{"id":2840,"date":"2020-02-12T23:24:26","date_gmt":"2020-02-12T23:24:26","guid":{"rendered":"http:\/\/www.bars.ac.uk\/blog\/?p=2840"},"modified":"2020-02-12T23:34:32","modified_gmt":"2020-02-12T23:34:32","slug":"the-bars-review-no-53-spring-autumn-2019","status":"publish","type":"post","link":"https:\/\/www.bars.ac.uk\/blog\/?p=2840","title":{"rendered":"The BARS Review<\/i>, No. 53 (Spring-Autumn 2019)"},"content":{"rendered":"\n
\"\"
William Blake, Illustration to Dante’s \u201cDivine Comedy\u201d, \u2018Paradiso\u2019, Canto XXV \u2013 St Peter, St James, Dante and Beatrice with St John (1824-27). \u00a9 Trustees of the British Museum. Reproduction used under a Creative Commons CC BY-NC-SA 4.0 license.<\/figcaption><\/figure>\n\n\n\n

We are glad to announce the publication of the most recent issue of The BARS Review<\/em> (No. 53, Spring-Autumn 2019).  The issue contains a total of fifteen reviews of recent scholarly work within the field of Romanticism, broadly conceived.  Six of the reviews compromise a \u2018spotlight\u2019 section on \u2018Romantic Ideas’.<\/p>\n\n\n\n

If you have comments on the new number, or on the Review<\/em> in general, we\u2019d be very grateful for any feedback that would allow us to improve the site or its content.  Mark Sandy would also be very happy to hear from people who would like to review for BARS.<\/p>\n\n\n\n

Editor:<\/em> Mark Sandy (Durham University)
General Editors:<\/em> Ian Haywood (University of Roehampton) and Anthony Mandal (Cardiff University)
Technical Editor:<\/em> Matthew Sangster (University of Glasgow)<\/p>\n\n\n\n

\n\n\n\n

No 53 (2019)<\/h2>\n\n\n\n

Table of Contents<\/h3>\n\n\n\n

Reviews<\/h4>\n\n\n\n
Christina Lupton, Reading and the Making of Time in the Eighteenth Century<\/em><\/a><\/td><\/td><\/tr>
\n\t\t\t\t\t\t\t\t\tSophie Laniel-Musitelli\t\t\t\t\t\t<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Joanna Wharton, Material Enlightenment: Women Writers and the Science of Mind, 1770-1830<\/em><\/a><\/td><\/td><\/tr>
\n\t\t\t\t\t\t\t\t\tOlivia Murphy\t\t\t\t\t\t<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Sibylle Erle and Morton D. Paley, eds., Reception of William Blake in Europe<\/em><\/a><\/td><\/td><\/tr>
\n\t\t\t\t\t\t\t\t\tSusan Matthews\t\t\t\t\t\t<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Jeff Strabone, Poetry and British Nationalisms in the Bardic Eighteenth Century: Imagined Antiquities<\/em><\/a><\/td><\/td><\/tr>
\n\t\t\t\t\t\t\t\t\tDavid Stewart\t\t\t\t\t\t<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Brandon C. Yen, The Excursion and Wordsworth\u2019s Iconography<\/em><\/a><\/td><\/td><\/tr>
\n\t\t\t\t\t\t\t\t\tBrandon Wernette\t\t\t\t\t\t<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Stephanie Elizabeth Churms, Romanticism and Popular Magic: Poetry and Cultures of the Occult in the 1790s<\/em><\/a><\/td><\/td><\/tr>
\n\t\t\t\t\t\t\t\t\tTim Sommer\t\t\t\t\t\t<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Robin Schofield, The Vocation of Sara Coleridge: Authorship and Religion<\/em><\/a><\/td><\/td><\/tr>
\n\t\t\t\t\t\t\t\t\tAmy Wilcockson\t\t\t\t\t\t<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Jessica Fay, Wordsworth\u2019s Monastic Inheritance: Poetry, Place, and the Sense of Community<\/em><\/a><\/td><\/td><\/tr>
\n\t\t\t\t\t\t\t\t\tAdam Potkay\t\t\t\t\t\t<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Heather Tilley, Blindness and Writing: From Wordsworth to Gissing<\/em><\/a><\/td><\/td><\/tr>
\n\t\t\t\t\t\t\t\t\tJayne Thomas\t\t\t\t\t\t<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Spotlight: Romantic Ideas<\/h4>\n\n\n\n
Paul Cheshire, William Gilbert and Esoteric Romanticism: A Contextual Study and Annotated Edition of The Hurricane<\/em><\/a><\/td><\/td><\/tr>
\n\t\t\t\t\t\t\t\t\tJacob Lloyd\t\t\t\t\t\t<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Dahlia Porter, Science, Form, and the Problem of Induction in British Romanticism<\/em><\/a><\/td> <\/td><\/tr>
\n\t\t\t\t\t\t\t\t\tJames Morland\t\t\t\t\t\t<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Maximiliaan van Woudenberg, Coleridge and Cosmopolitan Intellectualism 1794\u20131804: The Legacy of G\u00f6ttingen University<\/em><\/a><\/td> <\/td><\/tr>
\n\t\t\t\t\t\t\t\t\tChris Townsend\t\t\t\t\t\t<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Evan Gottlieb, Romantic Realities: Speculative Realism and British Romanticism<\/em><\/a><\/td><\/td><\/tr>
\n\t\t\t\t\t\t\t\t\tDavid Higgins\t\t\t\t\t\t<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Brian Rejack and Michael Theune, eds., Keats\u2019s Negative Capability: New Origins and Afterlives<\/em><\/a><\/td><\/td><\/tr>
\n\t\t\t\t\t\t\t\t\tAmina Brik\t\t\t\t\t\t<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Charles Morris Lansley, Charles Darwin\u2019s Debt to the Romantics<\/em>: How Alexander von Humboldt, Goethe and Wordsworth Helped Shape Darwin\u2019s View of Nature<\/em><\/a><\/td><\/td><\/tr>
\n\t\t\t\t\t\t\t\t\tDaniel V\u00e1zquez Calvo\t\t\t\t\t\t<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Whole Number<\/h4>\n\n\n\n
The BARS Review<\/em>, No. 53 (Spring-Autumn 2019) – review compilation<\/a><\/td><\/td><\/tr>
\n\t\t\t\t\t\t\t\t\tThe BARS Review Editors\t\t\t\t\t\t<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

We are glad to announce the publication of the most recent issue of The BARS Review (No. 53, Spring-Autumn 2019).  The issue contains a total of fifteen reviews of recent… Read more »<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":""},"categories":[7,9],"tags":[],"_links":{"self":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/2840"}],"collection":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2840"}],"version-history":[{"count":4,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/2840\/revisions"}],"predecessor-version":[{"id":2845,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/2840\/revisions\/2845"}],"wp:attachment":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2840"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2840"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2840"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}