{"id":5602,"date":"2024-10-25T11:33:23","date_gmt":"2024-10-25T11:33:23","guid":{"rendered":"https:\/\/www.bars.ac.uk\/blog\/?p=5602"},"modified":"2024-10-25T11:33:23","modified_gmt":"2024-10-25T11:33:23","slug":"romantic-poets-in-the-wild-6-yu-hung-tien","status":"publish","type":"post","link":"https:\/\/www.bars.ac.uk\/blog\/?p=5602","title":{"rendered":"Romantic Poets in the Wild #6: Yu-Hung Tien"},"content":{"rendered":"\n<p>Romantic Poets in the Wild is back again with the poetry of Yu-Hung Tien. Yu-Hung Tien is a BIPOC poet and now doing a PhD in English at the University of Edinburgh, UK. Originally from Taiwan, Yu-Hung studied in such cities as Taipei, Berkeley, Shanghai, and Durham. Throughout his professional career, Yu-Hung has tried to&nbsp;underpin the value of approaching Anglo-American literature through a Taiwanese lens.&nbsp;His most<br>recent work, \u2018\u201cThe Earth reversed her Hemispheres\u201d: A Transhemispherical Reading of Dickinson\u2019, appears in&nbsp;The Emily Dickinson International Society (EDIS) Bulletin\u2019s \u2018Voices Outside the US\u2019 Column.&nbsp;<\/p>\n\n\n\n<p>Yu-Hung used to serve as a PGR Rep for BARS (2022-2024) and a Communications Fellow for K-SAA (2022-2024). He is now part of the EDIS\u2019s 2025 International Conference postgraduate planning committee, bringing the conference back to his home city, Taipei. (https:\/\/2025edisinwenshan.wordpress.com\/).<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/Yu-Hung-Photo-scaled.jpg\"><img loading=\"lazy\" width=\"768\" height=\"1024\" src=\"https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/Yu-Hung-Photo-768x1024.jpg\" alt=\"\" class=\"wp-image-5603\" srcset=\"https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/Yu-Hung-Photo-768x1024.jpg 768w, https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/Yu-Hung-Photo-225x300.jpg 225w, https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/Yu-Hung-Photo-1152x1536.jpg 1152w, https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/Yu-Hung-Photo-1536x2048.jpg 1536w, https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/Yu-Hung-Photo-624x832.jpg 624w, https:\/\/www.bars.ac.uk\/blog\/wp-content\/uploads\/Yu-Hung-Photo-scaled.jpg 1920w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/a><figcaption>Yu-Hung Tien in the wild.<\/figcaption><\/figure>\n\n\n\n<p>Yu-Hung has provided us with a background statement concerning his creative writing practice:<\/p>\n\n\n\n<p>The more I study Romantic poetry, the more I am inspired to drop down my thoughts, encapsulating them into my verses. <\/p>\n\n\n\n<p>The infinite possibility seeded in Romantic poetry has started to haunt me since I did my undergraduate in Taiwan. This is why I decided to study for a Master\u2019s degree in Romantic poetry at Durham University, UK, and to carry on this passion to my PhD journey. In my current project, which explores the 19th-century Anglo-American poetic transmission, Emily Dickinson plays a significant role. I am particularly drawn to the dialogic quality enmeshed in her poetry. I thus try to incorporate my personal and critical responses to and interpretations of her works into my verses and to experiment with how, for someone like me with distinctive racial, gender, cultural and linguistic backgrounds from Dickinson, can invoke creative poetic conversation with her.<\/p>\n\n\n\n<p>This is the brief background in which my poem series, \u201cMy Letters to Emily Dickinson,\u201d was composed. Letter I reflects my encounter with her, showing how I foster an inextricable intellectual bond with her poetics. Letter II embodies the struggle that I have experienced as a BIPOC poet and the solace that I found in Dickinson. Echoing what Dickinson claims \u201cThis is my letter to the World \/ That never wrote to Me \u2013,\u201d I hope that through my letters to my poetic mentor, some self-reflective notes and urgent messages crystalizing the under- represented voices can be sent out to the world.