{"id":1452,"date":"2016-10-23T23:48:40","date_gmt":"2016-10-23T23:48:40","guid":{"rendered":"http:\/\/www.bars.ac.uk\/blog\/?p=1452"},"modified":"2016-10-23T23:54:39","modified_gmt":"2016-10-23T23:54:39","slug":"the-bars-review-no-48-autumn-2016","status":"publish","type":"post","link":"https:\/\/www.bars.ac.uk\/blog\/?p=1452","title":{"rendered":"The BARS Review<\/i>, No. 48 (Autumn 2016)"},"content":{"rendered":"

<\/a><\/p>\n

The Editors are pleased to announce the publication of the 48th number of The BARS Review<\/em><\/a>, the sixth available in full online through the new website<\/a>.\u00a0 This number includes thirty reviews covering thirty-five new publications, as well as a special spotlight on works dealing with the Romantic Essayists.\u00a0 The list of contents below includes links to the html versions of the articles, but all the reviews are also available as pdfs.\u00a0 If you want to browse through the whole number at your leisure, a pdf compilation of all the reviews is available (this can be downloaded from the main review page or using the link at the foot of the list below).<\/p>\n

The BARS Review<\/em> site as a whole now includes over two hundred reviews of relatively recent publications in the field of Romantic Studies, freely available online both for people interested in particular books and as a searchable corpus that can be used to explore new developments within broader fields.<\/p>\n

If you have any comments on the new number, or on the Review <\/em>in general, we’d be very grateful for any feedback that would allow us to improve the site or the content.<\/p>\n

Editor:<\/em> Susan Valladares (St Hugh\u2019s College, University of Oxford)
\nGeneral Editors:<\/em> Ian Haywood (University of Roehampton), Susan Oliver (University of Essex) & Nicola J. Watson (Open University)
\nTechnical Editor:<\/em> Matthew Sangster (University of Glasgow)<\/p>\n

\n

The BARS Review<\/em>, No 48 (2016)<\/h2>\n

Table of Contents<\/span><\/h3>\n

Reviews<\/span><\/h4>\n\n\n\n\n
Helen E. M. Brooks, Actresses, Gender and the Eighteenth-Century Stage: Playing Women<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Anna Louise Senkiw<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Wendy C. Nielsen, Women Warriors in Romantic Drama<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Cecilia Feilla<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
William D. Brewer, Staging Romantic Chameleons and Imposters<\/i> and Elizabeth Maddock Dillon, New World Drama: The Performative Commons in the Atlantic World, 1649-1849<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Dana Van Kooy<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Jeremy Tambling, H\u00f6lderlin and the Poetry of Tragedy: Readings in Sophocles, Shakespeare, Nietzsche and Benjamin<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Chris Murray<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Diane Piccitto, Blake\u2019s Drama, Theatre, Performance and Identity in the Illuminated Books<\/i> and Michael Farrell, Blake and the Methodists<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Mark Crosby<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Helen P. Bruder and Tristanne Connolly, eds., Sexy Blake<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Susan Matthews<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Monika M. Elbert and Lesley Ginsberg, eds., Romantic Education in Nineteenth-Century American Literature: National and Transatlantic Contexts<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Richard De Ritter<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Eva K\u00f6nig, The Orphan in Eighteenth-Century Fiction: The Vicissitudes of the Eighteenth-Century Subject<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Laura Peters<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Richard Gravil and Daniel Robinson, eds., The Oxford Handbook of William Wordsworth<\/i> and Jonathan Wordsworth, The Invisible World: Lectures from the Wordsworth Summer Conference and Wordsworth Winter School<\/i>, selected and ed. Richard Haynes<\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Keith Hanley<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Alex Broadhead, The Language of Robert Burns: Style, Ideology, and Identity<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Christopher Donaldson<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Henry Stead, A Cockney Catullus: The Reception of Catullus in Romantic Britain, 1795-1821<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 David Wray<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Porscha Fermanis and John Regan, eds., Rethinking British Romantic History, 1779-1845<\/i> and Ben Dew and Fiona Price, eds., Historical Writing in Britain 1688-1830: Visions of History<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Alex Broadhead<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Emily Rohrbach, Modernity\u2019s Mist: British Romanticism and the Poetics of Anticipation<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Chris Bundock<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Alistair Heys, The Anatomy of Bloom: Harold Bloom and the Study of Influence and Anxiety<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Rachel Schulkins<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Heather J. Jackson, Those Who Write for Immortality: Romantic Reputations and the Dream of Lasting Fame<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Beatrice Turner<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Susan J. Wolfson, Reading John Keats<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Emily Rohrbach<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Jacqueline Mulhallen, Percy Bysshe Shelley: Poet and Revolutionary<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Josefina Tuominen-Pope<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Franca Dellarossa, Talking Revolution: Edward Rushton\u2019s Rebellious Poetics<\/i> and Paul Baines, ed., The Collected Writings of Edward Rushton<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Ryan Hanley<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Jeffrey N. Cox, Romanticism in the Shadow of War: Literary Culture in the Napoleonic War Years<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Kenneth R. Johnston<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Oskar Cox Jensen, Napoleon and British Song, 1797\u20131822<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Erica Buurman<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Ina Ferris, Book-Men, Book Clubs, and the Romantic Literary Sphere<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 James M. Morris<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Mary O\u2019Connell, Byron and John Murray: A Poet and His Publisher<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Charlotte May<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Marie Mulvey-Roberts, ed., Literary Bristol: Writers and the City<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Paul Cheshire<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Angela Esterhammer, Diane Piccitto and Patrick Vincent, eds., Romanticism, Rousseau, Switzerland: New Prospects<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Adrian J. Wallbank<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Martha C. Nussbaum and Alison L. LaCroix, eds., Subversion and Sympathy: Gender, Law, and the British Novel<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 C\u00e9line Sabiron<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Teresa Barnard, ed., British Women and the Intellectual World in the Long Eighteenth Century<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Joseph Morrissey<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Louise Curran, Samuel Richardson and the Art of Letter-Writing<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Rachel Sulich<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/div>\n

Spotlight: Romantic Essayists<\/span><\/h4>\n\n\n\n\n
James Grande, William Cobbett, the Press and Rural England: Radicalism and the Fourth Estate<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Alex Benchimol<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Robert Morrison and Daniel S. Roberts, eds., Romanticism and Blackwood\u2019s Magazine: \u2018An Unprecedented Phenomenon\u2019<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Meiko O\u2019Halloran<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Kevin Gilmartin, William Hazlitt: Political Essayist<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Tristram Wolff<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/div>\n

Whole Number<\/span><\/h4>\n\n\n\n\n
The BARS Review<\/i>, No. 48 (Autumn 2016) – review compilation<\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 The BARS Review<\/em> Editors<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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