BARS President’s Report 2025

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This has been a very difficult year for BARS members working in universities, with every day seeming to bring news of new cuts and threats of redundancies.  BARS is keen to support members under pressure.  We have written by request to institutions considering cuts to the arts and humanities forcefully underlining the contributions made by Romantic Studies scholars; we would be happy to do this for further institutions if such interventions would be helpful.  In these straightened times, we hope we can also keep research conversations going through our in-person and online events and through our provision for Conference and Seminar support.  We would like to remind early career scholars in particular that the Stephen Copley Research Awards are available to support those with good ideas and limited resources; we also offer a number of other forms of funding detailed on our website, with a particular focus on postgraduate and early career opportunities.  Schemes are advertised through the mailbase, blog and social media whenever a deadline is coming up.

Despite the circumstances, the Exec has followed up on our ‘Romantic Making and Unmaking’ conference in Glasgow by forging ahead with several initiatives – scheduling digital events and symposia, co-ordinating our next conferences, running rounds of our funding schemes, supporting several successful events (including the recent Anna Barbauld and Global Austen conferences) and working to make sure that BARS’ finances and future plans remain on a secure footing.

Upcoming Conferences and Symposia

We were glad to be able to announce earlier this year that the next BARS International Conference, ‘Romantic Retrospection’, will be held at the University of Birmingham on the 29th, 30th and 31st July 2026.  Many thanks to the Birmingham conference team (Jessica Fay, Andrew Hodgson, Matthew Ward and latterly Laura Blunsden) for all their hard work.  At the General Meeting, the organisers also announced that we have three exciting keynotes confirmed: Ruth Abbott, Richard Cronin and Mary Favret.

BARS’ 2025 Early Career and Postgraduate Conference, ‘Romantic (Un)Consciousness’, will take place at Trinity Hall, University of Cambridge on 4th and 5th September and online on 12th September.  Kate Nankervis, Cleo O’Callaghan Yeoman and Zooey Ziller have put together a brilliant programme.  Registration remains open until midnight on 1st August, and full details can be found on the conference site. 

This week, BARS will also host two Digital Symposia: ‘Global Romanticism’ (Wednesday July 23rd) and ‘Expanding Queer Romanticisms’ (Friday July 25th).  These events are free to attend for BARS members; Zoom links will be circulated to the membership.

In the next few months, BARS will circulate a call for expressions of interest in hosting the 2028 International Conference, with the aim of returning to pre-pandemic practices and announcing the 2028 venue at the Birmingham conference.  If you have questions about the possibility of hosting the 2028 BARS conference, we are very happy to discuss – please just drop me an email (matthew.sangster@glasgow.ac.uk).

Members’ Survey and Responses

Earlier this year, we conducted an extensive survey to find out which aspects of BARS’ work are most important to our membership.  The results showed strong support for the full range of BARS’ activities.  International Conferences, Early Career and Postgraduate Conferences, bursaries for postgraduate and early career researchers, financial support for conferences and seminars, the Open Fellowship, the President’s Fellowship, fellowship opportunities with partner institutions (such as the Wordsworth Trust and Chawton House), the Digital Events programme, the First Book Prize, international collaborations and the mailbase were all most commonly rated in the highest importance category, with substantial majorities in the top two categories.  There was considerable enthusiasm for the website, blog and BARS’ social media accounts, but the results make it apparent that not all members regularly engage with these channels.  While we will continue to provide information through these means, the survey clarified that the mailbase should remain BARS’ primary means of circulating information.  A couple of written responses recommended that BARS withdraw from X/Twitter – we have followed this advice and will keep our regular social media presence focused on the Facebook group and our Bluesky account.

We also asked about digital provision at future BARS conferences.  28.6% of respondents favoured a fully hybrid conference; 43.7% favoured a conference with in-person and digital days, with digital access to a selection of recordings from in-person sessions; 22.5% were unconcerned about digital provision; and 7% expressed no preference.  In line with these views, we will ask future BARS conference organisers to include digital elements, but will allow their precise form to be determined by the capacity of the team and institution.

