{"id":1085,"date":"2016-02-22T13:25:50","date_gmt":"2016-02-22T13:25:50","guid":{"rendered":"http:\/\/www.bars.ac.uk\/blog\/?p=1085"},"modified":"2016-02-22T13:26:05","modified_gmt":"2016-02-22T13:26:05","slug":"cfp-works-in-progress","status":"publish","type":"post","link":"https:\/\/www.bars.ac.uk\/blog\/?p=1085","title":{"rendered":"CfP: Works in Progress"},"content":{"rendered":"<p>Please see below for a Call for Papers for &#8216;Works in Progress&#8217;, the second annual Graduate Conference for Adaptation and Textual Studies, which will take place at De Montfort University in Leicester on Thursday 7th July.<\/p>\n<p>&#8212;<\/p>\n<h2>Works in Progress<\/h2>\n<h3>De Montfort University, 7th July 2016<\/h3>\n<p>All texts and artworks will have at one stage been a work in progress, despite the tendency to value them as cultural artefacts once they are deemed finished and made available for consumption. Redrafting and editing are processes which strive towards a \u201cfinal\u201d product, meaning their publication often results in the loss or occlusion of multiple ancillary versions. Such materials are important to our understanding of how texts and works are shaped and reshaped, and by whom.<\/p>\n<p>The second annual Graduate Conference for Adaptation and Textual Studies (GradCATS) aims to explore the significance of alterations and decisions made during the construction, editing or reproduction of all kinds of creative works, including manuscripts, printed books, films, television programmes, music, photographs, dances, and paintings. We are open to a consideration of \u201cworks in progress\u201d on a broad scale, from planning documents, drafts, cut or unfinished materials, through to republications, reproductions and adaptations. Proposals for 15-20 minute papers and panel sessions are welcome from postgraduate students working in, but not limited to, the following areas:<\/p>\n<p>\u2022 Republications and revisions of texts<br \/>\n\u2022 Unfinished works, extra-textual materials or marginalia<br \/>\n\u2022 Adaptation and translation as rewriting<br \/>\n\u2022 Editing and production theory and practices<br \/>\n\u2022 The status of proposals, abstracts, pitches and film, television and radio treatments<br \/>\n\u2022 Revisions which are arguably regressive or which are for private consumption<br \/>\n\u2022 How the commodification and publicity of a work affects its final form<br \/>\n\u2022 How conflict between collaborators affects the finished product<br \/>\n\u2022 Methodology behind the search for \u201clost\u201d or discarded versions or editions<br \/>\n\u2022 Artists, writers, performers or sportspeople themselves as works in progress<br \/>\n\u2022 Works that depend on audience participation and feedback<\/p>\n<p>Proposals of up to 250 words should be submitted online <a href=\"http:\/\/linguistlist.org\/confservices\/EasyAbs\/customabssub.cfm?emeetingid=5702JA44585E585A406050441\" target=\"_blank\">here<\/a> by <strong>Friday 15th April 2016<\/strong>.\u00a0 Alternatively, email them to <a href=\"mailto:gradcats@outlook.com\" target=\"_blank\">gradcats@outlook.com<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Please see below for a Call for Papers for &#8216;Works in Progress&#8217;, the second annual Graduate Conference for Adaptation and Textual Studies, which will take place at De Montfort University&#8230; <a href=\"https:\/\/www.bars.ac.uk\/blog\/?p=1085\">Read more &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":""},"categories":[8],"tags":[],"_links":{"self":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1085"}],"collection":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1085"}],"version-history":[{"count":2,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1085\/revisions"}],"predecessor-version":[{"id":1087,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1085\/revisions\/1087"}],"wp:attachment":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1085"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1085"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1085"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}