By Anna Mercer
‘A Daedalus for the Romantic Era? Mary Shelley’s Frankenstein’
A talk by Professor Fiona Sampson
The lecture will take place on Thursday 22 November 2018,
6.00-7.00pm in the Chancellor’s Hall, Senate House,
Malet Street, London, WC1E 7HU
The lecture will be followed by a drinks reception.
Both Frankenstein and the Daedalus myth address our fear of the exceptional individual who abuses his talents by overreaching: the maker who doesn’t know when to stop. Both create capacious archetypes, with plenty of space to explore ambivalence and even admiration alongside that fear. But Mary Shelley’s Frankenstein takes us considerably further than the composite Daedalus story: in a number of directions. Political, ethical, existential and scientific, all seem particularly pertinent to British Romantic experience of society and the self. But is it a paradox that this apparently universalisable myth could only have been written in its own time and place?
If you would like to attend, please RSVP with your name and number of places to:
Hannah Stratton, Development Office, the Wordsworth Trust, Dove Cottage, Grasmere, Cumbria, LA22 9SH.
Alternatively, telephone 015394 63520 or email firstname.lastname@example.org.
Please RSVP by Friday 16 November.
By Anna Mercer
Call for Papers – New edited essay collection: Byron Among the English Poets
Byron felt deeply that literary tradition mattered. Less wedded to notions of ‘originality’ and ‘genius’ than many of his contemporaries, he instead wrote passionately – and unfashionably – about the value of imitation, allusion, and a thorough acquaintance with past masters. He used poetic forms because he thought of them as embedded in historical moments and circumstances, and he wrote with other voices sounding in his head: Horace and Juvenal, Shakespeare, Milton and Pope amongst them. He was a fierce champion of poets whom he saw as having contributed most to sustaining the English tradition, and he could be correspondingly withering on the subject of contemporaries whom he felt were actively engaged in diluting it. Sometimes he felt attraction and repulsion in equal measure: for all the ridicule in English Bards and Scotch Reviewers and Don Juan of the ‘Lakers’, his writing would have looked very different without the powerful influence of Wordsworth, Coleridge and Southey. Perhaps because of his own openness to the idea of being (for better or worse) part of a literary community, many nineteenth- and twentieth-century poets found points of contact with his writing. …read more
By Anna Mercer
This conference, held at Edge Hill University on 13-14 September 2018, was part-funded by BARS. You can see tweets from the conference here. Anna Rowntree reports from the event.
Substance Use and Abuse in the Long Nineteenth Century:
a report by Anna Rowntree
Substance use and abuse: can there be a subject that more intimately and richly connects the long nineteenth century with our own modern moment of being? We live in a world of blurred boundaries – our food, our clothes, our drugs, and our technology grown, mined, manufactured and designed in a cross-pollinated global world where nothing is ever straightforward.
But perhaps we can track something – perhaps we can go back and pay attention to the time which from this vantage point looks a little like a beginning. We can burrow into the literature, art and artefacts of the long nineteenth century and we can draw lines which trace the moving, trading, inhaling and consumption of substances such as tobacco, hashish and opium. We can look at the ships facilitating the new globalising world economy and political landscape of colonisation, revolution and capitalism. We can chart the psychological landscape of the individual drug user and observe the blooming …read more