Written requests from members suggested an international board member (Francesca Saggini has been serving in that role); formalising the number of sessions people can apply to be part of at a single conference (the Birmingham team is looking into this); and further work with undergraduates and schools (something our new Education and Schools Liaison, Charlotte May, is working on).  There were also a series of suggestions about additional activities BARS might undertake – we will consider these, although we will also take to heart the cautions raised by several respondents about the possibility of the Executive taking on too much.

Fees

The members’ survey also consulted on a necessary increase to BARS’ membership fees.  A fee increase at this time is not something we undertook lightly, but BARS has not changed its fees since 2011 and has considerably increased the range of activities it funds in recent years (through initiatives including the President’s Fellowship, the Open Fellowship, the resumption of support for scholars at Chawton House, and increased budgets for conference and seminar support and for the Copley scheme). Without a fee increase at this point, the Association risks running out of funds in the next couple of years.

Through the survey, our members indicated that they would like BARS’ current activities to continue and were happy to pay increased fees to support this (8.5% of respondents supported a low increase, with the budget to be balanced using cuts; 67.6% a fee increase that maintains BARS’ current level of activity; and 23.9% a large fee increase to boost the funds available through BARS’ various schemes).  In line with this response, we have increased our fees to a level that should allow us to keep doing broadly what we do now for the next four years (after which, we will review the fees again).  We have increased the general annual fee to £37 while maintaining a considerably lower fee of £17 for postgraduates, retired members, those in part-time or impermanent positions and unwaged members.  The survey also indicated that some members would be happy to pay more to help support BARS’ activities, so we have now instituted a Sustaining Membership rate (£57) – this will always be entirely voluntary, but allows those with the means to make a higher regular payment to BARS.  Full information can be seen on BARS’ How to Join page.

Constitution and Elections

At the General Meeting on 30th June, the members present approved revisions to the BARS Constitution to bring it in line with current practices and to make the Executive more open and accountable to the membership.  The revised Constitution can be viewed here.

We will shortly be opening nominations for the Executive roles up for election in this cycle; we will also be seeking expressions of interest from people who’d like to chair or serve on the jury for the BARS First Book Prize.  Further details will be circulated in the next few days.

Many thanks to all members for your support for BARS – as always, the Exec welcomes feedback, which can be sent to me as President (matthew.sangster@glasgow.ac.uk), to Andy McInnes as Secretary (bars.secretary@gmail.com) or to the appropriate officer (listed here).

With best wishes,

Matthew Sangster (on behalf of the BARS Executive)

Event: 2025 Hazlitt Society Annual Lecture and Day-School 

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The Hazlitt Society annual lecture and 23rd Hazlitt day-school will take place on Saturday 13th September 2025.

This year’s Hazlitt day is themed around the bicentenary of the publication of The Spirit of the Age.

Location for all sessions: IAS Common Ground (Room G11, South Wing), University College London (Gower Street entrance).

Schedule:

10.00-10.30am                Arrival and registration, tea and coffee (provided)

10.30-11.30am                Opening plenary (David Woodhouse)

11.45-1pm                         Fiona Robertson on Hazlitt and Scott

                                                Rosemary Ashton on Hazlitt, Brougham, and Campbell

1-2pm                                  Lunch (provided)

2.00-3.45pm                     James Grande on Hazlitt and Godwin

                                                Philip Schofield on Hazlitt and Bentham

                                                Joshua Abbey on Hazlitt and Sir James Mackintosh

4-5.30pm                           Hazlitt Society Annual Lecture: Tim Milnes, ‘Hazlitt and Coleridge’

5.30pm                                Drinks (Marlborough Arms, Torrington Place)

You can attend either the whole day (registration fee £20 or £15 concessions, to cover catering), or just the annual lecture, which is free and open to all.

To register for the full day: https://onlinestore.ucl.ac.uk/conferences-and-events/faculty-of-arts-humanities-c01/department-of-english-language-literature-f10/f10-hazlitt-day-school-lecture-2025

To register for the annual lecture only, please email hazlittsociety@gmail.com (you do not need to do this separately if you are already signed up for the full day).

