BARS Digital Events: Digital Burns Night II

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By Emily Paterson-Morgan

Thu, 27 January 2022

17:00 – 18:30 GMT

All welcome, book here.

After the success of the first Digital Burns Night Supper, this event is returning in 2022. Our virtual Burns Night will follow the order of toasts and entertainments at a traditional Burns Supper to structure an academic event celebrating Burns, Scotland, and Romanticism. We invite the audience to come prepared with examples of poetry to read aloud or perform.

Our participants include Andrew McInnes (Edge Hill University), Jennifer Orr (Newcastle University), Gerard McKeever (University of Stirling), Rita Dashwood (Edge Hill University), Zayneb Allak (Edge Hill University), Ainsley McIntosh (Independent scholar), and Angela Wright (University of Sheffield).

…read more

Source:: https://www.bars.ac.uk/blog/?p=4028

Byron Society PhD bursary

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By Emily Paterson-Morgan

The Byron Society invites applications for a PhD bursary of £3,000 every year.

Applications are open to new and existing full-time PhD students enrolled at a UK university and working on a thesis addressing any aspect of the life, work and /or influence of the poet Lord Byron. Applications are also welcomed from those studying multiple poets or authors, including Byron.

Each bursary covers just one year, however multiple applications can be made and postgraduates whose research focuses solely on Byron can receive up to three annual bursaries. (Those who study Byron alongside other poets and authors can only be awarded one bursary).

Applications can be made by students with additional sources of funding, but please list these in your application. The applications should also include a summary of the applicant’s academic record, an outline of his / her proposed research and the names of two referees who may be contacted. Please also state what year of study you are in.

Please download and fill out the Application Form at the bottom of this page, and notify your chosen referee that we will be in touch to request a reference. In addition to the questions below, please state what other funding you have …read more

Source:: https://www.bars.ac.uk/blog/?p=4026

CFP and Student Bursaries

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By Emily Paterson-Morgan

CALL FOR PAPERS – 15th INTERNATIONAL STUDENT BYRON CONFERENCE

23-28 MAY 2022 , Messolonghi Greece

The Messolonghi Byron Society –Messolonghi Byron Research Center

When originally planned, during the lead-in to the bicentennial commemorations of the Greek War of Independence, the International Student Byron Conference aimed to center on Byron’s involvement in Philhellenism and the Greek Revolution, to which he devoted his fortune and the last year of his life. But the coronavirus pandemic intervened, and the conference was postponed. Now its academic committee is pleased to announce a rescheduling for May 2022. All participants whose abstracts had previously been accepted and who have indicated their interest in attending the rescheduled event will be eligible to present in May 2022.

Please send abstract proposals by 28 February 2022 to Professor Roderick Beaton (rod.beaton@kcl.ac.uk), Professor Peter Graham (pegraham@vt.edu) and Professor Maria Schoina (schoina@enl.auth.gr) with a copy to Mrs. Rodanthi-Rosa Florou (byronlib@gmail.com).

STUDENT BURSARIES

The Byron Society is pleased to announce we are offering 2 student travel bursaries this year’s conference, for £500 each. Applications will be accepted from any student enrolled at a UK university, who has had a proposal accepted by the Conference Committee.

To apply for one of these bursaries, please send the proposal and proof …read more

Source:: https://www.bars.ac.uk/blog/?p=4022

Romanticism Now: We. The Revolution (Polyslash, 2019) between Shelley and Burke: Gamifying the Romantic debate on the French Revolution, Part 2

By Jack Orchard

PART TWO – ‘You are supposed to suffer to make others laugh or grieve’

This is a continuation of We. The Revolution (Polyslash, 2019) between Shelley and Burke: Gamifying the Romantic debate on the French Revolution, Part 1, available here

