{"id":5557,"date":"2024-09-27T12:29:40","date_gmt":"2024-09-27T12:29:40","guid":{"rendered":"https:\/\/www.bars.ac.uk\/blog\/?p=5557"},"modified":"2024-09-27T12:29:40","modified_gmt":"2024-09-27T12:29:40","slug":"romantic-poets-in-the-wild-4-ciaran-orourke","status":"publish","type":"post","link":"https:\/\/www.bars.ac.uk\/blog\/?p=5557","title":{"rendered":"Romantic Poets in the Wild #4: Ciaran O&#8217;Rourke"},"content":{"rendered":"\n<p>RPW is back with more poetry, the thing everybody loves! This week we have Dublin-based poet Ciaran O&#8217;Rourke. O&#8217;Rourke is a widely published poet whose second collection, <em>Phantom Gang<\/em>, was longlisted for the Dylan Thomas Prize in 2023. His third collection is forthcoming from The Irish Pages Press. <\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/CIARAN-OROURKE.jpg\"><img loading=\"lazy\" width=\"350\" height=\"466\" src=\"https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/CIARAN-OROURKE.jpg\" alt=\"\" class=\"wp-image-5558\" srcset=\"https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/CIARAN-OROURKE.jpg 350w, https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/CIARAN-OROURKE-225x300.jpg 225w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/a><figcaption>Ciaran O&#8217;Rourke in the wild.<\/figcaption><\/figure>\n\n\n\n<p>These poems, entitled &#8220;John Clare Enclosed&#8221; and &#8220;The Commons,&#8221; take their inspiration from the life and writings of the Romantic poet John Clare. I&#8217;ll let the poet himself say a few words here:<\/p>\n\n\n\n<p>The poems I submitted are from my second collection,\u00a0<em><a rel=\"noreferrer noopener\" href=\"https:\/\/irishpages.org\/product\/phantom-gang\/?v=d2cb7bbc0d23\" target=\"_blank\">Phantom Gang<\/a>\u00a0<\/em>(The Irish Pages Press), which was longlisted for the Dylan Thomas Prize in 2023. They are meant, of course, as a tribute to Clare, a \u201closs-eyed wilder-man\u201d, who was also, at different points in his life, a kind of \u201chierophant \/\/ of dirt-in-bloom \/ and revelry\u201d. In writing them, I wanted to sift through the swarming static of contemporary history to a new zone of clarity, where the spectres (of poverty, displacement, homelessness, environmental corrosion) that so ruled Clare\u2019s world two centuries ago might be recognised afresh in our own \u2013 \u201cour age \/ of wilting seas \/\/ and homesick, lock-out blues.\u201d Both poems are filled with quotations and semi-quotations from Clare&#8217;s own work, so I think of them as echo-chambers rather than memorials: \u201cIs this, then, our one inheritance, \/ the ache where voices grow? \/\/ My poem\u2019s a lifted echoing, \/ as if they might continue.\u201d<\/p>\n\n\n\n<p><strong>JOHN CLARE ENCLOSED<\/strong><br><br>John Clare, your eagle&#8217;s nose<br>grows wise and flat<br><br>on the else unsmelt<br>suppressions of the earth.<br><br>You knew the world particulate<br>and true \u2013 and here you sit,<br><br>demure in inky water-colours,<br>bright-berry-eyed and stately,<br><br>a water-jug at rest<br>in elbow-distance down the tray.<br><br>A boyish elder-look, like light,<br>breaks across your face; you stare<br><br>as if an age of plenty, long ago begun<br>in green delight and common-song,<br><br>had all dissolved, a memory,<br>to noise and nothingness,<br><br>some bleak <em>beyond<\/em><br>that slips your faded, folding<br><br>fist of bones, for now \u2013<br>though the groan (or grin)<br><br>that&#8217;s surfacing, the watch you keep,<br>would make a merry mix.<br><br>My own un-peasant hunger<br>knows no muck or grass,<br><br>the sodden <em>thing like bread<\/em><br>you supped for miles<br><br>that kept your famine-fingers clean,<br>but longs, in indolence, sweet-bitterly,<br><br>for you yourself, restored:<br>a five-foot shadow,<br><br>lit by wind and all at large<br>a-down the ringing heath \u2013<br><br>when time, like verse,<br>was gentle, coarse and full.<br><br>I&#8217;ve heard the very sun<br>would touch the earthen rim, far-off,<br><br>and lead you on\u2026 perhaps to this,<br>(my wisp of want, a lark&#8217;s desire),<br><br>to hale the air of once, and ever,<br><em>meeting no enemy &amp; fearing none.<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p><strong>The Commons<\/strong><br><br>Sean, our common earth\u2019s in smoke,<br>the shadow-rule<br><br>of feasting, famine-fed conspirators<br>(a sleek elite) extends<br><br>to every nook<br>where gladness one-time grew.<br><br><em>\u2018Tis like a sunbeam<br>in the mist<\/em>, said some other<br><br>loss-eyed wilder-man<br>of love, like you<br><br>a grey-sky-sodden<br>hierophant<br><br>of dirt in bloom<br>and revelry: John Clare,<br><br>whose digger\u2019s life<br>and empty-bellied sorrowing<br><br>you praised as <em>permanent<\/em><br>and <em>true<\/em> \u2013<br><br>in this, our age<br>of wilting seas<br><br>and homesick, lock-out blues.<br>With quick largesse,<br><br>your bursting blend<br>of magnanimity and vim,<br><br>in a liquor-flux of inspiration,<br>you reeled his verse<br><br>from memory, and pictured<br>peasant-crowds alit<\/p>\n\n\n\n<p>with world-transforming rage.<br>I trod home across<br><br>the mossy, rain-<br>bewintered city\u2019s wreck<br><br>in quietness, alive<br>and less alone.<br><br>To feel at all: an act<br>of intimate dissent,<br><br>as gentle-hearted heretics<br>have ever felt and known.<br><br>Is this, then, our one inheritance,<br>the ache where voices grow?<br><br>My poem\u2019s a lifted echoing,<br>as if they might continue.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p>Join us next time when we&#8217;ll be reading poetry by Jodie Marley! See you then!<br><br><em>Adam Neikirk<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>RPW is back with more poetry, the thing everybody loves! This week we have Dublin-based poet Ciaran O&#8217;Rourke. O&#8217;Rourke is a widely published poet whose second collection, Phantom Gang, was&#8230; <a href=\"https:\/\/www.bars.ac.uk\/blog\/?p=5557\">Read more &raquo;<\/a><\/p>\n","protected":false},"author":14,"featured_media":5558,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":""},"categories":[2,115,1],"tags":[123,111,117,114],"_links":{"self":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/5557"}],"collection":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5557"}],"version-history":[{"count":5,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/5557\/revisions"}],"predecessor-version":[{"id":5563,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/5557\/revisions\/5563"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/media\/5558"}],"wp:attachment":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5557"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5557"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}