Call for Applications: BARS Communications Fellow 2025-26

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The British Association for Romantic Studies (BARS) would like to invite applications for a Communications Fellow to assist with the BARS Blog and social media for a period of one year tenable from August 2025. We are looking for someone with previous experience of using blogs and social media for academic purposes. This position is paid an honorarium of £750 and is open to all postgraduate students and early career researchers working in Romantic Studies anywhere in the world. This role will require around 1-2 hours per week.

Responsibilities will include:

  • Leading and contributing to existing BARS Blog series, including ‘On This Day’ and ‘Romantic Reimaginings’.
  • Proposing and curating new blog posts/series.
  • Writing, filming, and creating TikTok videos.
  • Liasing with contributors to the blog/TikTok/social media.
  • Delivering an active and strategic social media presence.
  • Attending online meetings with members of the BARS Executive Committee.

The successful applicant will work closely with the Communications Officer.

This post is an excellent career-development opportunity for a student or early career researcher. You will have the chance to develop valuable skills in the field of scholarly communications and to contribute to the BARS postgraduate community. You will gain valuable skills (website management, content creation and digital communications) which will be useful in academic and non-academic roles alike. We expect that this role will be held alongside other academic or professional commitments such as completing a research project and/or teaching, and we encourage flexible working. 

Essential requirements:

Desirable experience: 

  • Previous involvement in writing or editing blog posts 
  • Experience of using WordPress 
  • Skilled in using social media for professional purposes, specifically experience of using BlueSky, TikTok, and Facebook

To apply: please send an academic CV (up to two pages) and personal statement of 500 words explaining why you are best placed to undertake the duties above to britishassociationromantic@gmail.com by Monday 4 August 2024 (Extended to Friday 8 August). Informal enquiries can be directed to current Comms Officer Amy Wilcockson at amy.wilcockson@glasgow.ac.uk  

The Byron Journal Essay Prize

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About the prize

The Byron Journal is delighted to invite submissions to the new annual essay competition (see below for eligibility) that will be judged by a panel of experts in the field. Since its inception in 1973, the Journal has become widely read in many different countries and enjoys a major international reputation. 

This competition aims to promote scholarly work that provides new perspectives on Byron, his circle, and second-generation Romantic-period writers. We invite essays that consider Byron, or other related canonical and non-canonical figures, including influences and afterlives. We particularly welcome articles that develop original arguments across a range of methodological approaches. 

Eligibility

The competition is open to postgraduate students, untenured faculty, and independent scholars working outside the academy, and postdoctoral scholars up to three years post viva (the competition is global; there are no entry restrictions based upon nationality). The submission deadline is 1 December 2025

All essays are subject to an anonymous peer review by a panel of established experts in Romantic Studies, chaired by Dr Maria Schoina (Aristotle) and Dr Madeleine Callaghan (Sheffield). The winner will be awarded £150 and a featured publication in the Journal.

Submissions

Essays should be submitted via email to the Editor: Dr Mirka Horová (Charles, Prague): miroslava.horova@ff.cuni.cz. Please include PRIZE in the submission title.

Essays should be no longer than 7,500 and no shorter than 5,000 words (including endnotes).

Submissions should meet the Journal’s criteria for publication. Download The Guidelines for Contributors. (If you include supplementary figures with your article, please also provide alt text. For more information, see our guide to alt text.)

Contributions should be original and should not have been previously published in any form, including all forms of electronic publication. Contributors are required to assign copyright to Liverpool University Press.

Please note that your essay must conform to the MHRA style. Please consult the guide which can be found at http://www.mhra.org.uk/style.

The author’s identity must not be identifiable in any way from the essay (electronic tags, such as those on Microsoft Word, should be removed).

Only one submission per person is allowed. The panel’s decision is final.

Registration Open: Eloquent Voices: Orality in the Age of Print, 1750-1870

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A one-day conference at the University of Sussex, Tues 16th September, 2025

Registration is now open! All welcome

This one-day conference gathers international scholars working on the intersections of print and orality in the period 1750-1870, to explore how print culture in Britain and beyond negotiated, harnessed, exploited, and regulated the powers of voice and their potentially wayward effects.