The gameplay loop of We. The Revolution is based on the player’s balancing of their reputation between four factions in Paris – the ‘common folk’ (an agglomerate category which includes the sans culottes, the enragé, and associated journalists like Jean Paul Marat), the ‘revolutionaries’ (shorthand for reformist intellectuals, including the Jacobins and the Girondins), the ‘aristocracy’ (who only emerge after the execution of Louis XVI, and who encompass ideas associated with the émigré nobles who fled the Terror, as well as providing a framework for considering attitudes lingering from the ancien regime) and, finally, Fidele’s own family, consisting of his father, Aldric, adult son, Bernard, younger son Frederic, and wife Mathilde. The game takes place primarily in the courtroom, with Fidele presiding over cases which combine famous historical trials (Louis XVI & Marie Antoinette, Madame Roland, Charlotte Corday) with fictional examples chosen either to exemplify in-game themes such as fratricide, or to explore the social fallout of the Terror and the …read more

Source:: https://www.bars.ac.uk/blog/?p=4010

Romanticism Now: We. The Revolution (Polyslash, 2019) between Shelley and Burke: Gamifying the Romantic debate on the French Revolution, Part 1

By Jack Orchard

[Full Spoilers]

This two part blog post written is the next in our Romanticism Now series, which hosts discussions of the resonance of Romanticism and the Romantic era in contemporary pop culture. Please approach us with your takes on film and television, music, theatre, video games, memes, or any other aspects of pop culture which reflect a Romantic sensibility. If you would like to submit a piece for the Romanticism Now series, or any of the other BARS Blog series’ please don’t hesitate to get in touch with me, Jack Orchard, here.

I am the Communications Assistant for the British Association of Romantic Studies and the Content Editor for Electronic Enlightenment, my research focuses on reading practices in eighteenth-century correspondence, women’s writing, and the relationship between eighteenth-century texts and contemporary video games.

PART ONE – The Spirit of the Age

Figure 1: An execution scene in We. The Revolution (Polyslash, 2019)

We. The Revolution is a stylish visual melodrama/court room simulator/resource management PC game released in2019 by the Polish developer Polyslash. It traces the career of a fictional Parisian judge, Alexis Fidele through (roughly) the flight of Louis XIV to Varennes, to the Reign of Terror and the Fall of Robespierre, before concluding …read more

Source:: https://www.bars.ac.uk/blog/?p=4005

Introduction, Twitter launch and Call for Contributions

By katiesnow11

Hello and a very happy New Year to all members of the Romantic Illustration Network! My name is Katie Snow and I’m pleased to be the new web lead for the RIN. Lots has been happening behind the scenes at RIN, and in this post I’ll introduce myself, share our new Twitter account, and encourage submissions to the blog.

My work is best described as a mix of medical and art history; I use visual sources to explore attitudes towards bodies, gender and sexuality. At present, my research is focused on how the body – and especially its intimate parts – are politicised in British caricature. I’m writing my first monograph, Satirising the Breast, having been awarded a PhD on representations of breasts in Georgian satirical prints in the summer of 2021. I’m looking forward to seeing how my involvement with the RIN shapes my project, and would love to hear from members with similar interests.

For those of you who are active on social media, we’ve recently launched a RIN Twitter account which will act as a hub for exchanging ideas, sharing news and celebrating work. To help spread the news of our joining, please follow the account here, retweet …read more

Source:: https://romanticillustrationnetwork.com/2022/01/10/introduction-twitter-launch-and-call-for-contributions/

On This Day in 1821: Samuel Taylor Coleridge’s Little-Known Love For Aphorisms

By Jack Orchard

The BARS ‘On This Day’ Blog series celebrates the 200th anniversary of literary and historical events of the Romantic period. Want to contribute a future post? Get in touch.

In solidarity with the University College Union strikes for pensions and improved working conditions which took place in the first week of December 2021, BARS observed a digital picket line, and out of respect for this, the author and editor of this post agreed to delay its publication from the 3rd of December.

