24 March 2022, 5pm GMT Rescheduled due to UCU Strike Action: now 28 April 2022, 5pm GMT
This roundtable will attempt to bridge the two fields of revolutionary politics and transnational cultural exchange by looking at the circulation of radical texts in translation, not only across the Channel but also to and from Italian. It will feature exploratory research conducted by the team of the AHRC-funded project ‘Radical Translations: The Transfer of Revolutionary Culture between Britain, France and Italy (1789-1815)’, which has unearthed ca. 800 translations of texts seeking to extend ideas of equality and rights to new publics across linguistic, social, and geographical borders.
Our speakers include Sanja Perovic (King’s College London), Rosa Mucignat (King’s College London), Nigel Ritchie (King’s College London), Will Bowers (Queen Mary University of London).
You can also join us on 21 April for:
21 April 2022, 5pm BST
The seminar builds on the research and teaching experience of five speakers operating in four national contexts (Ireland, Italy, UK, USA) to draw a tentative map of the evolving domain of Theatre Studies from a transdisciplinary and multinational perspective. Each panellist will present their present and future engagement with Romantic Theatre Studies by way of their research projects and current scholarship. Among the topics discussed in this seminar: Theatre and Disability, Theatre Econom(etr)ics, Theatre and Celebrity, Theatre and Gender, Opening the Romantic Theatre Canon. Issues of pedagogy and stage revival will be addressed as well, with Romantic Theatre in the classroom, on stage and in the canon. Two speakers will be able to share their experience as major EU-funded awardees, addressing the call of/for public-facing humanities and Theatre Studies.
Our speakers include Sarah Burdett (St Mary’s University), Helen Dallas (University of Oxford), Essaka Joshua (The University of Notre Dame), David O’Shaughnessy (NUI Galway), Francesca Saggini (University of Edinburgh).