Contributions include papers and panels on:

  • oral poetry and ballads
  • typographical representations of voice
  • muteness in fiction and print culture
  • rhetorical persuasion in the French Revolution
  • American magazines in the early Republic
  • Working-class oracy and the struggle for the vote in Britain

The keynote address will be given by Professor Mary Fairclough (University of York) on ‘Mary Wollstonecraft: Apostrophe, Prayer and Voice’.

All welcome. Please register at Eloquent Voices: Orality in the Age of Print 1750 – 1870 | University of Sussex Online Shop

Full conference programme available here Eloquent Voices: Orality in the Age of Print, 1750-1870 : News and events : The Media, Arts and Humanities Research Institute : University of Sussex

BARS Digital Symposium: ‘Global Romanticism’ Programme – 23 July 2025 (UK Time; BST) 

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Our digital symposium on ‘Global Romanticism’ will be held on 23rd July. This event will showcase current research on Romanticism by bringing together speakers from different parts of the world, each addressing different areas of Romantic writing, its production and intercultural connections. We welcome participants worldwide to share how they conceptualize, build up, approach, or delineate Romanticism in their culture.

Panel 1 (09:30-10:30) – Romanticism Across Cultures

Soumyarup Bhattacharjee, “Dark Romanticism and its Indian Afterlives: A Case Study of Two Contemporary Indian Horror Films” 

Bhawana Sharma, “P.B. Shelley: A Poet of Crisis, Pandemic, and Psychological Miswant”

Hsiang-Yun Rae Yang, “Localising Jane Austen’s Irony: Pride and Prejudice in Taiyu”

Panel 2 (11:00-12:00) – British Romanticism Abroad

Dilara Kalkan, “Byron’s Ottoman Impressions: Cultural and Religious Encounters in The Giaour and The Bride of Abydos”  

Tanja Bakic, “The Reception of the British Romantic Poetry in the Serbo-Croatian-Speaking Region”  

Aishah Al-Shatti, “Teaching Joanna Baillie’s ‘Lines to a Teapot’”

BREAK (12:00-16:30)

Panel 3 (16:30-17:30) – Digital and Media Perspectives

Alexander Huber, “Exploring Global Romantic-Period Poetry Digitally: The Romantic-Period Poetry Archive (RPPA)”  

Miranda Burgess, “Media History at Yuquot, 1778 to the Present” 

Roundtable (18:00-19:30) – Romantic Studies in South America

Jerónimo Ledesma, “Dupuis and Cotonet For Ever! On the Impact of Translation and Editing on Definitions of Romanticism”

Daniela Paolini, “Tracing Romantic Connections between Britain and Argentina: A Case of Transatlantic Cultural Study”

Gabriel Pascansky, “On the Concept of Dilettantism in Literary Historiography. The German Romantics and the Argentine Generation of 1880”

Mario Rucavado Rojas, “On the Illusion of a Timeless Romanticism in Midcentury Argentina”

Pablo San Martín Varela, “Hume and Herder on Ossian: Literature and Nationhood”

Stephen Copley Research Awards 2025 (Round One): Awardees Announced

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The BARS Executive Committee established the Stephen Copley bursary scheme in order to support postgraduate and early-career research within the UK. The bursaries primarily fund expenses incurred through travel to libraries and archives necessary for the applicant’s research, alongside other research-focused costs, such as (but not limited to) photocopying, scanning, and childcare. Please do join us in congratulating the very worthy winners and their projects:

Charlotte Goodge (York) – ‘“Deformity” and the Labouring Ranks in Women’s Travel Writing, c.1770—1830’

Sam Hirst (Liverpool) – ‘Curating Legacies at Newstead: Thomas Wildman’s Impact on Byron’s Legacy’

Flora Lisica (Northeastern University London) ‘Tragedy and Late Romanticism’

Zooey Ziller (Cambridge) ‘Ontological Multiplicity and the Phenomenological Aesthetics of Desire, Mourning, and Melancholia’

Once they have completed their research projects, each winner will write a brief report. These reports will be published on the BARS Blog and circulated through our social media. For more information about the bursaries, including reports from past winners, please visit our website: www.bars.ac.uk.

