{"id":5772,"date":"2025-01-24T13:52:35","date_gmt":"2025-01-24T13:52:35","guid":{"rendered":"https:\/\/www.bars.ac.uk\/blog\/?p=5772"},"modified":"2025-01-24T13:52:35","modified_gmt":"2025-01-24T13:52:35","slug":"call-for-papers-the-north-american-society-for-the-study-of-romanticism-nassr-conference-2025","status":"publish","type":"post","link":"https:\/\/www.bars.ac.uk\/blog\/?p=5772","title":{"rendered":"Call for Papers: The North American Society for the Study of Romanticism (NASSR) Conference 2025"},"content":{"rendered":"\n

The North American Society for the Study of Romanticism (NASSR) is pleased to announce the theme of–and call for contributions to–our 2025 conference, which will be held online, accessibly, and hosted by Athabasca University, on August 14-16, 2025<\/strong>.<\/p>\n\n\n\n

Romanticism’s Commons<\/em> names a field for which we hope to solicit contributions to current studies in Romanticism from a transdisciplinary array of scholarly approaches and perspectives. This theme also resonates with and builds on those of previous NASSR conferences, like those focusing on mediations, openness, and technology, among others.<\/p>\n\n\n\n

In everyday speech, “common” connotes something of sharing, and something of averageness; in the everyday speech of the long 19th century, the word also familiarly confers pejorative judgment on sharing or averageness deemed crude, inappropriate, promiscuous, and\/or conspicuously gender-coded (as in patriarchy’s figure of a “common woman\u201d). In legal discourse, the commons names territory or space that is publicly shared and accessed, de-propertized, or otherwise not privately enclosed. During the Romantic period, common lands continued to be enclosed or privatized by the ever-encroaching and -expanding private interests of industrial capital. Analogously, scholars and critics of intellectual property (IP) in the digital age argue that a new wave of enclosures now proceeds by way of increasingly strict and punitive copyright and other IP laws; these new enclosures threaten other kinds of cultural and archival commons, like the “public domain”–the cultural commons comprised of works whose copyrights have expired, forming a shared heritage and repertoire for new cultural production.<\/p>\n\n\n\n

“Common” also means a myriad things for other discourses, etymologically, historically, and interculturally. NASSR invites scholars of Romantic-period literature and culture to consider our theme’s keywords in relation to your own researches, and to come together for a conversation about Romanticism’s commons, however theorized or reimagined.<\/p>\n\n\n\n

Understood in the broadest terms possible, research on “Romanticism’s commons” can encompass topics like (but not limited to) the following:<\/p>\n\n\n\n

\u00b7         Romanticism’s digital commons(es)<\/p>\n\n\n\n

\u00b7         speaking in common tongues<\/p>\n\n\n\n

\u00b7         “commonties” (Hogg): etymologies, dicourses, genealogies<\/p>\n\n\n\n

\u00b7         gendering, classing, and\/or sexing what’s “common”<\/p>\n\n\n\n

\u00b7         common Romanticism in pop culture<\/p>\n\n\n\n

\u00b7         law, property, intellectual property: from enclosures to new enclosures<\/p>\n\n\n\n

\u00b7         Romantic literature(s) and public domain(s)<\/p>\n\n\n\n

\u00b7         common grounds: discourses and praxis of solidarity discourses<\/p>\n\n\n\n

\u00b7         common knowledge(s), (un)common sense<\/p>\n\n\n\n

Conference organizers are open to various forms of proposal:<\/p>\n\n\n\n

Traditional proposals for 15-20-minute papers (250-word abstracts) submitted by individual NASSR members to the conference organizers.<\/p>\n\n\n\n

Proposals for complete panels, special sessions, caucus sessions (with the roster of committed speakers and affiliations) for three 20-minute or four 15-minute papers (250-word abstracts for each paper accompanied by a cover letter describing the aims of the panel as a whole). All papers are subject to vetting by the organizing committee.<\/p>\n\n\n\n

If you are interested in proposing a panel but are looking for participants, we encourage you to advertise your topic by sending an email to NASSR2025@proton.me<\/a> or nassr.news@gmail.com<\/a>.<\/p>\n\n\n\n

Proposals for roundtables: please provide a description of the roundtable topic, including a title, with a list of committed panelists (with affiliations). Please note that the maximum number of roundtable members, including the chair, is six (6).<\/p>\n\n\n\n

The deadline for all submissions (paper proposals, complete panels\/special sessions\/caucus sessions, and roundtables) is February 14, 2025<\/strong>.<\/p>\n\n\n\n

Please send all submissions, together with a one-page CV — and\/or direct questions — to the NASSR 2025 conference committee, chaired by Mark A. McCutcheon, at NASSR2025@proton.me<\/a><\/p>\n\n\n\n

All submissions must include your name, academic affiliation, and preferred email address.<\/p>\n\n\n\n

For further details ie keynotes, see the conference website https:\/\/landing.athabascau.ca\/pages\/revision\/25302637<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

The North American Society for the Study of Romanticism (NASSR) is pleased to announce the theme of–and call for contributions to–our 2025 conference, which will be held online, accessibly, and… Read more »<\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":""},"categories":[8],"tags":[],"_links":{"self":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/5772"}],"collection":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5772"}],"version-history":[{"count":1,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/5772\/revisions"}],"predecessor-version":[{"id":5773,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/5772\/revisions\/5773"}],"wp:attachment":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5772"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5772"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5772"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}