{"id":2163,"date":"2018-08-06T14:40:25","date_gmt":"2018-08-06T14:40:25","guid":{"rendered":"http:\/\/www.bars.ac.uk\/blog\/?p=2163"},"modified":"2018-08-09T23:27:15","modified_gmt":"2018-08-09T23:27:15","slug":"the-bars-review-no-51-spring-2018","status":"publish","type":"post","link":"https:\/\/www.bars.ac.uk\/blog\/?p=2163","title":{"rendered":"The BARS Review<\/i>, No. 51 (Spring 2018)"},"content":{"rendered":"
\"\"<\/a>

William Blake, from A Small Book of Designs: The First Book of Urizen<\/em> (1794). \u00a9Trustees of the British Museum. Used under a Creative Commons CC BY-NC-SA 4.0 license.<\/p><\/div>\n

The Editors, led by Mark Sandy<\/a>, are pleased to announce the publication of the 51st number of The BARS Review<\/em><\/a>, the ninth available in full online through our open-access system<\/a>.\u00a0 The list of contents below includes links to the html versions of the twenty-one articles, but all the reviews are also available as pdfs.\u00a0 If you want to browse through the whole number at your leisure, a pdf compilation is available<\/a>.<\/p>\n

If you have comments on the new number, or on the Review <\/em>in general, we\u2019d be very grateful for any feedback that would allow us to improve the site or the content.\u00a0 Mark Sandy would also be very happy to hear from people who would like to review for BARS.<\/p>\n

Editor:<\/em> Mark Sandy (Durham University)
\nGeneral Editors:<\/em> Ian Haywood (University of Roehampton), Susan Oliver (University of Essex) & Nicola J. Watson (Open University)
\nTechnical Editor:<\/em> Matthew Sangster (University of Glasgow)<\/p>\n

Table of Contents<\/h3>\n

Reviews<\/h4>\n\n\n\n\n
Dafydd Moore, ed., The International Companion to James Macpherson and The Poems of Ossian<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Gerard Lee McKeever<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Timothy Michael, British Romanticism and the Critique of Political Reason<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Elias Greig<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Robert Mayer, Walter Scott and Fame: Authors and Readers in the Romantic Age<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Caroline McCracken-Flesher<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Saree Makdisi, Reading William Blake<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Katherine Fender<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Claire Tr\u00e9vien, Satire, Prints and Theatricality in the French Revolution<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Ian Haywood<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Richard Lansdown, ed., Byron\u2019s Letters and Journals. A New Selection<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Gioia Angeletti<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Brycchan Carey, ed., The Interesting Narrative<\/i> by Olaudah Equiano<\/a><\/td>\n<\/td>\n<\/tr>\n
John Bugg<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Alan Rawes and Diego Saglia, eds., Byron and Italy<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Maria Schoina<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Lily Gurton-Wachter, Watchwords: Romanticism and the Poetics of Attention<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Andrew Franta<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
E. J. Clery, Eighteen Hundred and Eleven: Poetry, Protest and Economic Crisis<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Lisa Vargo<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Beth Lau, ed., Jane Austen and Sciences of the Mind<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Inger S. B. Brodey<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
E. J. Clery, Jane Austen, The Banker\u2019s Sister<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Claire Harman<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Mark J. Bruhn, Wordsworth Before Coleridge: The Growth of the Poet\u2019s Philosophical Mind, 1785-1797<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Adam Potkay<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Ewan James Jones, Coleridge and the Philosophy of Poetic Form<\/i> and Michael Tomko, Beyond the Willing Suspension of Disbelief: Poetic Faith from Coleridge to Tolkien<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Philip Aherne<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Michael D. Hurley and Marcus Waithe (eds.), Thinking through Style: Non-Fiction Prose of the Long Nineteenth Century<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Andrew Hodgson<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/div>\n

Spotlight: Romantic Heirs and Inheritors<\/h4>\n\n\n\n\n
Juliet Shields, Nation and Migration: The Making of British Atlantic Literature, 1765-1835<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Clare Elliott<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Anahid Nersessian, Utopia, Limited: Romanticism and Adjustment<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Christopher Geary<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Andrew Burkett, Romantic Mediations: Media Theory and British Romanticism<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Ralf Haekel<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Beatrice Turner, Romantic Childhood, Romantic Heirs: Reproduction and Retrospection, 1820-1850<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Malini Roy<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Tom Mole, What the Victorians Made of Romanticism: Material Artifacts, Cultural Practices, and Reception History<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Richard Cronin<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Andrew Radford, Mary Butts and British Neo-Romanticism: The Enchantment of Place<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
Sam Wiseman<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/div>\n

Whole Number<\/h4>\n\n\n\n\n
The BARS Review<\/i>, No. 51 (Autumn 2018) – review compilation<\/a><\/td>\n<\/td>\n<\/tr>\n
The BARS Review Editors<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

The Editors, led by Mark Sandy, are pleased to announce the publication of the 51st number of The BARS Review, the ninth available in full online through our open-access system.\u00a0… Read more »<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":""},"categories":[7,9],"tags":[],"_links":{"self":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/2163"}],"collection":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2163"}],"version-history":[{"count":6,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/2163\/revisions"}],"predecessor-version":[{"id":2174,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/2163\/revisions\/2174"}],"wp:attachment":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2163"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2163"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}