Romantic Reimaginings: Tension in Coleridge’s ‘Fears in Solitude’

By Eleanor Bryan

Romantic Reimaginings is a BARS blog series which seeks to explore the ways in which texts of the Romantic era continue to resonate. The blog is curated by Eleanor Bryan. If you would like to publish an article in the series, please email

Today on the blog, Mariyah Mandhu (University of Sheffield) discusses tension in Samuel Taylor Coleridge’s ‘Fears in Solitude’.

Samuel Taylor Coleridge’s Fears in Solitude (1798) is frequently considered as one of the poet’s most political works.[1] The volatility of this lyric has often been attributed to Coleridge’s political torment,[2] yet the implications of his experimentation with genre have largely been ignored. Sponsoring Carl Woodring’s observation that politics ‘agitated the body of [Coleridge’s] verse with severe but local storms’,[3] Coleridge uses the pastoral to inform his tale of nationalism. Rupturing the unified, idyllic landscape of pastoral, the poet darkens the natural world to a point of high anxiety, creating an insoluble tension in his poem. Reconsidering Fears in Solitude as an exercise in genre, this blog post will explore how the pastoral informs the political drive of this ‘Conversation Poem’.

Fears in Solitude opens with a typical scene of pastoral retreat in the Quantock …read more