| Issue | Title | |
| No 45 (2015) | The BARS Review No. 45 (Spring 2015) - review compilation | Abstract PDF |
| The BARS Review Editors | ||
| No 43 (2013) | BARS Bulletin & Review No. 43 | Abstract PDF |
| The BARS Review Editors | ||
| No 43 (2013) | Genesis: William Blake’s Last Illuminated Work. Edited, with a commentary, by Mark Crosby and Robert N. Essick | Abstract HTML PDF |
| Helen P. Bruder | ||
| No 43 (2013) | The BARS Review No. 43 - review compilation | Abstract PDF |
| The BARS Review Editors | ||
| No 44 (2014) | The BARS Review No. 44 (Autumn 2014) - review compilation | Abstract PDF |
| The BARS Review Editors | ||
| No 47 (2016) | The BARS Review, No. 47 (Spring 2016) - review compilation | Abstract PDF |
| The BARS Review Editors | ||
| No 48 (2016) | The BARS Review, No. 48 (Autumn 2016) - review compilation | Abstract PDF |
| The BARS Review Editors | ||
| No 49 (2017) | The BARS Review, No. 49 (Spring 2017) - review compilation | Abstract PDF |
| The BARS Review Editors | ||
| No 50 (2017) | The BARS Review, No. 50 (Autumn 2017) - review compilation | Abstract PDF |
| The BARS Review Editors | ||
| No 51 (2018) | The BARS Review, No. 51 (Spring 2018) - review compilation | Abstract PDF |
| The BARS Review Editors | ||
| No 52 (2018) | The BARS Review, No. 52 (Autumn 2018) - review compilation | Abstract PDF |
| The BARS Review Editors | ||
| No 53 (2019) | The BARS Review, No. 53 (Spring-Autumn 2019) - review compilation | Abstract PDF |
| The BARS Review Editors | ||
| No 54 (2020) | The BARS Review, No. 54 (Spring 2020) - review compilation | Abstract PDF |
| The BARS Review Editors | ||
| No 56 (2021) | The BARS Review, No. 56 (Spring 2021) - review compilation | Abstract PDF |
| The BARS Review Editors | ||
| No 57 (2021) | The BARS Review, No. 57 (Autumn 2021) - review compilation | Abstract PDF |
| The BARS Review Editors | ||
| No 58 (2022) | The BARS Review, No. 58 (Spring 2022) - review compilation | Abstract PDF |
| The BARS Review Editors | ||
| No 59 (2022) | The BARS Review, No. 59 (Autumn 2022) - review compilation | Abstract PDF |
| The BARS Review Editors | ||
| No 49 (2017) | A. D. Cousins and Geoffrey Payne, eds., Home and Nation in British Literature from the English to the French Revolutions | Abstract HTML PDF |
| Amy Milka | ||
| No 49 (2017) | Adam Roberts, Landor’s Cleanness. A Study of Walter Savage Landor | Abstract HTML PDF |
| Gioia Angeletti | ||
| No 47 (2016) | Adrian J. Wallbank, Dialogue, Didacticism and the Genres of Dispute: Literary Dialogues in an Age of Revolution | Abstract HTML PDF |
| Paul McMenemy | ||
| No 49 (2017) | Adriana Craciun, Writing Arctic Disaster: Authorship and Exploration | Abstract HTML PDF |
| Murray Pittock | ||
| No 45 (2015) | Agustín Coletes Blanco and Alicia Laspra Rodríguez, eds. and translators, Libertad frente a Tiranía: Poesía inglesa de la Guerra de la Independencia (1808-1814). Antología bilingüe | Abstract HTML PDF |
| Kirsty Hooper | ||
| No 56 (2021) | Agustín Coletes Blanco y Alicia Laspra Rodríguez, Romántico país: poesía inglesa del trienio liberal. Estudio crítico y corpus bilingüe anotado and Robert Southey, Letters Written During a Short Residence in Spain and Portugal | Abstract HTML PDF |
| Diego Saglia | ||
| No 52 (2018) | Ainsley McIntosh, ed., Marmion: a Tale of Flodden Field. The Edinburgh Edition of Walter Scott’s Poetry. | Abstract HTML PDF |
| Anna Fancett | ||
| No 54 (2020) | Alan Bewell, Natures in Translation: Romanticism and Colonial Natural History | Abstract HTML PDF |
| David Higgins | ||
| No 51 (2018) | Alan Rawes and Diego Saglia, eds., Byron and Italy | Abstract HTML PDF |
| Maria Schoina | ||
| No 47 (2016) | Alessa Johns, Bluestocking Feminism and British-German Cultural Transfer, 1750–1837 | Abstract HTML PDF |
| Katrin Berndt | ||
| No 47 (2016) | Alex Benchimol, Rhona Brown and David Shuttleton, eds., Before Blackwood’s: Scottish Journalism in the Age of Enlightenment | Abstract HTML PDF |
| Robert P. Irvine | ||
| No 48 (2016) | Alex Broadhead, The Language of Robert Burns: Style, Ideology, and Identity | Abstract HTML PDF |
| Christopher Donaldson | ||
| No 44 (2014) | Alex Watson, Romantic Marginality: Nation and Empire on the Borders of the Page | Abstract HTML PDF |
| Joanna Maciulewicz | ||
| No 44 (2014) | Alexander Dick, Romanticism and the Gold Standard: Money, Literature, and Economic Debate in Britain 1790-1830 and David E. Latané, William Maginn and the British Press: A Critical Biography | Abstract HTML PDF |
| Paul Keen | ||
| No 54 (2020) | Alexander Grammatikos, British Romantic Literature and the Emerging Modern Greek Nation | Abstract HTML PDF |
| Franca Dellarosa | ||
| No 44 (2014) | Alison E. Martin and Susan Pickford, eds., Travel Narratives in Translation, 1750-1830: Nationalism, Ideology, Gender | Abstract HTML PDF |
| Paul Hague | ||
| No 48 (2016) | Alistair Heys, The Anatomy of Bloom: Harold Bloom and the Study of Influence and Anxiety | Abstract HTML PDF |
| Rachel Schulkins | ||
| No 46 (2015) | Allan I. Macinnes and Douglas J. Hamilton, eds., Jacobitism, Enlightenment and Empire | Abstract HTML PDF |
| Bob Harris | ||
| No 54 (2020) | Amanda Jo Goldstein, Sweet Science: Romantic Materialism and the New Logics of Life | Abstract HTML PDF |
| Noel Jackson | ||
| No 49 (2017) | Amy Prendergast, Literary Salons Across Britain and Ireland in the Long Eighteenth Century | Abstract HTML PDF |
| Susanne Schmid | ||
| No 51 (2018) | Anahid Nersessian, Utopia, Limited: Romanticism and Adjustment | Abstract HTML PDF |
| Christopher Geary | ||
| No 45 (2015) | Andrea Peghinelli, Shakespeare in burlesque. Il culto del Bardo e le parodie dei teatri illegittimi di Londra 1769-1843 | Abstract HTML PDF |
| Serena Baeisi | ||
| No 47 (2016) | Andrea Timár, A Modern Coleridge: Cultivation, Addiction, Habits | Abstract HTML PDF |
| Stephen Bygrave | ||
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ISSN: 2049-7881