{"id":4516,"date":"2023-01-17T16:54:42","date_gmt":"2023-01-17T16:54:42","guid":{"rendered":"https:\/\/www.bars.ac.uk\/blog\/?p=4516"},"modified":"2023-01-17T16:54:42","modified_gmt":"2023-01-17T16:54:42","slug":"cfp-jane-austen-and-the-making-of-regency-whiteness","status":"publish","type":"post","link":"https:\/\/www.bars.ac.uk\/blog\/?p=4516","title":{"rendered":"CFP: Jane Austen and the Making of Regency Whiteness"},"content":{"rendered":"\n<p>Editors: Kerry Sinanan , University of Texas at San Antonio and Mariam Wassif, Carnegie Mellon University.\u00a0\u00a0<\/p>\n\n\n\n<p><strong>For review with SUNY Press, Long Nineteenth Century Series&nbsp;<\/strong><\/p>\n\n\n\n<p><em>Jane Austen and the Making of Regency Whiteness <\/em>unsettles Austen criticism to re-examine her&nbsp; novels\u2019 centrality to forging whiteness in the eighteenth century. This \u201cwhiteness&nbsp; project\u201d (Gerald Horne) is reproduced by Austen cultures, afterlives, and adaptations, with global&nbsp; ramifications. This volume gathers essays from scholars working at the intersections of Critical&nbsp; Race and Black Studies, Indigenous methodologies, and Postcolonial theory, to argue that&nbsp; Austen\u2019s novels are fundamentally about making white, Anglo subjects of empire who are&nbsp; located in a specific historical period. The Regency whiteness produced in the novels continues&nbsp; to have a huge impact and desirability as Austen is exported, reproduced, and consumed globally.&nbsp; The volume will show that it is specifically the making of Regency white people that has granted&nbsp; Austen her global, iconic status today.&nbsp;&nbsp;<\/p>\n\n\n\n<p>While Edward Said and more recent postcolonial critics have long argued that Austen and&nbsp; empire are interwoven, what has not yet been fully discussed is the powerful race-making work&nbsp; that Austen\u2019s novels perform and the global significance of this work in forging white&nbsp; subjectivity as universal. Austen\u2019s cultural force is part of the assimilationist, universalizing&nbsp; territorial and cultural conquest of the British empire, promulgating a myth of \u201coriginality\u201d that&nbsp; enables a sweeping universal signifying of Regency whiteness as a desired norm. <em>Jane Austen&nbsp; and the Making of Regency Whiteness <\/em>understands Austen as Shakespeare\u2019s heir in this making&nbsp; of the white, Anglo subject who comes to stand in for the universal human (see <em>White People in&nbsp; Shakespeare <\/em>ed. Arthur Little). In <em>Mansfield Park <\/em>(1816) Henry Crawford declares,&nbsp; \u201cShakespeare one gets acquainted with without knowing how. It is part of an Englishman\u2019s&nbsp; constitution.\u201d Austen draws frequently on the works of Shakespeare and Milton to create a&nbsp; cultural-moral center at the heart of her works: reading shapes her heroines\u2019 inner virtue and&nbsp; social sensibilities, as well as those of her male characters. It forges them as white \u201cEnglish\u201d&nbsp; people. This volume focuses on how culturally and historically contextualized whiteness in the&nbsp; novels has been mobilized, transhistorically and transgeographically, to signify on a global scale.&nbsp;<\/p>\n\n\n\n<p>Austen\u2019s novels produce norms of romance, satire, and comedy which are codified and&nbsp; disseminated as universal, when in fact these modes, and the morals they espouse, understood to&nbsp; be central to \u201cliterature,\u201d are coterminous with British imperial expansion and settler&nbsp; colonialism. While some adaptations and fandom practices contest this whiteness, many of them&nbsp; reproduce it.&nbsp;&nbsp;<\/p>\n\n\n\n<p>We invite a broad range of contributors from both inside and outside of the academy to&nbsp; ensure that the collection has relevance for instructors, scholars, students, fans of Austen, social&nbsp; media enthusiasts, and those in the heritage and adaptation industries.&nbsp;&nbsp;<\/p>\n\n\n\n<p>This project has been invited for review by SUNY Press for the Studies in the Long&nbsp; Nineteenth Century series. Please send abstracts of <strong>500 words <\/strong>by <strong>1 April <\/strong>to&nbsp; kerry.sinanan@utsa.ed and mwassif@andrew.cmu.edu.&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>Topics may include:&nbsp;<\/strong><\/p>\n\n\n\n<p>Milton and Whiteness in Austen&nbsp;&nbsp;<\/p>\n\n\n\n<p>Shakespeare and Whiteness in Austen&nbsp;&nbsp;<\/p>\n\n\n\n<p>Muslin and Cotton&nbsp;&nbsp;<\/p>\n\n\n\n<p>Hindutva and Austen&nbsp;&nbsp;<\/p>\n\n\n\n<p>Men of Empire and Austen&nbsp;&nbsp;<\/p>\n\n\n\n<p>Challenging whiteness in Austen in inclusive fandoms and adaptations&nbsp;&nbsp;<\/p>\n\n\n\n<p>White women, Romance and Austen&nbsp;&nbsp;<\/p>\n\n\n\n<p>Embroidery and white femininity&nbsp;&nbsp;<\/p>\n\n\n\n<p>Chastity and white femininity&nbsp;&nbsp;<\/p>\n\n\n\n<p>Women\u2019s wit and whiteness&nbsp;&nbsp;<\/p>\n\n\n\n<p>Landed property as whiteness in Austen&nbsp;&nbsp;<\/p>\n\n\n\n<p>Classical Culture and whiteness&nbsp;&nbsp;<\/p>\n\n\n\n<p>Geographies of Whiteness in Austen&nbsp;&nbsp;<\/p>\n\n\n\n<p>Austen at the Borderlands&nbsp;&nbsp;<\/p>\n\n\n\n<p>Money, empire, and whiteness in Austen&nbsp;&nbsp;<\/p>\n\n\n\n<p>Protestantism, Austen and Empire&nbsp;&nbsp;<\/p>\n\n\n\n<p>Fashion, whiteness and Austen&nbsp;&nbsp;<\/p>\n\n\n\n<p>Art, materiality and the making of Regency whiteness&nbsp;&nbsp;<\/p>\n\n\n\n<p>Slavery and racial capital in making Regency whiteness&nbsp;&nbsp;<\/p>\n\n\n\n<p>The music of Regency whiteness in Austen&nbsp;&nbsp;<\/p>\n\n\n\n<p>National Trust and Heritage cultures of whiteness&nbsp;&nbsp;<\/p>\n\n\n\n<p>Austen and the Landed gentry&nbsp;&nbsp;<\/p>\n\n\n\n<p>Class and Whiteness in Austen&nbsp;&nbsp;<\/p>\n\n\n\n<p>Racism and Whiteness in Austen Fandoms&nbsp;&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Editors: Kerry Sinanan , University of Texas at San Antonio and Mariam Wassif, Carnegie Mellon University.\u00a0\u00a0 For review with SUNY Press, Long Nineteenth Century Series&nbsp; Jane Austen and the Making&#8230; <a href=\"https:\/\/www.bars.ac.uk\/blog\/?p=4516\">Read more &raquo;<\/a><\/p>\n","protected":false},"author":11,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":""},"categories":[14],"tags":[47],"_links":{"self":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/4516"}],"collection":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4516"}],"version-history":[{"count":1,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/4516\/revisions"}],"predecessor-version":[{"id":4517,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/4516\/revisions\/4517"}],"wp:attachment":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4516"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4516"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4516"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}