On 23 May, Jayne, Sid and I presented our recent work on Shakespeare and sustainability at the Telegraph Hay Festival. Thanks are due to INSPIRE/ASLE-UKI, whose 2013 essay competition on the theme of literature and sustainability this research won. The event, which was great fun, was chaired by Jane Davidson, Director of INSPIRE
. Adeline Johns-Putra, Chair of ASLE-UKI
, joined in the panel discussion. Here’s a link to the video
. Thanks to IBERS and BBSRC for Excellence with Impact support. Longer version of video with panel discussion
By Catherine Redford Back in February, I published a post reflecting on time in Wordsworth’s Prelude, a topic I’d been considering in my role as Research Assistant on a project called ‘The Next Time(line)’. The aim of this project was to create a new kind of literary timeline for the digital age, using the touch-screen device to offer an interesting, compelling, and ultimately more in-depth experience for the user than a traditional print counterpart could provide.
We considered three great works of literature – Wordsworth’s Prelude, Hugo’s Les Misérables, and Shakespeare’s Henry V – over the course of the project, but for our final prototype app concentrated on Wordsworth. The timeline we produced allows the user to trace the development of The Prelude from its earliest manuscript form through to its final rewriting, with the visualisation on the screen demonstrating how the poem grows and transforms over time.
The user is able to isolate a single episode from the text and see how it changes across versions; perhaps it moves position within the body of the work, contracts, expands, or splits as the text goes through a series of rewritings. Layered over this are a series of contextual timelines which offer an