BARS and The Wordsworth Trust are delighted to announce that two fellowships have been awarded for 2020.
We received a number of excellent applications, and the two Early Career Researchers taking up the fellowships in 2020 are:
Dr Alexis Wolf
Dr Francesca Mackenney
Congratulations to Alexis and Francesca, and on behalf of everyone at BARS and the Wordsworth Trust, thank you to all those who applied.
The Fellowship invites ECRs to work with Jeff Cowton (Curator and Head of Learning) during one of the most exciting and transformative times in the Wordsworth Trust’s history. The major HLF-funded project ‘Reimagining Wordsworth’ is due for completion in time to celebrate Wordsworth’s 250th birthday on 7 April 2020. The Wordsworth Trust is committed to embracing the Creative Case for Diversity and believe that by welcoming a wide range of influences, practices and perspectives, we can better understand the collection in Grasmere and the stories it can tell, thereby enriching public programmes. The purpose of this Fellowship is to help the Trust to achieve just that – to examine the collection from a different perspective, and to use that perspective and knowledge to help audiences better understand and engage with Wordsworth’s life and work.
Edge Hill University has launched its annual Graduate Teaching Assistant scheme. Each GTA studentship includes a ‘package’ with a total value in excess of £20,000 for UK and EU students and £30,000 for International students per annum. This includes:
A stipend of £9,180 per annum
Full waiver of research degree tuition fees worth £4,300 per annum for UK and EU students and £13,750 per annum for international students
£5,500 per annum to contribute to the cost of accommodation or free single room postgraduate student accommodation on campus (subject to availability)
It’s an exciting time to be a nineteenth-century researcher at Edge Hill! The university is home to EHU Nineteen: an interdisciplinary research group fostering outstanding research and teaching in nineteenth century topics; collaborative opportunities with museums, galleries and heritage partners in the North West and UK; a visiting speaker series and conference programme including hosting BARS/NASSR 2021.
We welcome proposals on any aspect of nineteenth-century history, literature and culture, and we would be particularly pleased to supervise projects in the following fields:
Nineteenth-century print culture
Romantic, Victorian and Fin de Siècle literature
Gothic and sensation fiction
Gender and sexuality
We would be delighted to discuss potential projects in advance. Please contact us via the ‘People’ page of EHU Nineteen website.
For more information about EHU Nineteen, click here.
For full details about the GTA studentship, click here.
The Maureen Crisp Young Scholars Fund invites applications for funding from post-graduate scholars intending to present an academic paper at an approved Byron conference or a paper mainly on Byron at any other approved conference in or outside the United Kingdom.
The student (irrespective of nationality) should be studying at a University in the United Kingdom. Applications may be submitted at any time and should include a CV and the names of one, preferably two referees. An abstract of the paper to be read will be required, and details of the conference including its approximate total costs.
The candidate will be notified as soon as possible whether they will be granted a fund or otherwise but actual funding will only be provided once there is confirmation that the candidate’s paper has been accepted.
In the event of the scholar being unable to attend the conference for whatever reason after a grant has be made, then the grant will be repayable in full forthwith to the Maureen Crisp Young Scholars Fund. An application for funding to the trustees does not mean a grant will automatically be given
What is the current state of environmental criticism in British Romantic studies? And what is its future?
This symposium will bring together scholars working on literature, culture and the nonhuman around 1800. It aims to enable conversation between postgraduate students, early career researchers and leading thinkers in the field. We will take the measure of existing research on texts and ecologies in Romantic-period Britain, and ask what comes next.
We will also consider professional issues. How can we work towards a flourishing community of researchers in the field? How can scholarship inform and be informed by life outside the academy?
The symposium will consist of dialogues and round table discussions, with readings circulated in advance, but no formal lectures. Lead participants will include Professors Donna Landry (Kent), Ralph Pite (Bristol) and Kate Rigby (Bath Spa). It should be of interest to Romanticists working on environmental/ecological themes of all kinds, including but not limited to animal studies; climatology and meteorology; colonial environment-making; ecopoetics and formalist ecocriticism; gender and ecology; ‘green Romanticism’ and the genealogies of environmentalism; industrial change; natural philosophy; place, landscape and geography; and rural, urban and agrarian cultures.
The symposium will take place in Leeds from midday on Tuesday 7 to late afternoon on Wednesday 8 April. Participation is free but places are limited.
Five £150 bursaries are available to support postgraduate, early career and precariously employed researchers who will be participating in the whole event.
