Poetry has been an integral part of the Gothic mode since its inception. However, the connection between poetry and the Gothic seems a less explored area of critical inquiry, in comparison to fiction. While the Graveyard Poets and other Anglophone poetry movements are already considered foundational to the Gothic mode, our edited collection seeks to broaden the scope of what can be conceived of as “Gothic poetry” or poetry inspired by the Gothic.
Despite geographic differences and historical contexts, the reflexive and productive capacities of the Gothic in poetry, and of poetry itself, bring poetic works in affinity. Tragic histories are simultaneously past and present: past in the sense that events haunt us and remind us of our violent encounters but also present in the haunting as a continuation of these disaster consequences into the present. Expressing this Gothic sensibility, the poet speaks from a liminal stance. Thus poetry, perhaps, fits perfectly into the conception of a Global Gothic.
We welcome papers that take a flexible view of the Gothic, locating it in various cultural contexts and languages from the long 18th century to the 21st century. We also welcome those who take a more historicist view of the Gothic to …read more