{"id":6185,"date":"2025-10-12T15:10:30","date_gmt":"2025-10-12T15:10:30","guid":{"rendered":"https:\/\/www.bars.ac.uk\/blog\/?p=6185"},"modified":"2025-10-12T15:10:30","modified_gmt":"2025-10-12T15:10:30","slug":"cfp-romantic-elements-rocks-and-stones-and-soil-1750-1850","status":"publish","type":"post","link":"https:\/\/www.bars.ac.uk\/blog\/?p=6185","title":{"rendered":"CfP: Romantic Elements: Rocks, and Stones, and Soil, 1750\u20131850"},"content":{"rendered":"\n<p class=\"has-text-align-center\"><strong>Romantic Elements: Rocks, and Stones, and Soil, 1750\u20131850<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Symposium at The University of Manchester, 25\u201326 June, 2026<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">Dreams hang on every leaf: unearthly forms<br>Glide through the gloom; and mystic visions swim<br>Before the cheated sense. \u2013 Anna Letitia Barbauld, \u2018To Mr. C[oleridge]\u2019<\/p>\n\n\n\n<p class=\"has-text-align-center\">Rolled round in earth\u2019s diurnal course,<br>With rocks, and stones, and trees. \u2013 William Wordsworth, \u2018A slumber did my spirit seal\u2019<\/p>\n\n\n\n<p class=\"has-text-align-center\">Mont Blanc appears\u2014still, snow, and serene;<br>Its subject mountains their unearthly forms<br>Pile around it, ice and rock; \u2026 \u2013 Percy Bysshe Shelley, \u2018Mont Blanc\u2019<\/p>\n\n\n\n<p class=\"has-text-align-center\">Keynote Speakers<br>Dr Jeremy Davies (University of Leeds)<br>Dr Stephanie O\u2019Rourke (University of St Andrews)<\/p>\n\n\n\n<p>Romantic-era writing is littered with stones, as Noah Heringman brilliantly demonstrated in his<br>influential Romantic Rocks, Aesthetic Geology over twenty years ago. Whether they offer a<br>source of deep-time wonderment, as in Wordsworth\u2019s \u2018Resolution and Independence\u2019, a<br>playful disruption of subject\u2013object distinctions, as in Blake\u2019s \u2018The Clod and the Pebble\u2019, or an<br>analogy between geological and political revolutions for poems such as Charlotte Smith\u2019s<br>\u2018Beachy Head\u2019, rocks in the Romantic era are less stable surfaces than they are porous<br>substances: sublime, strange, and open to inquiry.<\/p>\n\n\n\n<p>Earth and earthiness are ubiquitous in the period\u2019s many modes of nature writing, but elements<br>of the ground do not flow or yield their depths like water, nor mediate like air. Earth as physical<br>entity obscures, obstructs, and sullies, proving a less tractable ground for what we might still<br>think of as defining Romantic-era postures of idealism and spontaneity. What literary forms,<br>what knowledge practices, does earthly matter press poetics into? Is the geological record<br>hostile to the human and human expression in its radical alterity, as Heringman at times<br>suggests? Or are there underground places of passage, sympathy, even love, as Mary<br>Jacobus, Susan Wolfson, and Tristram Wolff have more recently proposed? Is there a whole<br>spectrum of attachments to rocks and stones, amounting to (in Wolff\u2019s phrase) a \u2018gray<br>romanticism\u2019, in which writers can both resist and relish digging in the dirt?<br>\u2018Romantic Elements: Rocks, and Stones, and Soil, 1750\u20131850\u2019 aims to explore these<br>questions. We seek to go beyond the exhilarating stony subjects of mountains, deep time, and<br>fossils, widening the remit of Romantic-era writing about the earth to include more particulate<br>matter and more conceptual treatments. We want to add soil, dirt, dust, sand, and ashes to<br>the Wordsworthian catalogue of Romantic elements; and we want to expand our theoretical<br>and metaphoric range to excavate the implications of Barbauld\u2019s and Shelley\u2019s \u2018unearthly<br>forms\u2019.<\/p>\n\n\n\n<p>We invite proposals for 20-minute papers on the theme of earth, unearthing, and the unearthly<br>in Romantic-era poetry and prose (1750\u20131850). When engaging with the theme, prospective<br>speakers may wish to explore topics such as the following:<br>\u2022 Earth, earthiness, and literary form\/genre<br>\u2022 The subterranean\/undercommons<br>\u2022 The components of earth: mud, soil, clods, dust, sand<br>\u2022 Earthy elements as sites of affect or criticality<br>\u2022 Poetic and\/or epistemological obscurity<br>\u2022 Images or forms of burial and concealment<br>\u2022 Images or forms of unearthing, unveiling, or revelation<br>\u2022 Earth as generative, fertile, life-giving<br>\u2022 Earth as a site of labour and resource extraction<br>\u2022 Earth as gendered, queered\/queering, racialized, classed<br>\u2022 Formalist, ecocritical, queer, and affective approaches to earth, earthiness, and<br>unearthing<\/p>\n\n\n\n<p>Please send proposals for 20-minute papers in the form of a 250-word abstract and an author<br>biography (150 words) to James Metcalf (james.metcalf@manchester.ac.uk) and Millie<br>Schurch (millie.schurch@english.su.se) by Friday 30 January 2026.<\/p>\n\n\n\n<p>Please note: this will be an in-person meeting only. With thanks to support from the Swedish<br>Research Council, there will be no conference fee for speakers, other than to attend the<br>optional conference dinner at the end of the first day. Food and refreshments will be provided<br>on both days (coffee and pastries; lunch; tea-break snack).<\/p>\n\n\n\n<p>We are particularly keen to encourage the participation of early career researchers and<br>scholars on precarious employment contracts. We are pleased to be able to offer up to 10<br>bursaries to cover accommodation and travel within the UK for those without access to<br>institutional support for research activities. Please indicate with your abstract submission if<br>you do not have access to institutional financial support and would like to be considered for a<br>bursary.<\/p>\n\n\n\n<p>We hope to hear from you!<br>Millie and James<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Romantic Elements: Rocks, and Stones, and Soil, 1750\u20131850 Symposium at The University of Manchester, 25\u201326 June, 2026 Dreams hang on every leaf: unearthly formsGlide through the gloom; and mystic visions&#8230; <a href=\"https:\/\/www.bars.ac.uk\/blog\/?p=6185\">Read more &raquo;<\/a><\/p>\n","protected":false},"author":16,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":""},"categories":[14,8],"tags":[],"_links":{"self":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/6185"}],"collection":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6185"}],"version-history":[{"count":1,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/6185\/revisions"}],"predecessor-version":[{"id":6186,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/6185\/revisions\/6186"}],"wp:attachment":[{"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bars.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}