{"id":2927,"date":"2020-03-31T08:10:30","date_gmt":"2020-03-31T08:10:30","guid":{"rendered":"http:\/\/www.bars.ac.uk\/blog\/?p=2927"},"modified":"2020-03-31T08:11:39","modified_gmt":"2020-03-31T08:11:39","slug":"romantic-europe-the-virtual-exhibition","status":"publish","type":"post","link":"https:\/\/www.bars.ac.uk\/blog\/?p=2927","title":{"rendered":"Romantic Europe: The Virtual Exhibition"},"content":{"rendered":"\n<p><em>A message from <a href=\"mailto:alice.rhodes@york.ac.uk\">Alice Rhodes<\/a>, BARS European Engagement Fellow (University of York)<\/em><\/p>\n\n\n\n<p>Dear all,<\/p>\n\n\n\n<p>Hopefully you\u2019re staying safe and well in these challenging times.&nbsp;<\/p>\n\n\n\n<p>As many of us move our teaching and research online, we\u2019d like to draw your attention to <a href=\"http:\/\/www.euromanticism.org\/\">Romantic Europe: The Virtual Exhibition (R\u00caVE)<\/a>&nbsp;as a digital resource to use both with your undergraduate and graduate students and in your own research.<\/p>\n\n\n\n<p>From inkstands, books, and travelling cases to trees, clouds, and volcanos, R\u00caVE brings together iconic objects of Romanticism from across Europe alongside original commentary and cutting-edge research from academics and heritage professionals around the world.&nbsp;<\/p>\n\n\n\n<p>We\u2019re now releasing new exhibits every Friday and you can follow us on Twitter (<a href=\"http:\/\/www.twitter.com\/euromanticism\">@euromanticism)<\/a> for updates on our latest posts. We\u2019d also love to hear how you\u2019re making use of the exhibition in online teaching, whether it\u2019s to explore the materiality and geography of Romanticism, as a research tool, a model for writing or research tasks, a creative prompt, a way of thinking about collections, curation and the way that objects speak to one another, or something else entirely.\u00a0<\/p>\n\n\n\n<p>Last but not least, we\u2019re delighted to announce the release of the first in our series of bi-weekly collections. The collections are designed to bring together individual exhibits from locations across Europe to facilitate productive juxtapositions and conversations. They are meant to make it easier to use the virtual exhibition. They are also meant to serve as a model for how users might themselves construct their own collections from within the virtual exhibition more generally.&nbsp;<\/p>\n\n\n\n<p>Our first collection,&nbsp;<em>Romantic Authorship&nbsp;<\/em>features \u201cPetrarch\u2019s Inkstand\u201d by Nicola J. Watson, \u201cThe Table of Inkwells\u201d by Jean-Marc Hovasse, \u201cAdam Mickiewicz\u2019s Tie Pin\u201d by Ma\u0142gorzata Wichowska, \u201cLord Byron\u2019s Autograph at the Castle of Chillon\u201d by Patrick Vincent, \u201cSir Walter Scott\u2019s Elbow Chair: The Seat of Power\u201d by Kirsty Archer-Thompson and \u201cTwo pages from Dorothy Wordsworth\u2019s&nbsp;<em>Grasmere Journal\u201d<\/em>&nbsp;by Jeff Cowton and can be viewed <a href=\"http:\/\/www.euromanticism.org\/virtual-exhibition\/reve-the-collections\/\">here<\/a>.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"1024\" height=\"208\" src=\"http:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/Euro-1024x208.png\" alt=\"\" class=\"wp-image-2928\" srcset=\"https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/Euro-1024x208.png 1024w, https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/Euro-300x61.png 300w, https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/Euro-768x156.png 768w, https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/Euro-1536x312.png 1536w, https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/Euro-2048x416.png 2048w, https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/Euro-150x30.png 150w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>A message from Alice Rhodes, BARS European Engagement Fellow (University of York) Dear all, Hopefully you\u2019re staying safe and well in these challenging times.&nbsp; As many of us move our&#8230; <a href=\"https:\/\/www.bars.ac.uk\/blog\/?p=2927\">Read more &raquo;<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":""},"categories":[5],"tags":[],"_links":{"self":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/2927"}],"collection":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2927"}],"version-history":[{"count":2,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/2927\/revisions"}],"predecessor-version":[{"id":2930,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/2927\/revisions\/2930"}],"wp:attachment":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2927"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2927"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2927"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}