The 3rd of December 2021 is the 200th anniversary of a strange, meandering and gnomic letter from Samuel Taylor Coleridge to his friend Thomas Allsop. Poet and Coleridge scholar Adam Neikirk takes us through this letter to explore the poet’s fascinating and esoteric approach to the aphorism.

Ab Hydromaniâ Hydrophobia: from Water-lust comes Water-dread. But this is a violent metaphor, and disagreeable to boot. Suppose then by some caprice or colic of Nature an Aqueduct split on this side of the Slider or Sluice-gate, the two parts removed some 20 or 30 feet distance from [each] other, and the communication kept up only by a hollow Reed split lengthways, of just enough width and depth to lay one’s …read more

Source:: https://www.bars.ac.uk/blog/?p=3994

London-Paris Romanticism Seminar: Susan Oliver, Online Seminar, Friday 10 December 2021

By LPRS

The next meeting of the London-Paris Romanticism Seminar will take place via Zoom on Friday 10 December 2021 at 17.30-19.30 London time (GMT). As our guest speaker, we are delighted to welcome Professor Susan Oliver of the University of Essex, who will present a paper entitled Elemental Romanticism: Scott and the Transcendentalists. This will be followed by a discussion in which questions from the audience are invited. The seminar will be chaired by Rowan Boyson (King’s College London).

The seminar is free and open to everyone. Prior registration is necessary. To book a place via the Institute of English Studies website, click here. When you register, you will be provided with a Zoom link and details of how to join the online forum. Whether you wish to contribute or simply to listen in, we invite you to join us.

Susan Oliver is Professor of Literature and Faculty Dean of Research at the University of Essex. Her books include Walter Scott and the Greening of Scotland: Emergent Ecologies of a Nation (2021) and Scott, Byron and the Poetics of Cultural Encounter (2005), for which she was awarded the 2007 British Academy’s Rose Mary Crawshay Prize. She recently published …read more

Source:: http://londonparisromantic.com/?p=1669

Romantic Generations

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By Emily Paterson-Morgan

The Romantic Studies Association of Australasia (RSAA) is excited to share the line-up for their upcoming online conference Romantic Generations

8th-11th December

Tune in for sessions showcasing some of the best new research in our region and beyond. Papers will engage the most pressing questions and concerns for our field right now, including the legacies of colonialism, climate change, aesthetic and poetic powers, literature and science, and romantic studies’ relation to Indigenous knowledges. Abstracts, bios, and registration information available via the website.

Keynotes:

Nikki Hessell, “Songs of (Settler Moves to) Innocence”

Tobias Menely: “This Curse Upon Everlasting Generations: Towards a Literary History of Reproductive Crisis”

Olivia Murphy: “Jane Austen for Modern Living”

Miranda Stanyon (ECR keynote): “Generation Xile: Andromache to Auerbach”

Registration is free! Just join the RSAA.

Click here to learn more about the event and RSAA.

…read more

Source:: https://www.bars.ac.uk/blog/?p=3990

Introducing Romanticism: A new Routledge Historical Resources product

By Emily Paterson-Morgan

Romanticism is an exciting new online platform that brings together the best and most relevant scholarship from Taylor & Francis, its imprints, and its authors.

It is the third offering from the new Routledge Historical Resources online programme that has been created to provide both academics and students with an in-depth research tool for studying the long Nineteenth Century through thematic collections in areas such as Feminism, the History of Economic Thought, Culture and the Arts and Empire, among others.

This resource covers the fascinating subject of British and Irish Romanticism and will focus on the period 1780-1830. It contains an extensive range of primary and secondary resources, including full books, selected chapters, and journal articles, as well as new thematic essays and videos, and subject introductions on its five key structural themes:

· Critical Concepts

· Genre

· History and Politics

· Culture

· Modern Critical Approaches

There is a video introduction from the Academic Editors Professor Duncan Wu, Professor John Strachan and Dr Jane Moore in …read more

Source:: https://www.bars.ac.uk/blog/?p=3988