{"id":921,"date":"2015-10-21T12:04:57","date_gmt":"2015-10-21T12:04:57","guid":{"rendered":"http:\/\/www.bars.ac.uk\/blog\/?p=921"},"modified":"2015-10-21T12:04:57","modified_gmt":"2015-10-21T12:04:57","slug":"new-number-of-the-bars-review","status":"publish","type":"post","link":"https:\/\/www.bars.ac.uk\/blog\/?p=921","title":{"rendered":"New number of The BARS Review"},"content":{"rendered":"

We’ve just published the autumn number of The BARS Review<\/em>, containing thirty-five containing thirty-five reviews covering forty-three recent publications in the field of Romantic Studies, with a ‘Spotlight’ feature focusing on recent work in the field of Romanticism and Science<\/a>.\u00a0 The table of contents below provides a direct link to each of the reviews in html format; all the reviews are also available as downloadable pdfs and the complete number can be downloaded with a table of contents here<\/a> (large file).\u00a0 We hope that you enjoy all the contributions to this number, but if you do have any feedback or suggestions as to how the Review<\/em> can be improved, we’d be glad to hear these either in the comments here or by email to the Editor, Dr Susan Valladares<\/a>.<\/p>\n

—<\/p>\n

The BARS Review<\/em>, No. 46 (Autumn 2015)<\/h1>\n

Table of Contents<\/h3>\n

Reviews<\/h4>\n\n\n\n\n
John Bugg, Five Long Winters: The Trials of British Romanticism<\/i>; Kenneth R. Johnston, Unusual Suspects<\/i>; and Murray Pittock, Material Culture and Sedition, 1688\u20131760<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Elias Greig<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
David Simpson, Romanticism and the Question of the Stranger<\/i> and Jane Stabler, The Artistry of Exile: Romantic and Victorian Writers in Italy<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Omar F. Miranda<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Peter J. Kitson, Forging Romantic China: Sino-British Cultural Exchange 1760-1840<\/i> and David Vallins, Kaz Oishi and Seamus Perry, eds., Coleridge, Romanticism and the Orient: Cultural Negotiations<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Andrew Rudd<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Elizabeth A. Bohls, Romantic Literature and Postcolonial Studies<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Kang-yen Chiu<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Daniel E. White, From Little London to Little Bengal: Religion, Print and Modernity in Early British India<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Daniel S. Roberts<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Cynthia Schoolar Williams, Hospitality and the Transatlantic Imagination, 1815-1835<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Evan Gottlieb<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
David Sergeant and Fiona Stafford, eds., Burns and Other Poets<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Vivien Estelle Williams<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Evan Gottlieb, Walter Scott and Contemporary Theory<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Ainsley McIntosh<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
James Noggle, The Temporality of Taste in Eighteenth-Century British Writing<\/i> and Ashley Chantler, Michael Davies and Philip Shaw, eds., Literature and Authenticity, 1780-1900<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Matthew Scott<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Nancy Yousef, Romantic Intimacy<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Ashley Jenkins<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Monika Class, Coleridge and Kantian Ideas in England, 1796-1817: Coleridge\u2019s Responses to German Philosophy<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Philip Aherne<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Lisa Feurzeig, Schubert\u2019s Lieder and the Philosophy of Early German Romanticism<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Kristina Muxfeldt<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Stephanie Kuduk Weiner, Clare\u2019s Lyric: John Clare and Three Modern Poets<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Andrew Hodgson<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Gavin Hopps, ed., Byron\u2019s Ghosts: The Spectral, the Spiritual and the Supernatural<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Anna Camilleri<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Mark Sandy, Romanticism, Memory, and Mourning<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Tim Chiou<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Daniel Cook, Thomas Chatterton and Neglected Genius, 1760-1830<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Nick Groom<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Jane Darcy, Melancholy and Literary Biography, 1640-1816<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Anita O’Connell<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Michael Phillips, ed., William Blake. The Marriage of Heaven and Hell<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 David Fuller<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Martin Blocksidge, The Banker Poet: The Rise and Fall of Samuel Rogers<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Charlotte May<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Rachel Schulkins, Keats, Modesty, and Masturbation<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0 James Najarian<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Barbara K. Seeber, Jane Austen and Animals<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 James Castell<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Mary Brunton, Self-Control<\/i>, ed. Anthony Mandal and Ingrid Tieken-Boon van Ostade, In Search of Jane Austen: The Language of the Letters<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Katie Halsey<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
John Wiltshire, The Hidden Jane Austen<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Anne-Claire Michoux<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Angela Escott, \u2018The Celebrated Hannah Cowley\u2019: Experiments in Dramatic Genre<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Kathleen James-Cavan<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Allan I. Macinnes and Douglas J. Hamilton, eds., Jacobitism, Enlightenment and Empire<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Bob Harris<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Mark Philp, Reforming Ideas in Britain: Politics and Language in the Shadow of the French Revolution 1789-1815<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Amanda Goodrich<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Marisa Linton, Choosing Terror: Virtue, Friendship and Authenticity in the French Revolution<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Joseph Clarke<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Julia Swindells and David Francis Taylor, eds., The Oxford Handbook of the Georgian Theatre, 1737-1832<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 David Kennerley<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Patrick Spedding and Paul Watt, General eds.; Ed Cray, David Gregory and Derek B. Scott, Volume eds., Bawdy Songbooks of the Romantic Period<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Simon K\u00f6vesi<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/div>\n

Spotlight: Romanticism and Science<\/h4>\n\n\n\n\n
Jon Klancher, Transfiguring the Arts and Sciences: Knowledge and Cultural Institutions in the Romantic Age<\/i> and Roderick Tweedy, The God of the Left Hemisphere: Blake, Bolte Taylor, and the Myth of Creation<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Robert Mitchell<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Martin Priestman, The Poetry of Erasmus Darwin: Enlightened Spaces, Romantic Times<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Trevor H. Levere<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Warwick Mules, With Nature: Nature Philosophy as Poetics Through Schelling, Heidegger, Benjamin and Nancy<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Frederick Gregory<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Robert Mitchell, Experimental Life: Vitalism in Romantic Science and Literature<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Jan Golinski<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
David Ward, Coleridge and the Nature of Imagination: Evolution, Engagement with the World, and Poetry<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Jessica Roberts<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Sharon Ruston, Creating Romanticism: Case Studies in the Literature, Science and Medicine of the 1790s<\/i> and Carmen Casaliggi and Paul March-Russell, eds., Legacies of Romanticism: Literature, Culture, Aesthetics<\/i><\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 Edward Larrissy<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/div>\n

Whole Number<\/h4>\n\n\n\n\n
The BARS Review<\/em> No. 46 (Autumn 2015) – review compilation (.pdf)<\/a><\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0 The BARS Review<\/em> Editors<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

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