To take part, please email Jeremy Davies (firstname.lastname@example.org) with a short description – max. 300 words – of your research interests in the field by 13 December 2019. To request one of the five bursaries, please also include a summary of your current career circumstances.
The event is funded by the AHRC, and hosted by the Leeds Environmental Humanities Research Group and the Leeds Arts and Humanities Research Institute.
The Keats House Collections: Constructing Romantic Lives and Afterlives
Applications are invited for a fully-funded, three-year PhD to be hosted jointly by Keats House and the Centre for Research in Romanticism at the University of Roehampton, London, UK. The PhD will begin in October 2020. This is an exciting opportunity to work with an internationally famous museum which celebrates the life and works of one of Britain’s greatest poets. Situated in Hampstead, London, Keats House contains many precious artefacts including correspondence, books and portraits. Its non-displayed collections are cared for by London Metropolitan Archives, who work with the House to provide access for researchers and anyone with an interest in Keats and his circle.
The aim of this project is to investigate the ways that a writer’s house and its collections can actively contribute to the cultural memory, reputation and appreciation of a canonical author. The exact topic of the PhD will be decided by the student in conjunction with supervisors, but we expect the development of the collections to provide an outstanding opportunity to put new research insights into practice through actual and virtual curation of the collections. The project provides excellent career opportunities and will provide relevant training in archives, heritage work and digitization. The student will contribute to ‘Keats200’ and the future plans of Keats House and the Keats Foundation.
The supervisory team will be Professor Ian Haywood and Dr. Dustin Frazier Wood (Roehampton) and Rob Shakespeare (Director, Keats House). Further expertise will be available from London Metropolitan Archives and the Keats House team.
Expressions of interest and any other queries: please contact Professor Ian Haywood no later than 1 December 2019: I.Haywood@roehampton.ac.uk.
We would like to invite Early Career Researchers who are not in permanent employment to apply for a one-month residential Fellowship with the Wordsworth Trust at Grasmere.
The Wordsworth Trust is centred around Dove Cottage, the Wordsworths’ home between 1799 and 1808, where Wordsworth wrote most of his greatest poetry and Dorothy wrote her Grasmere journals. The Trust’s collection comprises over 68,000 books, manuscripts and works of art, and at its heart remains the poetry, prose and letters of William and Dorothy.
This Fellowship will take place during one of the most exciting and transformative times in the Wordsworth Trust’s history. Our major HLF-funded project ‘Reimagining Wordsworth’ is due for completion in time to celebrate Wordsworth’s 250th birthday on 7 April 2020. ‘Reimagining Wordsworth’ seeks to raise awareness and change perceptions of Wordsworth’s life and work, furthering his own wish for his poetry to help people ‘to see, to think and feel’.
To help achieve this, we are transforming our site (which will include a redesigned and extended museum, a new learning centre, a newly interpreted Dove Cottage and two new outdoor spaces) alongside an extensive programme of engagement and activities in Cumbria and beyond.
The Wordsworth Trust is also committed to embracing the Creative Case for Diversity in all that we do. We believe that by welcoming a wide range of influences, practices and perspectives, we can better understand our own collection and the stories it can tell, thereby enriching our public programmes. The purpose of this Fellowship is to help us achieve just that – to examine our collection from a different perspective, and to use that perspective and knowledge to help an audience of your choice better understand and engage with Wordsworth’s life and work. We are open to discussing what form this might take (a workshop, or online activity, for example) and what would work best for the audience you choose. The impact of this Fellowship will be substantial, not only in helping us shape the direction of our public programmes, but it also has the potential to foster positive in change the way people see Wordsworth, the world and themselves.
You will receive advice and training from the Collections and Learning team, led by Jeff Cowton (Curator and Head of Learning). The activity could be delivered within a workshop setting, or online – or whatever you think works best for the audience in question. There will also be opportunities to develop your own research.
We welcome applications from anyone whose research interests will help us to re-imagine Wordsworth and to embrace the Creative Case for Diversity. We particularly welcome applications from candidates that are under-represented, including candidates from low-income backgrounds, and/or candidates with disabilities (we are happy to discuss any reasonable adjustments that we can make).
The Fellowship provides on-site self-catering accommodation for one month; we would prefer the residency to take place between January and March 2019. The Fellowship also provides £100 towards travel expenses. All applicants must be members of BARS.
Application procedure: on no more than two sides of A4, provide your name, email contact details, institutional affiliation (if relevant), current employment status, a brief biographical note, a description of your PhD thesis, details of the proposed research and audience based activity, and preferred period of residence (from November 2019 to the end of March 2020). The successful applicant will show enthusiasm for audience engagement and for exploring Wordsworth’s life and work in new ways, demonstrated in initial ideas of their proposed project.
