By Lucy Johnson
(We’re very glad to welcome Lucy Johnson, of the University of Chester, to the BARS Blog, with a first post taking an in-depth look at two of the panels from Romantic Imprints – Ed.).
The 2015 British Association for Romantic Studies International Conference was held in Cardiff this July. Entitled Romantic Imprints, the conference boasted an extraordinary array of interdisciplinary and wide-ranging scholarship on various facets of Romanticism, and delegates were greeted with a feast of ideas from which to choose. I was lucky enough to attend a number of incredibly interesting and thought-provoking panels, and it is space alone that requires me to limit this report to two panels in particular.
The 1:45 PM Thursday panel I attended was Apocalypse and Ruination, chaired by Diane Piccitto (Mount Saint Vincent University). This panel took a fascinating and diverse approach to the inspirational pull of apocalyptic imagery on the Romantic imagination, spanning from the real-life destruction of Herculaneum and Pompeii to a wide-ranging set of analyses of the depiction of millennium in Mary Shelley’s The Last Man.
The first paper was given by Sophie Thomas (Ryerson University, Canada) and was entitled ‘Pompeii, Herculaneum, and the Imprint of the Ancient World’. …read more