{"id":1629,"date":"2017-05-06T17:16:30","date_gmt":"2017-05-06T17:16:30","guid":{"rendered":"http:\/\/www.bars.ac.uk\/blog\/?p=1629"},"modified":"2017-05-06T17:17:26","modified_gmt":"2017-05-06T17:17:26","slug":"the-bars-review-no-49-spring-2017","status":"publish","type":"post","link":"https:\/\/www.bars.ac.uk\/blog\/?p=1629","title":{"rendered":"The BARS Review<\/i>, No. 49 (Spring 2017)"},"content":{"rendered":"

\"1200px-charles_thevenin_-_la_fete_de_la_federation\"<\/a><\/p>\n

The Editors are pleased to announce the publication of the 49th number of The BARS Review<\/em><\/a>, the seventh available in full online through the new website<\/a>.\u00a0 This number includes twenty-seven reviews covering thirty-one new publications, as well as a special spotlight on Romantic Revolutions.\u00a0 The list of contents below includes links to the html versions of the articles, but all the reviews are also available as pdfs.\u00a0 If you want to browse through the whole number at your leisure, a pdf compilation of all the reviews is available<\/a>.<\/p>\n

If you have any comments on the new number, or on the Review <\/em>in general, we\u2019d be very grateful for any feedback that would allow us to improve the site or the content.<\/p>\n

Editor:<\/em> Susan Valladares (St Hugh\u2019s College, University of Oxford)
\nGeneral Editors:<\/em> Ian Haywood (University of Roehampton), Susan Oliver (University of Essex) & Nicola J. Watson (Open University)
\nTechnical Editor:<\/em> Matthew Sangster (University of Glasgow)<\/p>\n

 <\/p>\n

\n

The BARS Review<\/em>, No 49 (Spring 2017)<\/h3>\n

Table of Contents<\/h3>\n

Reviews<\/h4>\n\n\n\n\n
Meiko O’Halloran, James Hogg and British Romanticism: A Kaleidoscopic Art<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Holly Faith Nelson<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Gillian Williamson, British Masculinity in the Gentleman\u2019s Magazine, 1731 to 1815<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Caroline Gonda<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Bernard Beatty, Byron\u2019s Don Juan<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Anna Camilleri<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Clara Tuite, Lord Byron and Scandalous Celebrity<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Emily A. Bernhard Jackson<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Sara Guyer, Reading with John Clare: Biopoetics, Sovereignty, Romanticism<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Adam White<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Adam Roberts, Landor\u2019s Cleanness. A Study of Walter Savage Landor<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Gioia Angeletti<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Marilyn Butler, Mapping Mythologies: Countercurrents in Eighteenth-Century British Poetry and Cultural History<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Chris Bundock<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Mark Canuel, ed., British Romanticism: Criticism and Debates<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Octavia Cox<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Adriana Craciun, Writing Arctic Disaster: Authorship and Exploration<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Murray Pittock<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
David Porter, The Chinese Taste in the Eighteenth Century<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
William Christie<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Jennifer Jesse, William Blake\u2019s Religious Vision: There\u2019s a Methodism in His Madness<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Keri Davies<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Andrew Bennett, ed., William Wordsworth in Context<\/i> and Robert M. Ryan, Charles Darwin and the Church of Wordsworth<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Christopher Donaldson<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Kate Parker and Courtney Weiss Smith, eds., Eighteenth-Century Poetry and the Rise of the Novel Reconsidered<\/i> and Eric Parisot, Graveyard Poetry: Religion, Aesthetics and the Mid-Eighteenth-Century Poetic Condition<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Tobias Menely<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Angela Wright and Dale Townshend, eds., Romantic Gothic: An Edinburgh Companion<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Matt Foley<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Jim Davis, Comic Acting and Portraiture in Late-Georgian and Regency England<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Heather McPherson<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Liam Lenihan, The Writings of James Barry and the Genre of History Painting, 1775-1809<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Christopher Rovee<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
John Bugg, ed., The Joseph Johnson Letterbook<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
James M. Morris<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Stewart Cooke with Elaine Bander, eds., The Additional Journals and Letters of Frances Burney, Volume I: 1784-1786<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Cassandra Ulph<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Amy Prendergast, Literary Salons Across Britain and Ireland in the Long Eighteenth Century<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Susanne Schmid<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Tim Fulford, Romantic Poetry and Literary Coteries: The Dialect of the Tribe<\/i> and Tim Fulford and Michael E. Sinatra, eds., The Regency Revisited<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Josefina Tuominen-Pope<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Matthew Wickman, Literature After Euclid: The Geometric Imagination in the Long Scottish Enlightenment<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Marcus Tomalin<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Mark J. Bruhn and Donald R. Wehrs, eds., Cognition, Literature, and History<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Niall Gildea<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Chase Pielak, Memorializing Animals during the Romantic Period<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Barbara K. Seeber<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/h4>\n

Spotlight: Romantic Revolutions<\/h4>\n\n\n\n\n
David Andress, ed., The Oxford Handbook of the French Revolution<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Liam Chambers<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
A. D. Cousins and Geoffrey Payne, eds., Home and Nation in British Literature from the English to the French Revolutions<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Amy Milka<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
James Mulholland, Sounding Imperial: Poetic Voice and the Politics of Empire, 1730-1820<\/i> and Evan Gottlieb, Romantic Globalism: British Literature and Modern World Order, 1750-1830<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Juan Luis S\u00e1nchez<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Mary Fairclough, The Romantic Crowd: Sympathy, Controversy and Print Culture<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
David Fallon<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

The Editors are pleased to announce the publication of the 49th number of The BARS Review, the seventh available in full online through the new website.\u00a0 This number includes twenty-seven… Read more »<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":""},"categories":[7,9],"tags":[],"_links":{"self":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1629"}],"collection":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1629"}],"version-history":[{"count":2,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1629\/revisions"}],"predecessor-version":[{"id":1632,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1629\/revisions\/1632"}],"wp:attachment":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1629"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1629"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1629"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}