{"id":1846,"date":"2017-12-07T02:22:25","date_gmt":"2017-12-07T02:22:25","guid":{"rendered":"http:\/\/www.bars.ac.uk\/blog\/?p=1846"},"modified":"2017-12-07T02:23:45","modified_gmt":"2017-12-07T02:23:45","slug":"the-bars-review-no-50-autumn-2017","status":"publish","type":"post","link":"https:\/\/www.bars.ac.uk\/blog\/?p=1846","title":{"rendered":"<i>The BARS Review<\/i>, No. 50 (Autumn 2017)"},"content":{"rendered":"<div id=\"attachment_1847\" style=\"width: 439px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/George-Cruikshank-Death-or-Liberty.jpg\"><img aria-describedby=\"caption-attachment-1847\" loading=\"lazy\" class=\"wp-image-1847\" src=\"http:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/George-Cruikshank-Death-or-Liberty-1024x716.jpg\" alt=\"\" width=\"429\" height=\"300\" srcset=\"https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/George-Cruikshank-Death-or-Liberty-1024x716.jpg 1024w, https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/George-Cruikshank-Death-or-Liberty-300x210.jpg 300w, https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/George-Cruikshank-Death-or-Liberty-768x537.jpg 768w, https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/George-Cruikshank-Death-or-Liberty-150x105.jpg 150w, https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/George-Cruikshank-Death-or-Liberty.jpg 1385w\" sizes=\"(max-width: 429px) 100vw, 429px\" \/><\/a><p id=\"caption-attachment-1847\" class=\"wp-caption-text\">George Cruikshank, \u2018Death or Liberty!\u2019 (1819). \u00a9Trustees of the British Museum. Used under a Creative Commons CC BY-NC-SA 4.0 license.<\/p><\/div>\n<p>The Editors, led from this number forward by <a href=\"https:\/\/www.dur.ac.uk\/english.studies\/staff\/?id=1490\">Mark Sandy<\/a>, are pleased to announce the publication of the 50th number of <a href=\"http:\/\/www.bars.ac.uk\/review\/\"><em>The BARS Review<\/em><\/a>, the eighth available in full online <a href=\"http:\/\/www.bars.ac.uk\/review\/\">through the new website<\/a>.\u00a0 The list of contents below includes links to the html versions of the fifteen articles, but all the reviews are also available as pdfs.\u00a0 If you want to browse through the whole number at your leisure, <a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/253\/716\">a pdf compilation is available<\/a>.<\/p>\n<p>If you have any comments on the new number, or on the <em>Review <\/em>in general, we\u2019d be very grateful for any feedback that would allow us to improve the site or the content.<\/p>\n<p><em>Editor:<\/em> Mark Sandy (Durham University)<br \/>\n<em>General Editors:<\/em> Ian Haywood (University of Roehampton), Susan Oliver (University of Essex) &amp; Nicola J. Watson (Open University)<br \/>\n<em>Technical Editor:<\/em> Matthew Sangster (University of Glasgow)<\/p>\n<hr \/>\n<h4 class=\"tocSectionTitle\">Reviews<\/h4>\n<table class=\"tocArticle\" width=\"100%\">\n<tbody>\n<tr valign=\"top\">\n<td class=\"tocTitle\"><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/238\/670\">Neil Ramsey and Gillian Russell, eds., <i>Tracing War in British Enlightenment and Romantic Culture<\/i><\/a><\/td>\n<td class=\"tocGalleys\"><\/td>\n<\/tr>\n<tr>\n<td class=\"tocAuthors\">E. J. Clery<\/td>\n<td class=\"tocPages\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"tocArticle\" width=\"100%\">\n<tbody>\n<tr valign=\"top\">\n<td class=\"tocTitle\"><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/239\/674\">Timothy Campbell, <i>Historical Style: Fashion and the New Mode of History, 1740\u20131830<\/i><\/a><\/td>\n<td class=\"tocGalleys\"><\/td>\n<\/tr>\n<tr>\n<td class=\"tocAuthors\">Jane Taylor<\/td>\n<td class=\"tocPages\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"tocArticle\" width=\"100%\">\n<tbody>\n<tr valign=\"top\">\n<td class=\"tocTitle\"><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/240\/677\">J. A. Downie, ed., <i>The Oxford Handbook of the Eighteenth-Century Novel<\/i><\/a><\/td>\n<td class=\"tocGalleys\"><\/td>\n<\/tr>\n<tr>\n<td class=\"tocAuthors\">Natasha Simonova<\/td>\n<td class=\"tocPages\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"tocArticle\" width=\"100%\">\n<tbody>\n<tr valign=\"top\">\n<td class=\"tocTitle\"><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/241\/680\">Joseph Rezek, <i>London and the Making of Provincial Literature: Aesthetics and the Transatlantic Book Trade<\/i><\/a><\/td>\n<td class=\"tocGalleys\"><\/td>\n<\/tr>\n<tr>\n<td class=\"tocAuthors\">Jon Mee<\/td>\n<td class=\"tocPages\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"tocArticle\" width=\"100%\">\n<tbody>\n<tr valign=\"top\">\n<td class=\"tocTitle\"><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/242\/683\">[Robert Southey], <i>Letters from England by Don Manuel Alvarez Espriella<\/i>, ed. Carol Bolton<\/a><\/td>\n<td class=\"tocGalleys\"><\/td>\n<\/tr>\n<tr>\n<td class=\"tocAuthors\">Diego Saglia<\/td>\n<td class=\"tocPages\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"tocArticle\" width=\"100%\">\n<tbody>\n<tr valign=\"top\">\n<td class=\"tocTitle\"><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/243\/686\">Kristina