On Sunday 28th June 2020 members of European Romanticisms in Association came together for the third meeting of the AHRC-funded Dreaming Romantic Europe network, led by PI Professor Nicola J Watson (Open University) and Co-I Professor Catriona Seth (University of Oxford). While the workshop was due to have been hosted by Jeff Cowton at Dove Cottage in Grasmere in honour of the 250th anniversary of William Wordsworth’s birth, the Covid-19 pandemic meant that some changes had to be made to this original plan. Not to be deterred however, the organising committee reimagined the workshop as a digital conference, which was held over Zoom, hosted by Cowton and Wordsworth Grasmere.
While the workshop may not have taken the form originally envisaged, the virtual format was a resounding success. In addition to allowing us to open up registration to auditors from across the world who may not otherwise have been able to attend, the digital nature of the meeting spoke well to the workshop theme of “Romantic Media” and, in keeping with RÊVE, the virtual exhibition at the centre of the project, provided an exciting glimpse into the …read more
CLICK HERE FOR THE LINK TO THE CRAFTING THROUGH COVID1798 LADY’S MAGAZINE PATTERN AND STEP-BY-STEPS BY ALISON LARKIN
Welcome back and I hope you’ve been keeping safe and well! It’s been a very strange and difficult time for us all, hasn’t it? In all the chaos and worry of the last few months, the Lady’s Magazine has been one of the things keeping me sane. I’ve been busy writing a piece on illustrations in the periodical and most busy finishing up (well: nearly finishing up) my book, The Lady’s Magazine (1770-1832) and the Making of Literary History (all 115000 words of it!). I’ve also been doing lots of talks and lovely online events about Jane Austen Embroidery, a history and craft book by me and professional embroiderer, Alison Larkin, that adapts 15 patterns from the Lady’s Magazine for modern readers and situates the magazine, the patterns and the projects in terms of the lives of Georgian women, the world they lived in and, of course, the life and works of Jane Austen. (We know she read the magazine, of course.)
I have to say that when the book came out with Pavilion in March, Alison and I were …read more
The Bigger 6 Collective was formed in 2017 to challenge structural racism in the academic study of Romanticism.
The Bigger 6 Collective is a group of literary and cultural critics whose commitment to anti-racist and anti-colonial politics grounds their study of the global 18th and 19th centuries and their long (after)lives. They endeavor to effect structural changes in our discipline and institutions by promoting scholarly and creative work by historically marginalized people, those excluded from the Romantic canon, and those excluded from the field of Romanticism. In so doing, they undiscipline Romanticism, build from it rather than within it, and establish lines of radical inquiry that lead, they hope, to politically urgent thought and insurgent actions.
The Bigger 6 Collective has launched a new website. Click Hereto visit it.
By email@example.com In anticipation of our forthcoming special issue on ‘The Minerva Press and the Literary Marketplace’, this post is the first in a series by Colette Davies reflecting on the role played by the firm during the Romantic era and its somewhat tarnished reputation in the following centuries—a challenge that the essays in our new issue seek to address. Continue reading → …read more
Free Public Lectures on Zoom, 17:30 BST Wednesday 9 September 2020
17:30 BST Wednesday 9th September 2020
Dr Sarah Burdett (University of Warwick) The Actress’s Body in the Audience’s Mind: Receptions of Armed Women in the British Theatre, 1789-1815 In the period of the French Revolution, the arms-bearing woman came to stand in Britain as a representative of extreme political and social disruption. Magnifying heroines who appear on stage brandishing daggers, and even firing explosives, this lecture makes a case for viewing the British theatre as an arena in which the significance of the armed woman is constantly re-modelled and re-appropriated to fulfil diverse ideological functions.
Caitlin Rankin-McCabe (Durham University) ‘Banish the body from your mind’: Bodiless Angels in the Early Modern Imagination The existence of angels in early modern England was undisputed. However, people’s understanding of angels was certainly not clear or uniform. As idolatrous images of the Virgin Mary, Saints and Angels were taken down and removed from churches across England, how were writers responding to this removal of visual representation?
Join Andrew McInnes and Liz Edwards at the first of the ‘Table Talks’ linked to ‘The Romantic Ridiculous’ project on Wednesday 16th December to discuss new approaches to Romanticism and the natural world!
Exciting (paid!) opportunity for PG/ECRs to get involved and share your close readings and work in progress – details in attached document. (Deadline: Wednesday 14th October).
Call for Participants
‘Table Talks’ were a famous genre of literature in the early nineteenth century, recording the conversation of well-known writers, such as Samuel Taylor Coleridge, William Hazlitt, and Charles Lamb.
As part of ‘The Romantic Ridiculous’ project, EHU Nineteen will host a series of ‘Table Talks’, which will take the form of interactive online workshops led by relevant scholars in the field of Romantic Studies, with an aim to explore new perspectives on Romantic aesthetics, Romantic engagement with nature, society, and childhood, as well as later representations of Romantics and Romanticism.
These ‘Table Talks’ will be structured as informal workshops bringing together established academics with postgraduate students and early career scholars to discuss new methodologies in Romantic Studies. They will be recorded and disseminated as podcasts, available on the project website and advertised through social media. We also intend to produce a printed …read more
A Gothic-Without-Borders Conference in March 2021, fully online.
Deadline for proposals: October 31, 2020
Hosted by the Department of World Languages and Literatures (WLL) at Simon Fraser University (SFU), Vancouver, Canada, coordinated by the SFU Center for Educational Excellence (CEE), and co-sponsored by the International Gothic Association (IGA) and others.
“In the first place, a blazing star or comet appeared for several months before the plague, as there did the year after another, a little before the fire. The old women …. remarked…that those two comets passed directly over the city, and that so very near the houses that it was plain they imported something peculiar to the city alone; that the comet before the pestilence was of a faint, dull, languid colour, and its motion very heavy, Solemn, and slow…and that, accordingly, one foretold a heavy judgement, slow but severe, terrible and frightful, as was the plague.” – Daniel Defoe, A Journal of the Plague Year 1665 (1722)
The conference organizers herewith call for proposals for papers on how forms of the Gothic deal with the critical issues arising from racism, social injustice, populism, mass infection, and the relation of each of these to contagion in at least one of …read more