topics might include:
- ‘Third-generation’ Romantic writers;
- The boundary between Romantic and Victorian periods;
- Responses to Romanticism in Victorian writers/poets/artists/musicians;
- The historical/cultural/philosophical legacies of Romanticism in the nineteenth-century;
- The developing notion of a ‘Romantic period’ throughout the nineteenth-century;
- Critical legacies of Romanticism in the Victorian period.
The deadline for submitting proposals is 14th June 2013. Completed position papers should be submitted approximately one week before the conference so that they can be circulated among participants in advance. …read more
‘Making a Darkness Visible: The Literary Moment 1820-1840′
The next three instalments of this British Academy series are as follows:
Dr John Gardner (Anglia Ruskin) on ‘Radicalism after Peterloo’
Friday 19 April, 5-7pm, Newcastle-upon-Tyne Literary & Philosophical Society
Dr Gregory Dart (UCL) on early Dickens
Friday 24 May, 5-7pm, Birley Room, Hatfield College, Durham University
Prof John Plotz (Brandeis) on short narrative forms
Monday 10 June, 5-7pm, Birley Room, Hatfield College, Durham University
Cultivating Community? A Case Study of Lord Armstrong and the Victorian North East
By Jo Taylor
“This game has loads of bloom in it.”
|Bioshock Infinite: a potentially Coleridgean vending machine|
The William Blake Archive is pleased to announce the publication of electronic editions of our first installment of Blake’s letters, the correspondence of his last two years, 1825-27, mostly with his friend, benefactor, and fellow artist John Linnell, who sponsored such projects as Blake’s engraved Illustrations of the Book of Job (1826) and Illustrations to Dante, on which he was still working when he died.
About ninety of Blake’s letters survive—an unknown fraction of the total. The surviving correspondence begins rather late in his career, in October 1791, the month before he turned 34, and ends, as far as we know, the month before his death at age 69 in August 1827—just three sentences to Linnell, to thank him for sending ten pounds and to indicate that his “journey to Hampstead on Sunday brought on a relapse . . . . however I am upon the mending hand to day & hope soon to look as I did for I have been yellow accompanied by all the old Symptoms.”
Blake traveled seldom and not very far, and he was little known beyond a small circle of British contemporaries, most of them in London. His circle of correspondents …read more