Dr Gerard McKeever
Bursaries Officer, BARS
13/6/25

Programme: BARS Digital Symposium: Expanding Queer Romanticisms

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25th July 2025, 3pm – 6.15pm BST

About the Symposium

This symposium brings together scholars working on all aspects of queer Romanticism, from the theoretical to the historical, and generate a discussion on the future of the field. By taking a broad approach to definitions of queerness, we will discuss Romanticism in relation to liminality, non-normative genders and transgressive sexualities. With papers discussing everything from atoms, plants and snakes to Romantic theatre, women’s Gothic and challenges to settler-colonialism, this event provides a focal point for work on queer Romanticism that is often hidden within other fields.

The symposium is open to all BARS members – a Zoom link will be circulated to the membership ahead of the event.  If you would like to attend, you can join BARS here.

Programme

All times given are in BST (UTC+1:00)

15:00 – 15:10: Welcome and Opening Remarks

15:10 – 16:30: Panel 1: Deviations

Chair: Matthew Sangster

James Metcalf – Queering the Clinamen: Ann Yearsley’s Atoms and the Poetics of the Possible

Rebekah Musk – ‘A Flower’s Life’: Rethinking Queer Temporalities in Letitia Elizabeth Landon’s ‘A History of the Lyre’

Matteo Schiavone – ‘She Weepeth On Eternally’: Reading Letitia Elizabeth Landon’s Abandoned Women as Queer Characters

Greta Colombani – Queering the Snake Woman: Non-Normative Identities and Desires in John Keats’s ‘Lamia’ and Letitia Elizabeth Landon’s ‘The Fairy of the Fountains’

16:30 – 17:00: Break

17:00 – 18:00 Panel 2: Gender and Bodies

Chair: Rebekah Musk

Kate Singer – Female Sailors & Transatlantic Angst

Jolene Zigarovich – Queer Theory: Questioning the Binary

Alexandra E. LaGrand – ‘The beautiful, the elegant, the lively, Rosalind’: Eulogizing the Extraordinary Miss Walstein

18:00 – 18:15: Discussion on Expanding Queer Romanticisms and Closing Remarks

BARS Membership Fee Increase on July 1st: Notification and Explanation

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Dear BARS,

As we announced at the General Meeting in Glasgow and when we circulated the members’ survey earlier this year, BARS is currently in a position where it needs to increase its fees, which haven’t risen since 2011.  In the past few years, we have expanded the range of fellowships and funding we offer substantially, spending down a surplus that had built up, but we are now at a point where we must raise fees to keep the association on a secure financial footing.

To guide us in pursuing a course in line with our members’ wishes, we asked about the level of fee increase we should implement in the members’ survey.  The vast majority of respondents (91.5%) were happy with a fee increase that will allow us to sustain BARS’ current level of activities, with those who favoured a larger fee increase outnumbering those who favoured a smaller increase (which would mandate cuts) by three to one.

In line with these results, the BARS Executive has determined that the fees will rise to the following levels as of 1st July 2025:

  • Waged: £37 (from £25)
  • Unwaged: £17 (from £10)

The members’ survey also indicated an appetite among some members (23.9%) for an easy means of making a larger yearly contribution to BARS; for these people, we will be setting up a new Sustaining Membership at £57.  No one will ever be obliged to pay at this level, but if you’d like to make a larger regular donation to BARS, subscribing at this level will help support additional fellowships and allow BARS to plan activities over a sustained period.

For members who have already paid this year, current subscriptions remain valid until 31st December 2025.  Please note that receiving this email does not necessarily mean that your membership is up to date.  If you haven’t yet paid your subscription for the calendar year 2025, you have until 30th June to do so at the current rates (this may be especially relevant for postgraduate and early career members attending Romantic (Un)Conciousness).  After that point, we will change the How to Join page to charge the new rates and will adjust all existing PayPal subscriptions.

If you have an ongoing subscription, you will be automatically notified when this is amended.  If you’re happy to continue as a member at the new rate, you don’t need to do anything further, but you can also cancel your subscription if you wish.  If you’d like to change the rate at which you subscribe (either because your circumstances have changed or because you’d like to subscribe at the new Sustaining Membership rate), you can cancel your subscription and then rejoin BARS using the links on the page.  For honorary members, there is no need to contact us individually.