My Stephen Copley Research Award funded a trip to Edinburgh to consult the National Records of Scotland and the Scottish National Gallery’s collections of letters and drawings by the painter Alexander Runciman (1736-85).
What interests me about Runciman — who is best known as the creator of the first (now sadly lost) decorative scheme based on James Macpherson’s Ossian epics — is his heroic treatment of female characters from the epic tradition. Whereas other late eighteenth-century artists (most notably Angelica Kauffman) had pioneered painters’ treatment of women as heroic subjects, they also tended to circumscribe the heroism of female epic characters, such as Andromache and Penelope, to passive acts of suffering and endurance. In several instances, Runciman went a step further, representing the suffering of female epic heroes not as something in which they have no agency, but something that they bravely elect to undergo. This is most obviously the case in Runciman’s depiction of Corgan Carglâ, a hunter from Macpherson’s Ossian, who chooses to be imprisoned in a cave for life rather than submit to her husband’s murderer.
Before my research trip, I thought I had discerned the origins of Runciman’s contemporarily unusual approach to female heroism in preparatory drawings for a rendering of the death of Dido, which appear to give Virgil’s tragic heroine more and more agency in successive sketches. The truth was, as I found out, both more interesting and more confusing. The drawings (held by the Scottish National Gallery) do gradually shift away from the passive and sentimental renderings of Dido that were popular with earlier eighteenth-century artists, in which the queen typically appears to have died as the direct result of her abandonment by Aeneas, rather than (in any obvious way) by her own hand. However, while what appears to be the final drawing shows Dido very much alive, clutching the sword with which she will end her own life and evidently weighing her options — an artistic choice which emphasises her agency and tacitly associates her with the Classical tradition of tragic but heroic suicide populated by figures including Seneca and Lucan — the painting itself rows back on these innovations and offers a conventional portrayal of Dido as a passive and inert victim.
National Records of Scotland
A year later, as I discovered in a letter held at the National Records of Scotland, Runciman was contemplating an even more drastic return to the gendered conventions of male heroism and female passivity that typify the epic. His original plan for what he would later turn into the Ossian decorative scheme at Sir John Clerk’s Penicuik House (near Edinburgh) was an uncompromisingly manly and conventionally heroic scheme based upon the life of Achilles. The only female character Runciman proposed for this series was Achilles’ mother, Thetis, whose agency, as Runciman’s detailed description makes clear, would not even have extended to untying her own sandals.
Evidently, Runciman later opted for the Ossian illustrations, which put Corban Carglâ centre stage, but even here, he agonised over whether to represent the imprisoned hunter as an awe-inspiring figure in her own right, or as a damsel in distress saved by Macpherson’s epic hero Fingal. Two preparatory drawings (also at the Scottish National Gallery) show Runciman wavering between these options, with a muscled and armed Fingal occupying the foreground in one and a (literally towering) Corban Carglâ dominating the frame (with Fingal relegated to the background and looking up awe-struck) in the other.
My findings have made me reflect upon external factors that may have caused Runciman’s apparent flip-flopping, what his prevarication may tell us more broadly about the difficulties or potential repercussions of portraying female heroes during the Romantic period, and the particular problems he may have faced as a male artist championing this model of heroism. I am very grateful to BARS for funding what has been a very productive few days of confusion!
Nineteenth-Century Matters is an initiative jointly run by the British Association for Romantic Studies and the British Association for Victorian Studies. Now in its fourth year, it is aimed at postdoctoral researchers who have completed their PhD, but are not currently employed in a full-time academic post. Nineteenth-Century Matters offers unaffiliated early career researchers a platform from which to organise professionalization workshops and research seminars on a theme related to nineteenth-century studies, and relevant to the host institution’s specialisms. The focus should be on the nineteenth century, rather than on Romanticism or Victorianism.
For the coming academic year Nineteenth-Century Matters will provide the successful applicant with affiliation in the form of a Visiting Fellowship at the University of Surrey. The fellowship will run from 23 September 2019- 1 September 2020.
The successful fellow will particularly benefit from and contribute towards the University’s expertise in nineteenth-century literature, Neo-Victorian literature, theatre, mobility studies, and the visual arts. They will also be encouraged to become involved in the activities of the Victoriographies research group, a collection of researchers in the School of Literature and Languages and curators at Watts Gallery whose research focuses on the nineteenth century. Fellows will also benefit from the University’s close connections with Watts Gallery, that houses an impressive collection of nineteenth-century paintings and sculptures produced by the artist G.F. Watts and his wife, the designer and artist, Mary Watts.
