{"id":3139,"date":"2020-07-22T14:10:09","date_gmt":"2020-07-22T14:10:09","guid":{"rendered":"http:\/\/www.bars.ac.uk\/blog\/?p=3139"},"modified":"2020-07-22T14:10:09","modified_gmt":"2020-07-22T14:10:09","slug":"the-bars-review-no-54-spring-2020","status":"publish","type":"post","link":"https:\/\/www.bars.ac.uk\/blog\/?p=3139","title":{"rendered":"<i>The BARS Review<\/i>, No. 54 (Spring 2020)"},"content":{"rendered":"\n<figure class=\"wp-container-2 wp-block-gallery-1 wp-block-gallery columns-1 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" width=\"1024\" height=\"676\" src=\"http:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/RomanticWanderingsCover109311001-1024x676.jpg\" alt=\"\" data-id=\"3141\" data-full-url=\"http:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/RomanticWanderingsCover109311001.jpg\" data-link=\"http:\/\/www.bars.ac.uk\/blog\/?attachment_id=3141\" class=\"wp-image-3141\" srcset=\"https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/RomanticWanderingsCover109311001-1024x676.jpg 1024w, https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/RomanticWanderingsCover109311001-300x198.jpg 300w, https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/RomanticWanderingsCover109311001-768x507.jpg 768w, https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/RomanticWanderingsCover109311001-624x412.jpg 624w, https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/RomanticWanderingsCover109311001.jpg 1534w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>We are glad to announce the publication of the most recent issue of <em>The BARS Review<\/em> (No. 54, Spring 2020).&nbsp; The issue contains fourteen reviews of recent scholarly work within the field of Romanticism, broadly conceived.&nbsp; Six of the reviews compromise a spotlight on Romantic Wanderings.<\/p>\n\n\n\n<p>If you have comments on the new number, or on the <em>Review<\/em> in general, we\u2019d be very grateful for any feedback that would allow us to improve the site or its content.&nbsp; Mark Sandy would also be very happy to hear from people who would like to review for BARS.<\/p>\n\n\n\n<p><em>Editor:<\/em> Mark Sandy (Durham University)<br><em>General Editors:<\/em> Ian Haywood (University of Roehampton) and Anthony Mandal (Cardiff University)<br><em>Technical Editor:<\/em> Matthew Sangster (University of Glasgow)<\/p>\n\n\n\n<h2>No 54 (2020)<\/h2>\n\n\n\n<h3>Table of Contents<\/h3>\n\n\n\n<h4>In Memorium<\/h4>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/313\/906\">In Memorium: Professor Vincent Newey (1943\u20132020)<\/a><\/td><\/tr><tr><td>Michael Davies, Philip Shaw<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h4>Reviews<\/h4>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/314\/908\">Michelle Levy, <em>Literary Manuscript Culture in Romantic Britain<\/em><\/a><\/td><\/tr><tr><td>Anne-Claire Michoux<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/315\/911\">Mark Vareschi, <em>Everywhere and Nowhere: Anonymity and Mediation in Eighteenth-Century Britain<\/em><\/a><\/td><\/tr><tr><td>Gerald Egan<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/316\/914\">Ian Newman, <em>The Romantic Tavern: Literature and Conviviality in the Age of Revolution<\/em><\/a><\/td><\/tr><tr><td>Ian Haywood<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/317\/917\">Amanda Jo Goldstein, <em>Sweet Science: Romantic Materialism and the New Logics of Life<\/em><\/a><\/td><\/tr><tr><td>Noel Jackson<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/318\/920\">Richard C. Sha, <em>Imagination and Science in Romanticism<\/em><\/a><\/td><\/tr><tr><td>Peter Garratt<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/319\/923\">Madeleine Callaghan, <em>The Poet-Hero in the Work of Byron and Shelley<\/em><\/a><\/td><\/tr><tr><td>Francesco Marchionni<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/320\/926\">Robert Poole, <em>Peterloo: The English Uprising<\/em><\/a><\/td><\/tr><tr><td>Fiona Milne<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/321\/929\">Sebastian Domsch, Christoph Reinfandt, and Katharina Rennhak, eds., <em>Romantic Ambiguities: Abodes of the Modern<\/em><\/a><\/td><\/tr><tr><td>Daniel V\u00e1zquez Calvo<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h4>Spotlight: Romantic Wanderings<\/h4>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/322\/932\">Ingrid Horrocks, <em>Women Wanderers and the Writing of Mobility, 1784-1814<\/em><\/a><\/td><\/tr><tr><td>Robin Jarvis<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/323\/935\">Katrina O\u2019Loughlin, <em>Women, Writing, and Travel in the Eighteenth Century<\/em><\/a><\/td><\/tr><tr><td>Kaley Kramer<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/324\/938\">Alexander Grammatikos, <em>British Romantic Literature and the Emerging Modern Greek Nation<\/em><\/a><\/td><\/tr><tr><td>Franca Dellarosa<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/325\/941\">Chiara Rolli, <em>The Trial of Warren Hastings: Classical Oratory and Reception in Eighteenth-Century England<\/em><\/a><\/td><\/tr><tr><td>Mariam Wassif<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/326\/944\">JoEllen DeLucia and Juliet Shields, eds., <em>Migration and Modernities: The State of Being Stateless, 1750-1850<\/em><\/a><\/td><\/tr><tr><td>Deirdre Coleman<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/327\/947\">Alan Bewell, <em>Natures in Translation: Romanticism and Colonial Natural History<\/em><\/a><\/td><\/tr><tr><td>David Higgins<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h4>Whole Number<\/h4>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><a href=\"http:\/\/www.bars.ac.uk\/review\/index.php\/barsreview\/article\/view\/328\/950\"><em>The BARS Review<\/em>, No. 54 (Spring 2020) &#8211; review compilation<\/a><\/td><\/tr><tr><td>The BARS Review Editors<\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>We are glad to announce the publication of the most recent issue of The BARS Review (No. 54, Spring 2020).&nbsp; The issue contains fourteen reviews of recent scholarly work within&#8230; <a href=\"https:\/\/www.bars.ac.uk\/blog\/?p=3139\">Read more &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":""},"categories":[7,9],"tags":[],"_links":{"self":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/3139"}],"collection":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3139"}],"version-history":[{"count":2,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/3139\/revisions"}],"predecessor-version":[{"id":3142,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/3139\/revisions\/3142"}],"wp:attachment":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3139"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3139"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3139"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}