We realise that raising fees at a time of considerable uncertainty is far from ideal, and we wouldn’t be doing so if there were other options.  However, membership fees comprise the entirety of BARS’ regular income, supporting the association’s full range of activities, from conferences to fellowships and from The BARS Review to the Digital Events programme.  Without this increase, we would need to cut back drastically.  With this increase, BARS can continue to flourish; we are confident that we will not need to increase fees again in the short term, and do not plan to review them again until 2029.

Many thanks for your continuing support, and best wishes,

Mary Fairclough (Treasurer), Yimon Lo (Membership Secretary) and Matthew Sangster (President), for the BARS Executive

Call for Contributions: Literature, Multilingualism, and the Four Nations, 1800-1900

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We are inviting proposals for contributions to an edited book, provisionally titled Literature, Multilingualism, and the Four Nations, 1800-1900, which builds on the work that we started during the AHRC-funded research network ‘Victorian Literary Languages’. The network hosted three workshops in 2022 and 2023 and is the basis for a special issue of 19 on ‘Nineteenth-Century Literary Languages’  (available here!)

The proposed volume aims to examine the intersection between literary culture and multilingualism from a distinctive four nations perspective. We hope that it will shed new light on the ways in which literature reflected and shaped the relationship between Britain’s indigenous languages; late modern English and its many variants, accents, and dialects; and the foreign languages that were spoken and heard, written and read, and taught and learnt in England, Ireland, Scotland, and Wales.

We are inviting proposals for essays of approximately 9,000 words by scholars at any stage in their career and are keen to provide a platform for new and emerging critical voices.

Please see below for further details on the topics and approaches we are specifically looking to include. If your research is not captured by the suggested topics but would contribute to the broader aims we identify, please do not hesitate to get in touch!We also welcome informal inquiries about possible contributions.

To express your interest in contributing an essay, please send your proposal of approximately 400 words to viclitlang@gmail.com by 31 July. We anticipate that full chapters will be due toward the end of summer 2026.

Please share this email with anyone in your networks, including graduate students, who may be interested.

With many thanks and best wishes,

Karin Koehler (k.koehler@bangor.ac.uk) and Greg Tate (gpt4@st-andrews.ac.uk)

  1.  Literature, Language and National Identity:

We are looking for essays that address how nineteenth-century literature in English (and any of its variants), Irish, Gaelic, Scots, or Welsh participated in the linguistic construction of national identity, with emphasis on the relationship between the four constituent nations and ‘Britishness’.

Possible topics include, but are by no means limited to:

  • the terminology of national identity, and the relationship – and slippages – between such terms as e.g. England/English, Scottish/Scotland, Welsh/Wales, Ireland/Irish and Britain/British
  • literary resistance to, or compliance with, British unionism
  • literary manifestations of ‘tributary patriotism’
  • literary representations of and reflections on Welsh-English, Gaelic-English, Irish-English bilingualism
  • literature’s contributions to the debate about the future of ‘minoritised languages’
  • literature’s role in defining the relationship between different languages of the four nations
  • literature’s role in disseminating or resisting the terminology of e.g. ‘West Britain’ and ‘North Britain’
  • literature’s role in representing and reflecting on the relationship between regions, nations, and union
  1. Global Circulation

We are looking for essays that address how literature in literature in English (and any of its variants), Irish, Gaelic, Scots, or Welsh effects or reflects the translocal mobility of the four nations’ languages across the globe, especially – though not exclusively – in imperial and colonial contexts.

Possible approaches include, but are by no means limited to:

  • the global circulation and reception of four-nations writing in Welsh, Irish, Gaelic, Scots, or regional Englishes
  • literary representations of the presence and significance of four nations languages in colonial spaces
  • literature, including periodicals, in Welsh, Irish, Gaelic, Scots, or English dialect writing published outside the four nations
  • literary embodiments or representation of distinctive colonial variants of four nations’ languages
  • literature as a means of making linguistic community portable
  • the imposition of four nations languages on indigenous populations and/or the relationship between four nations languages and indigenous languages