{"id":5487,"date":"2024-09-06T21:02:44","date_gmt":"2024-09-06T21:02:44","guid":{"rendered":"https:\/\/www.bars.ac.uk\/blog\/?p=5487"},"modified":"2024-09-06T21:02:44","modified_gmt":"2024-09-06T21:02:44","slug":"romantic-poets-in-the-wild-2-colin-harker","status":"publish","type":"post","link":"https:\/\/www.bars.ac.uk\/blog\/?p=5487","title":{"rendered":"Romantic Poets in the Wild #2: Colin Harker"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"http:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/IMG_1409-1.jpeg\"><img loading=\"lazy\" src=\"http:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/IMG_1409-1-748x1024.jpeg\" alt=\"\" class=\"wp-image-5490\" width=\"589\" height=\"807\" srcset=\"https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/IMG_1409-1-748x1024.jpeg 748w, https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/IMG_1409-1-219x300.jpeg 219w, https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/IMG_1409-1-768x1051.jpeg 768w, https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/IMG_1409-1-1122x1536.jpeg 1122w, https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/IMG_1409-1-624x854.jpeg 624w, https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/IMG_1409-1.jpeg 1158w\" sizes=\"(max-width: 589px) 100vw, 589px\" \/><\/a><figcaption>Colin Harker in the wild.<\/figcaption><\/figure>\n\n\n\n<p>RPW is back with another poet who has been inspired by the Romantics and\/or Romantic themes&#8211;this week, as we move into autumn\/winter months, we have a writer deeply moved by, in her own words, &#8216;themes of terror and desire.&#8217; I&#8217;ll let Colin continue below:<br><br>&#8216;Part of what has always drawn me to British and Irish Romanticism is the complex way in which the poets and authors of this movement engage with themes of terror and desire. I have always been drawn to the texts that explore death in unusual ways, such as the imaginative necromancy of William Godwin\u2019s \u201cEssay on Sepulchres\u201d and the desirous ghost in John Keats\u2019s \u201cThis living hand\u201d (my favorite of all of Keats\u2019s poems). With my poem \u201cThe Lover\u2019s Ghost,\u201d I wanted to explore the idea of a not-merely-metaphysical ghost, one whose physical desires are still very much intact. What if death isn\u2019t the end of desire but only the beginning of some new, unimaginable desire? \u201cBluebeard\u2019s Ghost\u201d plays with the themes of curiosity and transgression that make that particular legend so fascinating \u2013 I enjoyed pairing the language of Eden with my take on the character of Bluebeard, giving an insight into the twisted logic of my poem\u2019s protagonist as he patiently and politely explains himself to his intended victim.&#8217;<\/p>\n\n\n\n<p>Colin Harker lives in Maryland, writing tales of dread and desire that meld body horror with supernatural terror. Her novel <em>The Feast of the Innocents<\/em> (2022) is set in the politically turbulent climate of 17th-century Scotland, focusing on a Priory haunted by ritualistic murders and a French assassin with a taste for theatrical torture. Her short stories \u201cThe Hand of Glory\u201d and \u201cLet Nothing You Dismay\u201d have appeared in the award-winning horror podcast <em>The NoSleep Podcast<\/em>.<\/p>\n\n\n\n<p>Both these featured poems will be appearing in her forthcoming collection <em>Thorns: A Book of Poems.<\/em><\/p>\n\n\n\n<p class=\"has-large-font-size\">Lover&#8217;s Ghost<\/p>\n\n\n\n<div class=\"wp-container-1 wp-block-group\"><div class=\"wp-block-group__inner-container\">\n<p>Here lies one whose flesh once burned<br>And strained as sweating dust and dew;<br>Whose frame all earth\u2019s desires learned<br>Yet here a different lust pursues.<\/p>\n\n\n\n<p>He shall remember, he shall know<br>All the lusts he felt before;<br>His thirst shall only gall and grow,<br>What once desired, desires more.<\/p>\n\n\n\n<p>Who can tell the hungry earth<br>To stop its mouth and panting lung?<br>Who can bid the rotting soil<br>Bite the wanting of its tongue?<\/p>\n\n\n\n<p>Shed no tear upon his grave<br>Lest it fall and find his dust;<br>They do not sleep but only wait:<br>His dust, his soul, and all their lusts.<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"has-large-font-size\">Bluebeard<\/p>\n\n\n\n<p>For, he says, the world is wicked<br>And you, my dear, are made of glass<br>And for all that I must possess you,<br>I shall never let you pass.<\/p>\n\n\n\n<p>Our bower is a kinder Eden,<br>For if you break my single law<br>You shall never be an outcast,<br>But still remain within my walls.<\/p>\n\n\n\n<p>Do you see them there, my darling?<br>The pretty sinners gone before?<br>Each one in her mother\u2019s jewels<br>Each one in the veil she wore?<\/p>\n\n\n\n<p>If, my dear, your God is jealous,<br>With what word am I adorned?<br>I, the serpent\u2019s fruit you suckled,<br>I, divine law that you scorned?<\/p>\n\n\n\n<p>Tell me, sweetheart, at this hour<br>With all your courage and your fear,<br>You tasted boldly of my secrets,<br>But were they worth these bitter tears?<\/p>\n\n\n\n<p>Tune in next time when we will feature the Byronic closet dramas of Jedediah Pumblechook!<\/p>\n\n\n\n<p><em>Adam Neikirk<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>RPW is back with another poet who has been inspired by the Romantics and\/or Romantic themes&#8211;this week, as we move into autumn\/winter months, we have a writer deeply moved by,&#8230; <a href=\"https:\/\/www.bars.ac.uk\/blog\/?p=5487\">Read more &raquo;<\/a><\/p>\n","protected":false},"author":14,"featured_media":5490,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":""},"categories":[2,115,1],"tags":[118,111,117],"_links":{"self":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/5487"}],"collection":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5487"}],"version-history":[{"count":16,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/5487\/revisions"}],"predecessor-version":[{"id":5506,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/5487\/revisions\/5506"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/media\/5490"}],"wp:attachment":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5487"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5487"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5487"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}