The Year’s Work in English Studies is seeking one or two individuals to fulfil the role of contributor for ‘The Novel’ section of Chapter XII, ‘Literature 1780–1830: The Romantic Period’. The role would involve reading all scholarly literature published on the Romantic Novel in the preceding year and summarising this into a comprehensive document for publication. Please click here for an example. More information about The Year’s Work in English Studies can be found here.
The role is to start in 2021. Payment for the role is offered at the rate of £8 per page of a contributor’s final copy and contributors are able to order and keep all books reviewed at no personal cost. This role would suit a PGR or ECR student whose research is concerned with the Romantic novel.
If you are interested in this role, or would like to know more, please contact the editor of Chapter XII, Dr. Katherine Halsey, at firstname.lastname@example.org. The deadline for expressing interest is January 31 2021.
We can now share with you the details of the forthcoming events for 2021, curated and designed by those who submitted proposals to our call. We want the BARS Digital Events Series to be shaped by our members and to speak to the needs and concerns of those involved in Romantic Studies right now.
Here are some dates for your diary – more comprehensive descriptions will be shared ahead of specific events.
View all posts relating to the BARS Digital Event Series (including links to recordings) on the BARS Blog here.
Please note all times listed hereare UK time (GMT/BST)
The Digital Humanities at The Open University research collaboration (DH_OU) is pleased to announce the next event in its 2020/21 seminar series.
Speaker: Nicola Watson (English and Creative Writing), The Open University
Please register via the Eventbrite link below by 4th December and join us on7th December at 14:00(GMT).
Nicola Watson will be talking about her AHRC-funded project DREAMing Romantic Europe (2018-2020), the network of museums and scholars that it developed, and its core collaborative project, the building of an online exhibition, RÊVE (Romantic Europe: The Virtual Exhibition), comprising some 100 exhibits drawn from collections devoted to Romanticism across Europe. Her presentation will provide a brief introduction to the project as a whole, with some more detailed discussion of the digital aspects of the project and of the current follow-on bid, discussing in particular the challenges of creating pan-European museum/gallery buy-in before the pandemic, the changing tone of the conversation as a result of the pandemic, and the problems of securing funding for this sort of digital project.
A specialist in Romanticism, Nicola Watson holds a chair in English Literature at the OU, and over the last fifteen years has largely created and defined the …read more
Thank you to everyone who joined us over Zoom for this event.
about the speakers here.
Professor Lynda Pratt, Dr. Sophie Coulombeau, Dr. Corrina Readioff, and Ben Wilkinson-Turnbull presented on the topic of ‘Digital Editions in Romantic Studies’. The event was chaired by BARS President, Professor Anthony Mandal.
Book your ticket for our next event, ‘Digital Teaching in Romantic Studies’, here.
On 6 November 1820, the House of Lords finally delivered its verdict on Queen Caroline’s alleged crime of adultery. It came as no surprise that she was found guilty, but the margin of victory was slender: a mere 28 votes. The Times was openly contemptuous of the Lords, declaring that ‘the country laughs at their disappointment’ and ‘sympathizes’ with Caroline’s ‘imperfect triumph’ (7 November). Within days the government of Lord Liverpool dropped its case, fearful that it would be defeated in the House of Commons, and perhaps mindful that the king could be impeached for his illegal first marriage. The country erupted into a frenzy of celebrations at ‘the death of the Bill’ (Examiner, 12 November). November was Caroline’s mensis mirabilis: across the land the people expressed their joy, organising festivities, processions, marches, bell ringings, fireworks, gun salutes and occasional outbreaks of intimidation and disorder. London was transformed into a spectacle of people power and triumphal public opinion.
Amidst the carnival atmosphere, two days in particular merit special attention for their grandeur and visual prowess. On 11 November, central London was illuminated, and …read more