{"id":3919,"date":"2021-09-22T13:26:46","date_gmt":"2021-09-22T13:26:46","guid":{"rendered":"https:\/\/www.bars.ac.uk\/blog\/?p=3919"},"modified":"2022-09-03T22:30:13","modified_gmt":"2022-09-03T22:30:13","slug":"cfp-literary-women-global-encounters-interventions-and-innovations-1750-1830-deadline-extended-to-31st-march-2022","status":"publish","type":"post","link":"https:\/\/www.bars.ac.uk\/blog\/?p=3919","title":{"rendered":"CFP: : Literary Women: Global Encounters, Interventions and Innovations, 1750-1830 (***Deadline extended to 31st March 2022***)"},"content":{"rendered":"\n<p><strong>CFP<\/strong>: <strong>Literary Women: Global Encounters, Interventions and Innovations, 1750-1830 , Special Issue of <em>The Wenshan Review of Literature and Culture<\/em><\/strong><\/p>\n\n\n\n<p><strong>(*** Deadline extended to 31<sup>st&nbsp;<\/sup>March 2022 ***)<\/strong>,<\/p>\n\n\n\n<p><strong>Guest Editors:<\/strong><\/p>\n\n\n\n<p>Dr Yi-cheng Weng (National Taiwan University, Taiwan)<\/p>\n\n\n\n<p>Dr Gillian Dow (University of Southampton, UK)<\/p>\n\n\n\n<p>The previous decades have seen the publications of stimulating and ground-breaking works that seek to recuperate and reconsider British women writers of this period. Literary criticism and feminist literary history have celebrated the existence and achievement of women writers, and shown that they were crucial participants in facilitating changes, transitions, and innovations in social and cultural movements, as well as literary styles.&nbsp;<\/p>\n\n\n\n<p>This special issue, the first to focus on women\u2019s writing in&nbsp;<em>The Wenshan Review of Literature and Culture<\/em>, isscheduled to be published in&nbsp;<strong>June 2023<\/strong>. We invite essays of 6000-10000 words, that explore the diversity of women\u2019s writing in the latter half of the long eighteenth century, when \u2013 in Britain at any rate \u2013 women writers were entering the literary marketplace in increasing numbers. Inspired by past scholarship on women\u2019s writing, and especially narratives about women\u2019s roles as negotiators and innovators that have consistently shaped our understanding of their work, the editors are keen to take advantage of the internationally collaborative nature of this special issue. We seek papers that explore perspectives on how women writers engaged in conversations about questions of politics, gender, war, nation, history, and art in Britain, continental Europe, and beyond. By looking across borders, and inviting contributions from colleagues working in a variety of institutional settings across the globe, we hope to weave together multitudinous narratives and responses to key cultural and literary developments of the age.&nbsp;<\/p>\n\n\n\n<p>Possible topics for this special issue may include but not limited to:<\/p>\n\n\n\n<p>\u274f&nbsp;&nbsp;&nbsp;&nbsp;Women and places: home, institutions, traveling, and revisiting<\/p>\n\n\n\n<p>\u274f&nbsp;&nbsp;&nbsp;&nbsp;Women and cultures: encounters beyond borders<\/p>\n\n\n\n<p>\u274f&nbsp;&nbsp;&nbsp;&nbsp;Sociability and public roles<\/p>\n\n\n\n<p>\u274f&nbsp;&nbsp;&nbsp;&nbsp;Distance and intimacy<\/p>\n\n\n\n<p>\u274f&nbsp;&nbsp;&nbsp;&nbsp;Female aesthetics<\/p>\n\n\n\n<p>\u274f&nbsp;&nbsp;&nbsp;&nbsp;Reception and translation: women in other worlds<\/p>\n\n\n\n<p>\u274f&nbsp;&nbsp;&nbsp;&nbsp;Women and materiality: object, fashion, and material culture<\/p>\n\n\n\n<p>\u274f&nbsp;&nbsp;&nbsp;&nbsp;Women writing about changes: interruptions, interventions, and innovations<\/p>\n\n\n\n<p>\u274f&nbsp;&nbsp;&nbsp;&nbsp;Emotions and feelings<\/p>\n\n\n\n<p>\u274f&nbsp;&nbsp;&nbsp;&nbsp;Women and illness<\/p>\n\n\n\n<p>\u274f&nbsp;&nbsp;&nbsp;&nbsp;Women and cosmopolitanism<\/p>\n\n\n\n<p>\u274f&nbsp;&nbsp;&nbsp;&nbsp;Art, theatre, and literature<\/p>\n\n\n\n<p>\u274f&nbsp;&nbsp;&nbsp;&nbsp;Women\u2019s writing about slavery, empire, and imperialism<\/p>\n\n\n\n<p>\u274f&nbsp;&nbsp;&nbsp;&nbsp;Women and enlightenment<\/p>\n\n\n\n<p>\u274f&nbsp;&nbsp;&nbsp;&nbsp;Teaching women\u2019s writing in a global context<\/p>\n\n\n\n<p>Please follow the submission guidelines detailed on&nbsp;<em>The Wenshan Review of Literature and Culture<\/em>&nbsp;website (<a href=\"https:\/\/eur03.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fwww.wreview.org%2Findex.php%2Fsubmission-guidelines.html)&amp;data=04%7C01%7CJ.T.G.Orchard%40Swansea.ac.uk%7C36c9122495fc4363783a08d9790048dd%7Cbbcab52e9fbe43d6a2f39f66c43df268%7C0%7C0%7C637673865152059968%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&amp;sdata=yU09PyMYS1ToZV1NwRBcc%2FVhYHudkE4eAk6r2Hph4mQ%3D&amp;reserved=0\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.wreview.org\/index.php\/submission-guidelines.html)<\/a>, and submit your articles online by&nbsp;<strong>31<sup>st<\/sup>&nbsp;March 2022 (extended deadline)<\/strong>.<\/p>\n\n\n\n<p><em>The Wenshan Review of Literature and Culture<\/em>, founded in 1995, is an open-access peer-reviewed journal of literary and cultural studies, and one of the most reputable academic journals in Taiwan. It offers a unique space to bring together scholar from around the world to address important issues and debates in a wide range of research areas. It is currently indexed in: Emerging Sources Citation Index (ESCI); SCOPUS; EBSCOhost; MLA International Bibliography; Taiwan Humanities Citation Index (THCI).<\/p>\n\n\n\n<p>We welcome informal enquiries, and proposals for co-authored contributions. Please contact the co-editors: Yi-cheng Weng (<a href=\"mailto:yichengweng@ntu.edu.tw)\" target=\"_blank\" rel=\"noreferrer noopener\">yichengweng@ntu.edu.tw)<\/a>&nbsp;and Gillian Dow (<a href=\"mailto:G.Dow@soton.ac.uk)\" target=\"_blank\" rel=\"noreferrer noopener\">G.Dow@soton.ac.uk)<\/a>.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>CFP: Literary Women: Global Encounters, Interventions and Innovations, 1750-1830 , Special Issue of The Wenshan Review of Literature and Culture (*** Deadline extended to 31st&nbsp;March 2022 ***), Guest Editors: Dr&#8230; <a href=\"https:\/\/www.bars.ac.uk\/blog\/?p=3919\">Read more &raquo;<\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":""},"categories":[14,9],"tags":[],"_links":{"self":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/3919"}],"collection":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3919"}],"version-history":[{"count":2,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/3919\/revisions"}],"predecessor-version":[{"id":4342,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/3919\/revisions\/4342"}],"wp:attachment":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3919"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3919"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3919"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}