<\/p>\n\n\n\n\n\n<h2>My Letters to Emily Dickinson<\/h2>\n\n\n\n<h2>Yu-Hung Tien<\/h2>\n\n\n\n<h2><br>I<\/h2>\n\n\n\n<p class=\"has-small-font-size\"><em>&#8220;There is no Frigate like a Book \/ To take us Lands away&#8221;<\/em> <br>  <em>      \u201cThe Robin\u2019s my Criterion for Tune \u2013 \/ Because I grow \u2013 where Robins do \u2013\u201d<\/em><br>  <em>  \u201cBecause I see \u2013 New Englandly \u2013 \/ The Queen, discerns like me \u2013\u201d<\/em>                    <br>     \u2014Emily Dickinson<\/p>\n\n\n\n<pre class=\"wp-block-verse\">Outside of my window<br>A volcano about to glow<br>I reckoned it was yours, Distinct<br>And mine remained, Extinct \u2013<br><br>I decided to book a flight<br>To make this binding tight<br>Eager to see my Destiny<br>Is this Modernity?<br><br>I landed in your lands<br>For me are \u201cLands away\u201d<br>Nowhere for me to firmly stay<br>Visions into Sands \u2013<br><br>\u201cNew Englandly\u201d, you siren<br>But I found no robin\u2019s sound<br>It was the river that I found<br>I heard your melodies round!<br><br>\u201cThe Robin\u2019s\u201d your \u201cCriterion for tune\u201d<br>\u201cDiscerning\u201d as you were<br>I claimed this river that of mine<br>To feel the way, you are<br><br>My volcano began to glow!<br>This time I learned to flow<br>In the river where we merged<br>My destiny emerged \u2013<\/pre>\n\n\n\n<h2>II<\/h2>\n\n\n\n<p class=\"has-small-font-size\"><em>\u201cSplit the Lark \u2013 and you\u2019ll find the Music \u2013\u201d<br>\u201cNow, do you doubt that your Bird was true?\u201d<br><\/em>\u2014Emily Dickinson<\/p>\n\n\n\n<pre class=\"wp-block-verse\">I found a mansion with no flaw<br>And then I found a crack<br>Or just a crack within my soul<br>I felt I was stuck<br><br>The only Darkness it was Me<br>That Tainted the Outer Bright<br>I decided to mask myself<br>Like that pretentious Knight<br><br>The only way \u2013 I thought \u2013<br>Could make myself alive.<br><br>Someone\u2019s knocking, I respond<br>Who claims \u201cDiversity\u201d<br>No one greets me in the end<br>This Hall of Vanity \u2013<br><br>There is another call, I hear \u2013<br>Ask me to \u201cSplit the Lark\u201d<br><br>This is the only way, she says<br>To \u201cfind the Music\u201d out<br><br>No lark appears in my Sight<br>But just the endless dark<br>I thus intend to pause my Sigh<br>To let my spirit park<br><br>The colors start to bloom<br>Inward diversity<br>Permeate that mansion<br>And make it no longer bright<br><br>I wake up from a dream<br>A dream of fantasy<br>Fantasizing my old days\u2019 dream<br>Dream of my destiny<br><br>\u201cNow, do you doubt that your Bird was true?\u201d<br>I finally see this line<br>My lark is always here, I\u2019m sure<br>Its abode is also mine!<br><br>No crack in this mansion<br>No crack within my soul<br>It was the hole that cracked my soul<br>To let my own Lark grow!<\/pre>\n\n\n\n<p>I hope that you enjoyed this week&#8217;s poetry&#8211;uplifting us as we get into the darker days of the year &#8230; Tune in next time when we will be featuring the poet Linda Collins!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Romantic Poets in the Wild is back again with the poetry of Yu-Hung Tien. Yu-Hung Tien is a BIPOC poet and now doing a PhD in English at the University&#8230; <a href=\"https:\/\/www.bars.ac.uk\/blog\/?p=5602\">Read more &raquo;<\/a><\/p>\n","protected":false},"author":14,"featured_media":5603,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":""},"categories":[2,115],"tags":[113,111,117],"_links":{"self":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/5602"}],"collection":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5602"}],"version-history":[{"count":13,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/5602\/revisions"}],"predecessor-version":[{"id":5617,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/5602\/revisions\/5617"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/media\/5603"}],"wp:attachment":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5602"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5602"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5602"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}