This fellowship includes a University of Surrey e-mail address, and access to its library and electronic resources for the full academic year. There is no requirement to live in the Surrey area during this time. The primary purpose of the fellowship is to enable the successful applicant to continue with an affiliation and remain part of the academic community. It is a non-stipendiary post, and the fellow will need to support themselves financially during the academic year. The fellowship will, however, include up to three week’s accommodation at the University over the summer, where the fellow will be free to develop their research and make the most of Surrey’s archives and special collections. The fellow will also be financially supported by BAVS and BARS with the organising of a research and professionalization event on a theme relevant to Surrey’s collections and/or research interests. It is expected that the fellow will acknowledge BARS, BAVS, and the University of Surrey in any publications that arise from their position.
Applications are now open for a Visiting Fellowship at Lancaster University with Nineteenth-Century Matters.
Nineteenth-Century Matters is an initiative jointly run by the British Association for Romantic Studies and the British Association for Victorian Studies. Now in its third year, it is aimed at postdoctoral researchers who have completed their PhD, but are not currently employed in a full-time academic post. Nineteenth-Century Matters offers unaffiliated early career researchers a platform from which to organise professionalization workshops and research seminars on a theme related to nineteenth-century studies, and relevant to the host institution’s specialisms. The focus should be on the nineteenth century, rather than on Romanticism or Victorianism.
For the coming academic year Nineteenth-Century Matters will provide the successful applicant with affiliation in the form of a Visiting Fellowship at Lancaster University. The fellowship will run from 1 September 2018-August 31 2019. The successful fellow will particularly benefit from and contribute towards the University’s expertise in digital and environmental humanities. They will also be encouraged to actively contribute to events being planned by the Research Centre for Culture, Landscape and Environment.
This fellowship includes a Lancaster University e-mail address, and access to its library and electronic resources for the full academic year. There is no requirement to live in the Lancaster area during this time. The primary purpose of the fellowship is to enable the successful applicant to continue with an affiliation and remain part of the academic community. It is a non-stipendiary post, and the fellow will need to support themselves financially during the academic year. The fellowship will, however, include a week’s accommodation at the University over the summer, where the fellow will be free to develop their research and make the most of Lancaster’s archives (particularly those held in the Ruskin Library) and digital resources. The fellow will also be financially supported by BAVS and BARS with the organising of a research and professionalization event on a theme relevant to Lancaster’s collections and/or research interests. It is expected that the fellow will acknowledge BARS, BAVS, and Lancaster University in any publications that arise from their position.
Applicants should submit a CV with a two-page proposal of their research topic and event, and explain why they would benefit from the fellowship. These should be sent to Matthew Ward (email@example.com) and Joanna Taylor (firstname.lastname@example.org). The deadline for applications is July 31 2018.
The K-SAA is inviting applications for two part-time Communications Fellows for a period of one year, beginning June 2018. Fellows will assist the Director of Communications and the K-SAA Secretary in engaging with, and creating content for, academic and non-academic communities interested in the Romantic period – especially those interested in the second generation of Romantic authors.
Applicants should have an interest in Romantic literature and should have previously used social media for academic/professional purposes. They will be able to demonstrate their ability to write and edit academic blog content similar to what is currently presented on the K-SAA site. Experience using WordPress and editing websites is desirable.
To apply: please send an academic CV and personal statement of no more than two pages explaining why you are best placed to undertake the duties below to email@example.com by June 5 2018.
To create engaging and informative online content designed to promote the understanding and celebration of the lives and works of the Keats-Shelley circles, most broadly understood. Fellows will be knowledgeable and passionate about the Romantic period, especially the second generation of Romantic writers
To set up regular appropriate content for the Twitter and Facebook feeds, applying relevant experience of using social media for professional purposes
To respond to enquiries on social media
To use WordPress to publish and edit blog posts for the K-SAA Blog
To design and curate these blog posts, including soliciting authors from the academic and non-academic communities and other interested parties
To develop the success of the above initiatives and to research further potential developments, and be willing to work independently and to maintain professional communications at all times
To attend regular Skype meetings with the Director of Communications Anna Mercer and occasionally the K-SAA Secretary, Kate Singer, and be able to work collaboratively with colleagues to share ideas and modify technique(s) accordingly
To learn and develop individual knowledge of the K-SAA and to create content that supports the association’s aims
Communication Fellows will be expected to work 5 hours per week for an annual stipend of $750 USD.