Mendicino, <i>Prophecies of Language: The Confusion of Tongues in German Romanticism<\/i><\/a><\/td>\n<td class=\"tocGalleys\"><\/td>\n<\/tr>\n<tr>\n<td class=\"tocAuthors\">James Vigus<\/td>\n<td class=\"tocPages\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"tocArticle\" width=\"100%\">\n<tbody>\n<tr valign=\"top\">\n<td class=\"tocTitle\"><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/244\/689\">Lisa Ottum and Seth T. Reno, eds, <i>Wordsworth and the Green Romantics: Affect and Ecology in the Nineteenth Century<\/i><\/a><\/td>\n<td class=\"tocGalleys\"><\/td>\n<\/tr>\n<tr>\n<td class=\"tocAuthors\">Viona Au Yeung<\/td>\n<td class=\"tocPages\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"tocArticle\" width=\"100%\">\n<tbody>\n<tr valign=\"top\">\n<td class=\"tocTitle\"><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/245\/692\">Tabish Khair and Johan H\u00f6glund, eds., <i>Transnational and Postcolonial Vampires: Dark Blood<\/i><\/a><\/td>\n<td class=\"tocGalleys\"><\/td>\n<\/tr>\n<tr>\n<td class=\"tocAuthors\">Carly Stevenson<\/td>\n<td class=\"tocPages\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"tocArticle\" width=\"100%\">\n<tbody>\n<tr valign=\"top\">\n<td class=\"tocTitle\"><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/246\/695\">Ruth Livesey, <i>Writing the Stage Coach Nation: Locality on the Move in Nineteenth-Century British Literature<\/i><\/a><\/td>\n<td class=\"tocGalleys\"><\/td>\n<\/tr>\n<tr>\n<td class=\"tocAuthors\">Christopher Donaldson<\/td>\n<td class=\"tocPages\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"tocArticle\" width=\"100%\">\n<tbody>\n<tr valign=\"top\">\n<td class=\"tocTitle\"><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/247\/698\">Peter Garside and Karen O\u2019Brien, eds., <i>The Oxford History of the Novel in English: Volume 2: English and British Fiction 1750-1820<\/i><\/a><\/td>\n<td class=\"tocGalleys\"><\/td>\n<\/tr>\n<tr>\n<td class=\"tocAuthors\">Yi-cheng Weng<\/td>\n<td class=\"tocPages\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"tocArticle\" width=\"100%\">\n<tbody>\n<tr valign=\"top\">\n<td class=\"tocTitle\"><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/248\/701\">Daniel Cook and Nicholas Seager, eds., <i>The Afterlives of Eighteenth-Century Fiction<\/i><\/a><\/td>\n<td class=\"tocGalleys\"><\/td>\n<\/tr>\n<tr>\n<td class=\"tocAuthors\">Rachel Sulich<\/td>\n<td class=\"tocPages\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div class=\"separator\"><\/div>\n<h4 class=\"tocSectionTitle\">Spotlight: Rethinking Liberty in the Romantic Era<\/h4>\n<table class=\"tocArticle\" width=\"100%\">\n<tbody>\n<tr valign=\"top\">\n<td class=\"tocTitle\"><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/249\/704\">Jon Mee, <i>Print, Publicity, and Popular Radicalism in the 1790s: The Laurel of Liberty<\/i><\/a><\/td>\n<td class=\"tocGalleys\"><\/td>\n<\/tr>\n<tr>\n<td class=\"tocAuthors\">John Bugg<\/td>\n<td class=\"tocPages\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"tocArticle\" width=\"100%\">\n<tbody>\n<tr valign=\"top\">\n<td class=\"tocTitle\"><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/250\/707\">Fiona Price, <i>Reinventing Liberty: Nation, Commerce and the Historical Novel from Walpole to Scott<\/i><\/a><\/td>\n<td class=\"tocGalleys\"><\/td>\n<\/tr>\n<tr>\n<td class=\"tocAuthors\">Simon Edwards<\/td>\n<td class=\"tocPages\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"tocArticle\" width=\"100%\">\n<tbody>\n<tr valign=\"top\">\n<td class=\"tocTitle\"><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/251\/710\">Daniel M. Stout, <i>Corporate Romanticism: Liberalism, Justice, and the Novel<\/i><\/a><\/td>\n<td class=\"tocGalleys\"><\/td>\n<\/tr>\n<tr>\n<td class=\"tocAuthors\">Alexander Dick<\/td>\n<td class=\"tocPages\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"tocArticle\" width=\"100%\">\n<tbody>\n<tr valign=\"top\">\n<td class=\"tocTitle\"><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/252\/713\">Jennifer Orr, <i>Literary Networks and Dissenting Print Culture in Romantic-Period Ireland<\/i><\/a><\/td>\n<td class=\"tocGalleys\"><\/td>\n<\/tr>\n<tr>\n<td class=\"tocAuthors\">Bridget Keegan<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>The Editors, led from this number forward by Mark Sandy, are pleased to announce the publication of the 50th number of The BARS Review, the eighth available in full online&#8230; <a href=\"https:\/\/www.bars.ac.uk\/blog\/?p=1846\">Read more &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":""},"categories":[7,9],"tags":[],"_links":{"self":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1846"}],"collection":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1846"}],"version-history":[{"count":2,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1846\/revisions"}],"predecessor-version":[{"id":1849,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1846\/revisions\/1849"}],"wp:attachment":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1846"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1846"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}